{"id":41165,"date":"2018-12-03T09:00:48","date_gmt":"2018-12-03T09:00:48","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=41165"},"modified":"2022-03-18T09:18:17","modified_gmt":"2022-03-18T14:18:17","slug":"3-delay-mixing-tricks","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/3-delay-mixing-tricks\/","title":{"rendered":"3 Delay Mixing Tricks"},"content":{"rendered":"<div id=\"produ-3297903548\" class=\"produ-leaderboard-placement produ-entity-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-2651092189749-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-2651092189749-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-2651092189749-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-2651092189749-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-2651092189749-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div>[vc_row][vc_column][vc_column_text]Our community is truly fantastic! Everyone asks such great questions, which create amazing discussion! FAQ (Frequently Asked Questions) Friday has been extremely revealing! In last weeks FAQ Friday we answered some amazing questions and this has sparked todays video!<\/p>\n<p>In our last Feedback Friday episode we got asked a lot of questions about drums. One question in particular was asking about using programmed drums and making them sound good. In this song not only is it finger drums, but there are no cymbals! So if we can make this interesting we can do anything.<\/p>\n<h1><strong>Tip 1 Rhythmic\/Random Delays<\/strong><\/h1>\n<p>If you\u2019ve watched the last video about reverb tips you\u2019ll notice one of the things I love is the randomness or in this case a more rhythmic approach which we can randomise.<\/p>\n<p>First we will take an EQ (a stock EQ works great!) and wipe off the low end. I don\u2019t need multiple build-ups of the kick drum and I don\u2019t need to go full Abbey Road on it either, which would be up as high as 600z on the High Pass. The top end is also big deal to reduce quite dramatically because we want to create girth, noise, and some energy down there without the high splashing around and taking our ear away from other elements in the track.<\/p>\n<p>Next, create a bus (auxiliary or sub group) and send from the drum group (in Pro Tools you can click option on the fader to bring it to 0db). Then choose a <a href=\"https:\/\/producelikeapro.com\/blog\/6-delay-mistakes-we-all-make\/\">delay<\/a>. There are tons of third party delay plug ins that already have EQ\u2019s and effects built into them, however this is the full proof way of achieving the effect with any DAW&#8217;s stock plug ins!<\/p>\n<p>Now let\u2019s mess it up! A: Randomize the timing, or B: Add saturation (in this case SansAmp which comes free with Pro Tools).<\/p>\n<p>The person who asked me the question on Friday was wondering how to make clinical sounding perfect drums sound rough and ready, this approach is what I use all the time with programmed Drums.<\/p>\n<p><a href=\"https:\/\/www.producelikeapro.com\/3-delay-mixing-tricks\">GET THE DELAY MIXING TRICKS CHEAT SHEET HERE<\/a><\/p>\n<h1><strong>Tip 2: Pitch Shifting<\/strong><\/h1>\n<p>At the beginning of the Delay Bus, before we do anything else, grab some kind of pitch shifting and detune. I often set one pitched up and one down. I like to set the Volume of the effect like this there\u2019s a point where you might not hear it, but you will notice if it gets turned off. If I\u2019m getting that result them it\u2019s doing it\u2019s job properly! It\u2019s adding energy, randomness to the track and making the programmed drum elements feel less \u2018clinical&#8217; and perfect.<\/p>\n<p>If you get it set it pretty low, but as soon as you turn it off you notice there\u2019s some movement missing, then you\u2019ve got it right! I learned this from Mark Endert. He mixed some stuff for me for a movie soundtrack I did and when he mixed it he put in some subtle delays. My drum track was super clean and he just wanted to add some movement to it. \u2013 I love this trick.<\/p>\n<p>So we\u2019ve got one detuned \u2013 one pitched up, one pitched down, and then we got a Delay that has nothing done to it at all. You can randomize these delays. You can change the timing- all kinds of stuff but basically it\u2019s adding some dirt and some wrongness.<\/p>\n<p>That\u2019s a great little trick on drums and frankly you can do this on any instrument. It\u2019s just really good to randomize and mess things up! This is what we love about great records!<\/p>\n<p>READ ALSO: <a href=\"https:\/\/producelikeapro.com\/blog\/best-midi-controller\/\">12 Best MIDI Controllers<\/a><br \/>\nREAD ALSO: <a href=\"https:\/\/producelikeapro.com\/blog\/bluebird-sl-review\/\">Bluebird SL Condenser Mic Review<\/a><br \/>\nREAD ALSO: <a href=\"https:\/\/producelikeapro.com\/blog\/hooktheory-hookpad-review\/\">Hooktheory Hookpad Review<\/a><\/p>\n<h1><strong>Tip 3 Delaying<\/strong><\/h1>\n<p>This third trick is not really a delay, but it is Delaying\u2026.well sort of!! Haha It\u2019s a simulation of a \u2018Look Ahead\u2019 Compressor which delays the signal allowing you to control the attack and release times extremely fast!<\/p>\n<p>What does that mean? \u2013 haha I\u2019ll explain.<\/p>\n<p>A free Plug In I\u2019ve always loved is the Bomb Factory 76- pretty much everyone has that, it comes free with ProTools (I\u2019m sure whatever DAW you use has great Free Plug Ins as well!). One of the problems we have, is even on the fastest attack time, the Bomb Factory 76 isn\u2019t able to catch every single transient I want it to.<\/p>\n<p>Grab your compressor, put it on our main lead vocal. We are going to key it from a duplicate of the vocal. I move the duplicate vocal 20 ms earlier!<\/p>\n<p>How you might ask? I\u2019m going to grab my vocal and move it 20ms to the left, and that\u2019s now keying the compressor. \u2013 To me it sounds better immediately! Normally the fastest attack time on the 1176 is not fast enough to catch a really percussive vocal.<\/p>\n<p>So by doing this trick I\u2019m now able to get 1176 to dance really nicely around the vocal despite it\u2019s fastest attack time not being fast enough.<\/p>\n<p><strong>I hope you enjoyed these three tips! and please let us know what your favorite tips &amp; Tricks are.<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGa28tSXd3SzFzcFklMjIlMjBmcmFtZWJvcmRlciUzRCUyMjAlMjIlMjBhbGxvdyUzRCUyMmFjY2VsZXJvbWV0ZXIlM0IlMjBhdXRvcGxheSUzQiUyMGVuY3J5cHRlZC1tZWRpYSUzQiUyMGd5cm9zY29wZSUzQiUyMHBpY3R1cmUtaW4tcGljdHVyZSUyMiUyMGFsbG93ZnVsbHNjcmVlbiUzRSUzQyUyRmlmcmFtZSUzRQ==[\/vc_raw_html][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]Our community is truly fantastic! Everyone asks such great questions, which create amazing discussion! FAQ (Frequently Asked Questions) Friday has been extremely revealing! In last weeks FAQ Friday we answered some amazing questions and this has sparked todays video! In our last Feedback Friday episode we got asked a lot of questions about drums. One&hellip;<\/p>\n","protected":false},"author":25,"featured_media":41172,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[39,444,85],"tags":[446,58,624,754],"class_list":["post-41165","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-producing-a-song","category-production","category-quick-mixing-tricks","tag-cheat-sheet","tag-mixing-tricks","tag-music-production-tips","tag-tips-tricks"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>3 Delay Mixing Tricks - Produce Like A Pro<\/title>\n<meta name=\"description\" content=\"Today we\u2019re going to be doing 3 delay mixing tricks, we got asked a lot of questions about drums. 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