{"id":36802,"date":"2023-01-24T10:19:49","date_gmt":"2023-01-24T15:19:49","guid":{"rendered":"https:\/\/www.producelikeapro.com\/?p=36802"},"modified":"2023-02-27T19:09:07","modified_gmt":"2023-02-28T00:09:07","slug":"rode-nt1-review","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/rode-nt1-review\/","title":{"rendered":"Rode NT1 Review"},"content":{"rendered":"<div class=\"produ-leaderboard-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\" id=\"produ-2848122119\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-4052926805973-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-4052926805973-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-4052926805973-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-4052926805973-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-4052926805973-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div>[vc_row][vc_column][vc_column_text]\n<p><center><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/wo8NBQEXiaI\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/center>[\/vc_column_text][vc_column_text]\n<p class=\"p1\"><span style=\"font-family: helvetica, arial, sans-serif;\">This is a game-changing mic that has been around for a few years. You may have already used it, but if you haven&#8217;t, you&#8217;ve definitely heard about it. We&#8217;re talking about the <em><strong><span style=\"color: #3366ff;\"><a style=\"color: #3366ff;\" href=\"http:\/\/www.rode.com\/microphones\/nt1-a\">RODE NT1<\/a><\/span>.<\/strong><\/em><\/span><\/p>\n<p class=\"p1\"><span style=\"font-family: helvetica, arial, sans-serif;\">In this review we record some acoustic guitars and I sing badly into it (you know me!) The point is, this was a game-changing mic. It was the first affordable large diaphragm, good sounding, microphone out there!<\/span><\/p>\n<p><span style=\"font-family: helvetica, arial, sans-serif;\">I focused on vocal and Guitar because this Mic is perfect for the home recordist who would be using a lot of <a href=\"https:\/\/producelikeapro.com\/blog\/using-midi-controllers-to-play-virtual-instruments\/\">virtual instruments<\/a>!<\/span><\/p>\n<p class=\"p1\"><span style=\"font-family: helvetica, arial, sans-serif;\">Although this is such a popular mic, I&#8217;ve never actually used one! Watch the video below to see my real-life first-time thoughts on this mic! Let&#8217;s take a look at the description from the R\u00d8DE website:<\/span><\/p>\n<p class=\"p1\"><em><span style=\"font-family: helvetica, arial, sans-serif;\">&#8220;The R\u00d8DE NT1-A 1&#8243; cardioid condenser microphone has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the world\u2019s most expensive microphones.&#8221;<\/span><\/em><\/p>\n<p class=\"p1\"><span style=\"font-family: helvetica, arial, sans-serif;\">The manual says incredibly quiet cardioid condenser microphone and it&#8217;s pretty darn quiet, I&#8217;ll give you that! I&#8217;m not hearing any hiss or any noise or anything.<\/span><\/p>\n<p class=\"p1\"><span style=\"font-family: helvetica, arial, sans-serif;\">I love a lot of different microphones, but I can understand why this particular one has sold in bucket loads and why so many people talk about it! Many people have made great independent records using it! What a great mic! Bravo! Thank you R\u00d8DE!<\/span><\/p>\n<p class=\"p1\"><span style=\"font-family: helvetica, arial, sans-serif;\">R\u00d8DE has been kind enough to give us ANOTHER one of these to giveaway to one lucky viewer!\u00a0<\/span><span style=\"font-family: helvetica, arial, sans-serif;\">Please watch the review above and then enter the giveaway! Remember, the more actions you take the high you increase your chances of winning!\u00a0<\/span><\/p>\n<p><span style=\"font-family: helvetica, arial, sans-serif;\">Have a marvelous time recording and mixing,\u00a0<\/span><\/p>\n<p><span style=\"font-family: helvetica, arial, sans-serif;\">Warren<\/span>[\/vc_column_text][vc_column_text]\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt;\"><strong><span style=\"font-family: helvetica, arial, sans-serif;\">Enter to win!<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: impact, sans-serif; color: #ff0000; font-size: 36pt;\">R\u00d8DE NT1 1 cardioid condenser microphone<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt;\"><strong><span style=\"font-family: helvetica, arial, sans-serif;\">$269 Value<\/span><\/strong><\/span><\/p>\n[\/vc_column_text][vc_raw_html]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[\/vc_raw_html][\/vc_column][\/vc_row]\n<h2>Rode NT1 vs. NT1-A<\/h2>\n<p>Although similar in name and physical appearance, the NT1 and equally popular NT1-A have subtle individual characteristics. The original NT1 first came out in 1997. Following the NT1-A&#8217;s success, Rode redesigned it from the ground up, paying particular attention to the capsule. They also made it extremely durable using military-grade ceramic and loads of incredible manufacturing techniques that Rode is famous for.<\/p>\n<p>The <strong>NT1<\/strong> has been described as rich and full, with extremely low self-noise. This is perhaps one of its most impressive features, as it&#8217;s still a very sensitive microphone that captures tons of detail. Inside the NT1, the transducer is suspended using Rycote&#8217;s Lyre System, which drastically minimizes external vibrations. Overall, the NT1 has an incredibly low 4.5 dBA of self-noise.<\/p>\n<p>The <strong>NT1-A<\/strong>\u00a0also came out in the late &#8217;90s, and it quickly became an industry-standard, budget-friendly mic for vocals and acoustic instruments. Similar to the NT1, the NT1-A captures instruments with clarity and detail; it also has the ability to handle high SPLs, making it suitable for a variety of instruments.<\/p>\n<p><strong>Tech Specs<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<td>Microphone Model<\/td>\n<td>Rode NT1<\/td>\n<td>Rode NT1-A<\/td>\n<\/tr>\n<tr>\n<td>Dimensions<\/td>\n<td>Length &#8211; 187mm \/ Diameter &#8211; 50mm<\/td>\n<td>Length &#8211; 190mm \/ Diameter &#8211; 50mm<\/td>\n<\/tr>\n<tr>\n<td>Net Weight<\/td>\n<td>395g<\/td>\n<td>326 g<\/td>\n<\/tr>\n<tr>\n<td>Acoustic Principle<\/td>\n<td>Pressure Gradient<\/td>\n<td>Pressure Gradient<\/td>\n<\/tr>\n<tr>\n<td>Active Electronics<\/td>\n<td>JFET impedance converter with bipolar output buffer<\/td>\n<td>JFET impedance converter with bipolar output buffer<\/td>\n<\/tr>\n<tr>\n<td>Directional Pattern<\/td>\n<td>Cardioid<\/td>\n<td>Cardioid<\/td>\n<\/tr>\n<tr>\n<td>Frequency Range<\/td>\n<td>20Hz ~ 20kHz<\/td>\n<td>20 Hz ~ 20 kHz<\/td>\n<\/tr>\n<tr>\n<td>Output Impedance<\/td>\n<td>100 Ohms<\/td>\n<td>100 Ohms<\/td>\n<\/tr>\n<tr>\n<td>Equivalent Noise<\/td>\n<td>4.5 dBA SPL (as per IEC651)<\/td>\n<td>5dBA<\/td>\n<\/tr>\n<tr>\n<td>Maximum Output<\/td>\n<td>8.0mV (@ 1kHz, 1% THD into 1 kOhms load)<\/td>\n<td>13.7mV (@ 1kHz, 1% THD into 1 kOhms load)<\/td>\n<\/tr>\n<tr>\n<td>Sensitivity<\/td>\n<td>-29 dB re 1V\/Pa (35mV @ 94dB SPL) +\/- 2dB @ 1kHz<\/td>\n<td>-32 dB re 1 Volt\/Pascal (25 mV<br \/>\n@ 94 dB SPL) +\/- 2 dB @ 1kHz<\/td>\n<\/tr>\n<tr>\n<td>Dynamic Range<\/td>\n<td>128 dB SPL<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Maximum SPL<\/td>\n<td>132 dB SPL<\/td>\n<td>137dB SPL<\/td>\n<\/tr>\n<tr>\n<td>Signal \/ Noise<\/td>\n<td>90 dBA SPL (as per IEC651)<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Power Requirements<\/td>\n<td>24V phantom power<br \/>\n48V phantom power<\/td>\n<td>24V phantom power<br \/>\n48V phantom power<\/td>\n<\/tr>\n<tr>\n<td>Output Connection<\/td>\n<td>3 Pin XLR<br \/>\nBalanced output between pin 2 (+), pin 3 (-) and pin 1 (ground)<\/td>\n<td>3 pin XLR<br \/>\nbalanced output between Pin 2 (+), Pin 3 (-), Pin 1 (ground)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>On paper, there doesn&#8217;t appear to be a drastic difference between the NT1 and NT1-A. They both have super low self-noise, they have the SPL tolerance of a dynamic mic, and they&#8217;re practically identical physically. Still, however, most people who have used both tend to hear them as two very different mics.<\/p>\n<div class=\"page\" title=\"Page 1\">\n<h3 class=\"section\">Rode NT1 Frequency Response<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-47722 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/01\/Review-Giveaway-Rode-NT1.jpg\" alt=\"Review &amp; Giveaway- Rode NT1\" width=\"550\" height=\"241\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/01\/Review-Giveaway-Rode-NT1.jpg 550w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/01\/Review-Giveaway-Rode-NT1-20x9.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/01\/Review-Giveaway-Rode-NT1-385x169.jpg 385w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/p>\n<p>Reading the chart, we can tell right away that the NT1&#8217;s response is super flat. There&#8217;s a slight low-end roll-off before it becomes totally flat until a gentle 1 dB lift between 4kHz and 10kHz. It finally rolls the high-end off at around 15 kHz.<\/p>\n<p>What all this means is that the NT1 reproduces frequencies between 30 Hz and 4 kHz super accurately. It doesn&#8217;t color anything between those two poles; it simply captures what really exists. On vocals, for example, the NT1 does a great job of capturing a true representation of someone&#8217;s voice.<\/p>\n<h3>Rode NT1-A Frequency Response<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-47723 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/01\/Review-Giveaway-Rode-NT1._2.jpg\" alt=\"Review &amp; Giveaway- Rode NT1_2\" width=\"550\" height=\"237\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/01\/Review-Giveaway-Rode-NT1._2.jpg 550w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/01\/Review-Giveaway-Rode-NT1._2-20x9.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/01\/Review-Giveaway-Rode-NT1._2-385x166.jpg 385w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/p>\n<p>Right away, you can see the NT1-A has a completely different frequency response compared to the NT1. There are tons of boosts and dips across the entire spectrum, compared to the almost completely flat NT1.<\/p>\n<p>There&#8217;s a gentle 1 dB lift from about 100 Hz to 250 Hz. From the upper mids into the highs, there&#8217;s quite a bit of boosting going on, culminating in a roughly 2.5dB boost at the 12 kHz mark. The result is a much brighter microphone compared to the NT1. This can be great for capturing subtle harmonics in the high-end, or adding a bit of extra air to a source. However, lots of people would describe the NT1-A as &#8220;harsh&#8221; compared to the NT1.<\/p>\n<h3>Rode NT1 vs NT1-A: Conclusion<\/h3>\n<p>Taking the frequency charts into consideration, these are two very different mics. Ultimately, it isn&#8217;t about which one is &#8216;better,&#8217; but what color you&#8217;re going for and why.<\/p>\n<p>With the NT1, you&#8217;re getting a super flat, accurate representation of an instrument or voice. With the NT1-A, you&#8217;re getting a hyped high-end for extra presence and clarity in that area \u2014 a brighter sound overall.<\/p>\n<p>Both can handle a variety of high SPL sound sources, both have been used and loved on vocals and acoustic instruments, and both have extremely low self-noise. If you&#8217;re going for flatness and accuracy, try the NT1. If you&#8217;re going for bright and hyped, give the NT1-A a go!<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text] [\/vc_column_text][vc_column_text] This is a game-changing mic that has been around for a few years. You may have already used it, but if you haven&#8217;t, you&#8217;ve definitely heard about it. We&#8217;re talking about the RODE NT1. In this review we record some acoustic guitars and I sing badly into it (you know me!) The point&hellip;<\/p>\n","protected":false},"author":25,"featured_media":36811,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[16],"tags":[],"class_list":["post-36802","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-giveaways"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Rode NT1 Review (with video) | Produce Like A Pro<\/title>\n<meta name=\"description\" content=\"In this Rode NT1 review we record some acoustic guitars &amp; vocals. 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