In 2008, I worked on Augustana’s 2nd album, Can’t Love, Can’t Hurt. When it came time to mix, I was really happy with the rough mixes, but the question was: who could take it to the next level? We had captured great performances, so who would preserve it, and even enhance it? Jim Scott, of course! His resume is flawless, and his skills are unmatched. Over the course of a few weeks, I’d drive to his studio, PLYRZ, and we’d work on the tracks together. It was an absolute joy to collaborate with him. Now, 16 years later, I’m back at PLYRZ to hang out with Jim, talk music, and tour the studio.
Jim Scott is an American record producer and audio engineer, widely recognised for his extensive work with rock bands. Throughout his career, Scott has collaborated with a diverse range of artists, including Dixie Chicks, Tom Petty, Sting, The Rolling Stones, Crowded House, Red Hot Chili Peppers, Lowen & Navarro, Tedeschi Trucks Band, Wilco and many more. His contributions to music have earned him multiple Grammy Awards, including for his engineering on Tom Petty’s Wildflowers, mixing Foo Fighters’ One by One, and engineering Santana’s Supernatural. Additionally, he received three Grammys for his work on Dixie Chicks’ Taking the Long Way. He also mixed Matchbox Twenty’s More Than You Think You Are, which reached No. 6 on the US Billboard 200 and produced two Top 10 singles on the US Hot 100.
In 2013, Scott appeared in the documentary Sound City, directed by Dave Grohl, alongside other iconic musicians like Paul McCartney, Neil Young, and Tom Petty. The film explored the legacy of the Los Angeles studio and its famed Neve recording console.
Early Years
Born and raised in St. Louis, Missouri, Scott was a drummer and singer in various high school bands such as The London Globe, Soul and The Reactions, and Cole and The Embers. His first drum set, purchased in 1964, came from Mel Bay. After high school, Scott moved to California to study at USC, where he gained a B.S. in geology and became involved with the band Voices, serving as their self-taught producer, engineer, and roadie. Though Voices secured a record deal with MGM Records, the band’s rise to fame was derailed by a dishonest manager. Following the band’s breakup, Scott briefly pursued a career as a geologist before returning to music.
Superlative Work Ethic – Record Plant Years
Scott’s entry into the professional music world came when a friend, working as a temp at The Record Plant, helped him secure a job as a gofer, although getting the job wasn’t that easy, he was initially rejected by Chris Stone, being told that being in his late 20’s he was already too old. Immediately after the interview he went to the bar next door and Scott called the studio and said he was available to start work Monday, showing perseverance after being initially rejected had paid off and he was accepted. Many entering the Record Plant at the lowest rung struggled with tasks like cleaning toilets, sweeping, and other chores, but for Jim Scott, it was easy. Jim attributes his parents with raising him with a strong work ethic, these duties didn’t bother him and excelling at them helped him stand out.
Every task led to more opportunities. Scott excelled as a runner, then as a night phone-answering guy. He followed many a studios traditional path—runner, janitor, then head janitor, where he took full responsibility for everything from supplies to session setups. At the Record Plant, the high-pressure environment quickly weeded out the less committed, but Scott thrived.
One of his biggest breaks came when he got involved with live remotes. With a truck-driving license and the trust of his supervisors, Scott hit the road, working over 500 gigs in two years. Scott recorded live performances by major acts like Bruce Springsteen, Prince, The Blues Brothers, and Heart. After Scott got married to his wife, Carol he wanted to stay home so he shifted to studio work, where he was mentored by industry veterans Andy Johns and Lee DeCarlo and contributed to albums by artists such as Dolly Parton and Queen. This hands-on experience became the best training he could have received.
1984-2005: Dream Of The Blue Turtles and Freelance Career
Jim Scott was doing demos and what he called “super-assisting” at the Record Plant, where they would often bring him in when they had problems they couldn’t fix. Then, he got another big break. One day, they reached out to him and said, “We’ve got a guy from England working on a scoring stage, trying to put together a cinema release of the Police’s Synchronicity video. He’s attempting to sync three mag machines and two multitracks with the union guys, but it’s not working. Can you go over there and sort it out?”
Scott went over, met producer Pete Smith, and quickly got everything organised and running smoothly. He assured Smith to focus on his work while he took care of the technical side. After that project, six months went by, and then Scott received a call from Pete Smith. “I’ve been asked to produce Sting’s solo album. How would you like to come to Barbados and be the engineer?” Smith asked. That album was Sting’s first solo album, ‘Dream Of The Blue Turtles’.
Just like that, Scott transitioned from assisting to being a recording engineer, flying to Barbados to work on a major record with someone he had impressed through his previous efforts. The experience reinforced a lesson for anyone starting out in the industry: you always have to be at your best. As Scott put it, no one ever says, “Hmm, I need someone for these vocal overdubs, let’s find someone who’s not very good.” It doesn’t happen. You have to be sharp—on your game every day, for every job.
Scott found steady work with loyal clients, recording albums for Tom Petty, Wilco, Robbie Robertson, The Red Hot Chili Peppers, John Fogerty, and more. He frequently collaborated with producers Rick Rubin and George Drakoulias, and began collecting recording equipment and instruments.
2006-Present: PLYRZ Recording Studio
In January 2006, Scott opened his own recording studio, PLYRZ, a 5,000-square-foot facility filled with his collection of vintage instruments and equipment. The studio’s control room features a Neve 8048 console, vintage compressors, effects, and an impressive microphone collection. Since then, he has continued to work with artists like The Courtyard Hounds, Sixpence None the Richer, Ron Sexsmith, and Hanson.
Grammy Awards and Legacy
Scott has been nominated for 17 Grammy Awards, winning seven. His accolades include:
- Best Engineered Recording, Non-Classical for Wildflowers by Tom Petty
- Album of the Year for Supernatural by Santana
- Best Rock Album for One by One by Foo Fighters
- Album of the Year and Best Country Album for Dixie Chicks’ Taking the Long Way
- Best Blues Album for Revelator by Tedeschi Trucks Band
He has also contributed to numerous other Grammy-winning albums, collaborating with artists like Lucinda Williams, Wilco, and Robert Randolph. With over 350 album credits to his name, Jim Scott remains a highly influential figure in the world of music production and engineering.
JIM SCOTT Discography
|
ARTIST |
ALBUM |
CREDIT |
YEAR |
|
Various Artists |
Highway Butterfly: The Songs Of Neal Casal |
Co-Produced, Engineered, Mixed |
2020 |
|
Circles Around The Sun |
Circles Around The Sun |
Co-Produced, Engineered, Mixed |
2020 |
|
Joe Satriani |
Shapeshifting |
Co-Produced, Engineered, Mixed |
2020 |
|
Lauren Monroe |
Forthcoming Album |
Produced, Engineered, Mixed |
2020 |
|
Tom Petty |
An American Treasure |
Engineered and Mixed Selected tracks |
2019 |
|
Tedeschi Trucks Band |
Signs |
Co-Produced, Engineered, Mixed |
2018 |
|
Hanson |
String Theory |
Mixed |
2018 |
|
Hamish Anderson |
Out of My Head |
Produced, Engineered, Mixed |
2018 |
|
Emma Scott |
Emma Scott |
Produced, Engineered, Mixed |
2018 |
|
Low Ray |
Friends and The Fakers |
Mixed |
2018 |
|
Brent Cowles |
How To Be OK Alone |
Mixed |
2018 |
|
Ian Gothe |
Momento |
Produced, Engineered, Mixed |
2018 |
|
Bill Martin |
Valencia |
Produced, Engineered, Mixed |
2018 |
|
Pascal Voiture |
Jack’s Road |
Mixed |
2018 |
|
Mike Montrey |
Forthcoming Album |
Produced, Engineered, Mixed |
2017 |
|
John Ginty Band |
Forthcoming Album |
Produced, Engineered, Mixed |
2017 |
|
Danielle Hicks |
Honey |
Produced, Engineered, Mixed |
2017 |
|
Styx |
The Mission |
Mixed |
2017 |
|
Light Warriors |
Raise The Frequency |
Mixed |
2017 |
|
The Orchard |
The Great Unknown |
Produced, Engineered, Mixed |
2017 |
|
Calico The Band |
Under Blue Skies |
Mixed |
2017 |
|
Kings + Associates |
Tales Of A Rich Girl |
Produced, Engineered |
2017 |
|
Bonzie |
Zone On Nine |
Mixed |
2017 |
|
Alejandro Escovedo |
Burn Something Beautiful |
Mixed |
2016 |
|
Marcus King Band |
The Marcus King Band |
Mixed |
2016 |
|
Victoria Reed |
Chariot |
Mixed |
2016 |
|
Reckless Kelly |
Sunset Motel |
Mixed |
2016 |
|
The Common Linnets |
Forthcoming Album |
Co-Produced, Engineered, Mixed |
2016 |
|
The Broadcast |
From The Horizon |
Produced, Engineered, Mixed |
2016 |
|
Hamish Anderson |
Trouble |
Produced, Engineered, Mixed |
2016 |
|
Jerry Joseph |
By The Time Your Rocket Gets to Mars |
Mixed |
2016 |
|
Hard Working Americans |
Rest in Chaos |
Mixed |
2016 |
|
Warren Haynes |
Ashes & Dust |
Mixed |
2016 |
|
Dweezil Zappa |
Via Zammata |
Mixed |
2016 |
|
Sunny Ozell |
Take It With Me |
Mixed |
2016 |
|
Jason Robert Blum |
Invisible Words |
Produced, Engineered, Mixed |
2016 |
|
Nine Days |
Snapshots |
Produced, Engineered, Mixed |
2016 |
|
Jerry Joseph |
Forthcoming Release |
Mixed |
2015 |
|
Ron Sexsmith |
Carousel One |
Produced, Engineered, Mixed |
2014 |
|
Ryan Bingham |
Fear And Saturday Night |
Produced, Engineered, Mixed |
2014 |
|
Charlie Mars |
The Money |
Mixed |
2014 |
|
Minnie Driver |
Ask Me To Dance |
Engineered, Mixed |
2014 |
|
The Mastersons |
Good Luck Charm |
Produced, Engineered, Mixed |
2014 |
|
The Whigs |
Modern Creation |
Produced, Engineered, Mixed |
2014 |
|
Court Yard Hounds |
Amelita |
Produced, Engineered |
2013 |
|
Lee DeWyze |
Frames |
Mixed |
2013 |
|
Dido |
Girl Who Got Away |
Engineered |
2013 |
|
Tedeschi Trucks Band |
Made Up Mind |
Produced, Engineered, Mixed |
2013 |
|
Nick Hexum |
My Shadow Pages |
Produced, Engineered, Mixed |
2013 |
|
Will Hoge |
Never Give In |
Mixed |
2013 |
|
Sound City |
Real to Reel |
Engineered |
2012 |
|
Tedeschi Trucks Band |
Everbody’s Talkin’ Live |
Produced, Engineered, Mixed |
2012 |
|
Sixpence None The Richer |
Lost in Translation |
Produced, Engineered, mixed |
2012 |
|
Sons of Bill |
Sirens |
Mixed |
2011 |
|
Grace Potter & The Nocturnals |
The Lion, The Beast… |
Produced, Engineered |
2011 |
|
Sting |
25 Years |
Engineered |
2011 |
|
Teddy Thompson |
Bella |
Mixed |
2011 |
|
Jack’s Mannequin |
People And Things |
Produced, Engineered |
2011 |
|
Tedeschi Trucks Band |
Revelator |
Produced, Engineered, Mixed |
2011 |
|
The Wood Brothers |
Smoke Ring Halo |
Produced, Engineered, Mixed |
2011 |
|
The Bangles |
Sweetheart Of The Sun |
Mixed |
2010 |
|
Tom Morello |
World Wide Rebel Songs |
Engineered, Mixed |
2010 |
|
Court Yard Hounds |
Court Yard Hounds |
Co-Produced, Engineered, Mixed |
2010 |
|
Tamar Kaprelian |
Sinner Or A Saint |
Engineered |
2010 |
|
Crowded House |
Intriguer |
Co-produced, Engineered, Mixed |
2009 |
|
Citizen Cope |
The Rainwater LP |
Engineered |
2009 |
|
Will Hoge |
The Wreckage |
Mixed |
2009 |
|
Works Progress Administration |
WPA |
Engineered, Mixed |
2009 |
|
Wilco |
Wilco (The Album) |
Co-Produced, Engineered, Mixed |
2009 |
|
7 Worlds Collide |
The Sun Came Out |
Co-Produced, Engineered |
2009 |
|
NeedToBreathe |
The Outsiders |
Produced, Engineered, Mixed |
2009 |
|
Sons Of Bill |
One Town Away |
Produced, Engineered, Mixed |
2009 |
|
Streetsweeper Social Club |
Streetsweeper Social Club |
Engineered, Mixed |
2009 |
|
Amy Allison |
Sheffield Streets |
Engineered, Mixed |
2009 |
|
The Jayhawks |
Music From The North Country |
Mixed |
2008 |
|
Foo Fighters |
Greatest Hits |
Mixed |
2008 |
|
Lowen & Navarro |
Learning To Fall |
Mixed |
2008 |
|
Gary Louis |
Vagabonds |
Produced, Engineered, Mixed |
2008 |
|
Donna The Buffalo |
Silverlined |
Mixed |
2008 |
|
Dido |
Safe Trip Home |
Mixed |
2008 |
|
The Bridges |
Limits Of The Sky |
Engineered, Mixed |
2008 |
|
Glenn Hughes |
First Underground Nuclear Kitchen |
Mixed |
2008 |
|
Augustana |
Can’t Love Can’t Hurt |
Engineered |
2007 |
|
Kathleen Edwards |
Asking For Flowers |
Mixed |
2007 |
|
Tavis Tritt |
The Storm |
Produced, Engineered, Mixed |
2007 |
|
Wilco |
Sky Blue Sky |
Produced, Engineered, Mixed |
2007 |
|
Minnie Driver |
Sea Stories |
Mixed |
2007 |
|
John Fogerty |
Revival |
Engineered, Mixed |
2007 |
|
King Wilkie |
Low Country Suite |
Engineered, Mixed |
2007 |
|
Marc Cohn |
Join The Parade |
Produced, Engineered, Mixed |
2007 |
|
Lavender Diamond |
Imagine Our Love |
Engineered, Mixed |
2006 |
|
Matchbox 20 |
Exile On Mainstream |
Mixed |
2006 |
|
Dave Alvin |
West Of The West |
Mixed |
2006 |
|
Dixie Chicks |
Taking The Long Way |
Mixed |
2006 |
|
Teddy Thompson |
Separate Ways |
Engineered |
2006 |
|
Pilot Speed |
Into The West |
Mixed |
2006 |
|
Kevin Hearn |
Miracle Mile |
Mixed |
2006 |
|
John Fogerty |
The Long Road Home |
Produced, Engineered |
2006 |
|
System Of A Down |
Lonely Day |
Mixed |
2006 |
|
Laura Vecchione |
Deeper Waters |
Mixed |
2005 |
|
The Damnwells |
Air Stereo |
Mixed |
2005 |
|
Neal Casal |
Return In Kind |
Mixed |
2005 |
|
Audioslave |
Out Of Exile |
Engineered |
2005 |
|
Jason Mraz |
Mr. A-Z |
Engineered |
2005 |
|
Weezer |
Make Believe |
Mixed |
2005 |
|
Wilco |
Kicking Television |
Engineered |
2005 |
|
Gratitude |
Gratitude |
Mixed |
2005 |
|
Barenaked Ladies |
Chicken Little |
Produced, Engineered, Mixed |
2005 |
|
Nikka Costa |
Can’tneverdidnothin’ |
Produced, Engineered, Mixed |
2005 |
|
Zoe Scott |
Beautiful To Be Alive |
Mixed |
2005 |
|
Kathleen Edwards |
Back To Me |
Mixed |
2004 |
|
Josh Kelley |
Almost Honest |
Mixed |
2004 |
|
Tift Merritt |
Tambourine |
Produced, Engineered, Mixed |
2004 |
|
John Frusciante |
Shadows Collide With People |
Engineered, Mixed |
2004 |
|
Charlie Mars |
Charlie Mars |
Engineered, Mixed |
2004 |
|
Counting Crows |
Films About Ghosts |
Mixed |
2004 |
|
Fernando Ortega |
Fernando Ortega |
Mixed |
2004 |
|
John Gregory |
Pictures From Home |
Mixed |
2004 |
|
Lowen & Navarro |
Long Last Christmas |
Mixed |
2004 |
|
Mark Sandman |
Sandbox |
Produced, Engineered, Mixed |
2004 |
|
Masters Of Reality |
Give Us Barrabas |
Engineered |
2004 |
|
Matthew Sweet |
Platinum & Gold Collection |
Mixed |
2003 |
|
Neal Casal |
Leaving Traces |
Produced, Engineered, Mixed |
2003 |
|
Eve 6 |
It’s All In Your Head |
Produced, Engineered, Mixed |
2003 |
|
Franky Perez |
Poor Man’s Son |
Mixed |
2003 |
|
Johnny Cash |
Unearthed |
Produced, Engineered, Mixed |
2003 |
|
Lisa Marie Presley |
To Whom It May Concern |
Mixed |
2003 |
|
Michele Branch |
Hotel Paper |
Mixed |
2003 |
|
PaloAlto |
Heroes and Villains |
Mixed |
2003 |
|
Red Hot Chili Peppers |
Greatest Hits and Videos |
Mixed |
2003 |
|
Reef |
Together: The Best of Reef |
Engineered, Mixed |
2003 |
|
Robert Randolph & Family Band |
Unclassified |
Engineered, Mixed |
2003 |
|
Steve Forbert |
The Geffen Years |
Produced, Engineered, Mixed |
2002 |
|
Tom Petty & The Heartbreakers |
Live At The Olympic |
Engineered |
2002 |
|
Barenaked Ladies |
Disc One: All Their Greatest Hits |
Mixed |
2002 |
|
Colorsound |
Colorsound |
Produced, Engineered, Mixed |
2002 |
|
Dave Matthews |
Some Devil |
Mixed |
2002 |
|
Dredg |
Cielo |
Mixed radio singles |
2002 |
|
Foo Fighters |
One By One |
Engineered |
2002 |
|
Holly Near |
And Still We Sing |
Mixed |
2002 |
|
Matchbox 20 |
More Than You Think You Are |
Produced, Engineered, Mixed |
2002 |
|
Pseudopod |
Pseudopod |
Mixed |
2002 |
|
Red Hot Chili Peppers |
By The Way |
Mixed |
2002 |
|
Ride |
OX4: The Best of Ride |
Engineered, Mixed |
2002 |
|
Robert Randolph & Family Band |
Live At The Wetlands |
Engineered |
2002 |
|
Shannon McNally |
Jukebox Sparrows |
Engineered |
2002 |
|
Sting & The Police |
The Very Best of Sting & The |
Mixed |
2002 |
|
The Bodeans |
Best of Bodeans: Slash & Burn |
Engineered, Mixed |
2001 |
|
Tom Petty & The Heartbreakers |
the Last D J |
Produced, Engineered, Mixed |
2001 |
|
Amy Allison |
Sad Girl |
Engineered |
2001 |
|
Barenaked Ladies |
Maroon |
Produced, Engineered, Mixed |
2001 |
|
D-A-D |
Everything Glows |
Engineered, Mixed |
2001 |
|
David Garza |
Overdub |
Mixed |
2001 |
|
Doyle Bramhall II & Smokestack |
Welcome |
Engineered, Mixed |
2001 |
|
Eagle Eye Cherry |
Present/ Future |
Produced, Engineered, Mixed |
2001 |
|
Natalie Merchant |
Motherland |
Mixed |
2001 |
|
Neilson Hubbard |
Why Men Fail |
Mixed |
2001 |
|
Pete Yorn |
musicforthemorningafter |
Mixed |
2001 |
|
Red Hot Chili Peppers |
Road Trippin’ dvd |
Mixed |
2000 |
|
Toploader |
Onka’s Big Moka |
Engineered, Mixed |
2000 |
|
Jeff Healey Band |
Get Me Some |
Mixed |
2000 |
|
Lifehouse |
No Name Face |
Engineered, Mixed |
2000 |
|
Natalie Merchant |
Tigerlilly (5:1 Audio) |
Enigneered |
2000 |
|
Neal Casal |
Anytime Tomorrow |
Mixed |
2000 |
|
Rage Against The Machine |
Renegades |
Produced, Engineered, Mixed |
1999 |
|
Zachary Richard |
Silver Jubilee |
Engineered |
1999 |
|
Counting Crows |
This Desert Life |
Produced, Engineered, Mixed |
1999 |
|
Kula Shaker |
Peasants, Pigs & Astronauts |
Mixed |
1999 |
|
Matthew Sweet |
In Reverse |
Engineered |
1999 |
|
Natalie Merchant |
Live In Concert |
Produced, Engineered, Mixed |
1999 |
|
Red Hot Chili Peppers |
Californication |
Mixed |
1999 |
|
Santana |
Supernatural |
Engineered, Mixed |
1999 |
|
Widespread Panic |
Til The Medicine Takes |
Engineered |
1998 |
|
Wilco |
Summerteeth |
Mixed |
1998 |
|
Golden Smog |
Weird Tales |
Mixed |
1998 |
|
Hazeldine |
Digging You Up |
Mixed |
1998 |
|
James Iha |
Let It Come Down |
Produced, Engineered, Mixed |
1998 |
|
Jude |
No One’s Really Beautiful |
Produced, Engineered, Mixed |
1998 |
|
Lowen & Navarro |
Scratch At The Door |
Mixed |
1998 |
|
Lucinda Williams |
Car Wheels On A Gravel Road |
Engineered, Mixed |
1998 |
|
Natalie Merchant |
Ophelia |
Mixed |
1998 |
|
Old Pike |
Ten Thousand Nights |
Mixed |
1998 |
|
The Connells |
Still LIfe |
Produced, Engineered, Mixed |
1998 |
|
Todd Thibaud |
Favorite Waste Of Time |
Produced, Engineered, Mixed |
1998 |
|
Vallejo |
Beautiful life |
Mixed |
1997 |
|
You Am I |
#4 Record |
Mixed |
1997 |
|
Blue Mountain |
Homegrown |
Engineered |
1997 |
|
Garrison Starr |
18 Over Me |
Engineered, Mixed |
1997 |
|
Neal Casal |
Field Recordings |
Mixed |
1997 |
|
Reef |
Glow |
Produced, Engineered, Mixed |
1997 |
|
The Freddy Jones Band |
Lucid |
Engineered, Mixed |
1997 |
|
The Jayhwaks |
Sound Of Lies |
Mixed |
1997 |
|
The Mommyheads |
Mommyheads |
Mixed |
1997 |
|
The Rolling Stones |
Bridges To Babylon |
Engineered, Mixed |
1997 |
|
Tonio K |
Ole |
Engineered |
1997 |
|
Whiskeytown |
Stranger’s Almanac |
Engineered, Mixed |
1996 |
|
You Am I |
Hourly Daily |
Produced, Engineered, Mixed |
1996 |
|
Carl Perkins |
Go Cat Go |
Engineered, Mixed |
1996 |
|
Donovan |
Sutras |
Engineered, Mixed |
1996 |
|
Screaming Trees |
Dut |
Engineered |
1996 |
|
Susanna Hoffs |
Susanna Hoffs |
Engineered |
1996 |
|
The Freewheelers |
Waitin’ For George |
Engineered |
1996 |
|
The Subdudes |
Primitive Streak |
Engineered, Mixed |
1996 |
|
Tom Petty & The Heartbreakers |
She’s The One |
Mixed |
1995 |
|
Wilco |
Being There |
Engineered, Mixed |
1995 |
|
Anders Osbourne |
Which Way To Here |
Mixed |
1995 |
|
Dead Hot Workshop |
1001 |
Produced, Engineered |
1995 |
|
Neal Casal |
Fade Away Diamond Time |
Produced, Engineered, Mixed |
1995 |
|
The Bodeans |
Joe Dirt Car |
Produced, Engineered, Mixed |
1995 |
|
The Ugly Americans |
The Ugly Americans |
Engineered |
1994 |
|
Tom Petty & The Heartbreakers |
Playback |
Produced, Engineered, Mixed |
1994 |
|
American Music Club |
San Francisco |
Engineered, Mixed |
1994 |
|
Danzig |
Danzig IV |
Mixed |
1994 |
|
Johnny Cash |
American Recordings |
Engineered |
1994 |
|
Jump In The Water |
Nothing Else Will Do |
Engineered, Mixed |
1994 |
|
Ride |
Carnival Of Light |
Produced, Engineered, Mixed |
1994 |
|
Slayer |
Divine Intervention |
Engineered |
1994 |
|
The Subdudes |
Annunciation |
Engineered |
1994 |
|
Tom Petty & The Heartbreakers |
Wildflowers |
Mixed |
1993 |
|
Vigilantes Of Love |
Welcome To Struggleville |
Engineered |
1993 |
|
Chuck Prophet |
Balinese Dancer |
Produced, Engineered, Mixed |
1993 |
|
Holly Near |
Fire In The Rain |
Produced, Engineered |
1993 |
|
Masters of Reality |
Sunrise On The Sufferbus |
Produced, Engineered, Mixed |
1993 |
|
Pierce Pettis |
Chase The Buffalo |
Engineered |
1992 |
|
Tribe After Tribe |
Love Under Will |
Mixed |
1992 |
|
Eric Eden |
I’d Make You Happy |
Produced, Engineered, Mixed |
1992 |
|
Oingo Boingo |
Best Of Oingo Boingo |
Mixed |
1992 |
|
Roy Orbison |
King Of Hearts |
Engineered, Mixed |
1990 |
|
The Samples |
No Room |
Engineered, Mixed |
1990 |
|
Tribe After Tribe |
Tribe After Tribe |
Produced, Engineered, Mixed |
1990 |
|
Zachary Richard |
Women In The Room |
Produced, Engineered, Mixed |
1990 |
|
Danzig |
Danzig II: Lucifuge |
Produced, Engineered, Mixed |
1990 |
|
Holly Near |
Singer In the Storm |
Engineered |
1990 |
|
Lowen & Navarro |
Walking On A Wire |
Engineered, Mixed |
1990 |
|
Oingo Boingo |
Dark At The End Of The Tunnel |
Produced, Engineered, Mixed |
1990 |
|
Reo Speedwagon |
Earth, A Small Man, His Dog… |
Engineered |
1989 |
|
Steve RIley & The Mamou … |
Mamou Playboys |
Produced, Engineered |
1989 |
|
Treat Her Right |
Tied to The Tracks |
Engineered |
1989 |
|
Lonesome Romeos |
Lonesome Romeos |
Engineered |
1988 |
|
The Bodeans |
Home |
Engineered, Mixed |
1988 |
|
The Adventures |
Sea of Love |
Produced, Engineered, Mixed |
1988 |
|
Tom Jones |
Move Closer |
Mixed |
1988 |
|
Danzig |
Danzig |
Engineered |
1987 |
|
Oingo Boingo |
Boingo Alive |
Engineered |
1987 |
|
Robbie Robertson |
Robbie Robertson |
Engineered, Mixed |
1987 |
|
Santana |
Freedom |
Associate Producer, Engineer |
1986 |
|
Carlos Santana |
Blues For Salvador |
Engineered |
1985 |
|
Sting |
Bring On The Night |
Engineered |
1985 |
|
Sting |
Dream Of The Blue Turtles |
Engineered, Mixed |
1985 |
