{"id":41473,"date":"2019-01-07T16:37:23","date_gmt":"2019-01-07T16:37:23","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=41473"},"modified":"2020-12-15T09:18:37","modified_gmt":"2020-12-15T14:18:37","slug":"bradley-cook-engineer","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/bradley-cook-engineer\/","title":{"rendered":"Bradley Cook: Recording Engineer (Foo Fighters, QOTSA)"},"content":{"rendered":"<div class=\"produ-leaderboard-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\" id=\"produ-2910756883\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-8185535050842-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-8185535050842-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-8185535050842-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-8185535050842-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-8185535050842-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div>[vc_row][vc_column][vc_column_text]Bradley Cook is an engineer who&#8217;s worked with countless amazing artists, including Foo Fighters, Queens of the Stone Age, Counting Crows, Isaac Hayes, Ben Harper, Fishbone, and Everclear. He calls Barefoot Recording a home away from home, having worked there on and off since the studio&#8217;s renovation and rebranding in 2000. Bradley assisted Eric Valentine on projects over the years, while also venturing off on major projects of his own at various studios&#8212;notably Grandmaster Recorders, which was unfortunately sold for redevelopment nearly two years ago.<\/p>\n<p>Bradley brings 30 years&#8217; experience as an audio engineer to the table, and his r\u00e9sum\u00e9 speaks for itself!<\/p>\n<h4>Getting Started in the Recording Industry<\/h4>\n<p>When Bradley was 5 years old, he heard the Jackson 5&#8217;s &#8220;ABC&#8221; and immediately knew he wanted to make records for a living&#8212;even if he wasn&#8217;t yet able to articulate that as a child! He would grow up to study a bit of audio engineering in college before landing his first gig at a heavy metal studio in Orange County, California. Though he never finished his degree, it was never a hindrance to his career advancement. Bradley left Orange County for Hollywood and got a job at <a href=\"https:\/\/www.grandmasterrecorders.com\">Grandmaster Recorders<\/a>.<\/p>\n<p>He met Sylvia Massy (Tool, System of a Down, Red Hot Chili Peppers) at Grandmaster and had a chance to work on Tool&#8217;s 1993 debut,\u00a0<em>Undertow<\/em>, with her. He would then be introduced to Kevin Mills of Larrabee Sound Studios, where he would go on to assist for a stint, concurrently working at a Virgin Records studio. Much of Bradley&#8217;s prominent work was done at Grandmaster.<\/p>\n<h4>At Grandmaster Recorders<\/h4>\n<h5>Ben Harper<\/h5>\n<p>Bradley recalls working on Ben Harper&#8217;s\u00a0<em>Fight for Your Mind\u00a0<\/em>at Grandmaster in the mid-90s. During a session, there was a leak in the ceiling that was audible over Harper&#8217;s softly sung vocals. The album then had to be finished at a different studio altogether!<\/p>\n<h5>Foo Fighters<\/h5>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-41478 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Bradley-Cook.jpg\" alt=\"Bradley Cook\" width=\"300\" height=\"300\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Bradley-Cook.jpg 300w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Bradley-Cook-100x100.jpg 100w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Bradley-Cook-150x150.jpg 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Bradley-Cook-75x75.jpg 75w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Bradley-Cook-270x270.jpg 270w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Bradley-Cook-225x225.jpg 225w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Bradley-Cook-170x170.jpg 170w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Bradley-Cook-40x40.jpg 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Bradley-Cook-18x18.jpg 18w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Bradley-Cook-160x160.jpg 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Bradley-Cook-16x16.jpg 16w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Bradley-Cook-14x14.jpg 14w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Bradley-Cook-10x10.jpg 10w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Bradley-Cook-20x20.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Bradley-Cook-9x9.jpg 9w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Foo Fighter&#8217;s second album,\u00a0<em>The Colour and the Shape<\/em>, was primarily recorded at Grandmaster by Bradley, alongside producer Gil Norton.<\/p>\n<p>The first sessions for the album took place at Bear Creek Studios in Woodinville, Washington, which proved to be a less than fruitful experience. Bradley recalls trying to edit drums with Gil Norton, and struggling through the process. By the time the tracks got back to Los Angeles, it was evident that they should be re-recorded. Drum re-dos were handled by Dave Grohl at Grandmaster.<\/p>\n<p>For this album, Bradley and the band were recording while finished tracks were being mixed by Chris Sheldon. Tracks &#8220;hot off the machine&#8221; were sent down the street to Skip Sailor Studios to be mixed. At one point, if the mixing team had a suggestion&#8212;for instance, additional chorus guitars on &#8220;Monkey Wrench&#8221;&#8212;the tracks would be sent back to Bradley for overdubs, and back once more to Skip Sailor Studios. It was practically an album assembly line!<\/p>\n<h4>Bradley&#8217;s Barefoot Recording &amp; UnderTone Audio Associations<\/h4>\n<p>Bradley has been an integral part of the <a href=\"http:\/\/www.barefoot-recording.com\/index.html\">Barefoot<\/a>\/<a href=\"http:\/\/www.undertoneaudio.com\">UnderTone Audio<\/a> family from the beginning. For the latter, he serves as project manager and prototype builder!<\/p>\n<h5>Barefoot<\/h5>\n<p>Prior to becoming a renowned recording studio, Barefoot Recording was built as a post office in the early \u201950s. Some time later, Andrew Berliner acquired the space, converting it into Crystal Industries Recording Studios in 1967. At the time, the studio hosted an all-star list of clients, including Jimi Hendrix, The Doors, Supertramp, Eric Clapton, and James Taylor. Most notably, perhaps, Crystal Industries is where Stevie Wonder recorded\u00a0<em>Songs in the Key of Life<\/em>.<\/p>\n<p>SEE ALSO:<br \/>\n<a href=\"https:\/\/producelikeapro.com\/blog\/5-delay-mixing-tricks\/\">5 Delay Mixing Tricks<\/a><br \/>\n<a href=\"https:\/\/producelikeapro.com\/blog\/mixing-basics-drums\/\">Drum Mixing Basics<\/a><br \/>\n<a href=\"https:\/\/producelikeapro.com\/blog\/mixing-with-headphones-vs-monitors\/\">Mixing: Headphones Vs Monitors<\/a><\/p>\n<p>In the late \u201980s and early \u201990s, producer Matt Hyde leased the facility to work on such projects as Jane\u2019s Addiction and Porno for Pyros. When <a href=\"https:\/\/producelikeapro.com\/blog\/eric-valentine-interview\/\">Eric Valentine<\/a> acquired the building in 2000, major renovations were made as a restoration effort, for which Bradley was present from the start. Barefoot Recording has since hosted its own incredible list of artists over the past two decades.<\/p>\n<h5>UnderTone Audio<\/h5>\n<p>Barefoot owner Eric Valentine co-founded UnderTone Audio&#8212;a pro audio equipment design and manufacturing company. UTA notably produces the Unfairchild compressor which has <a href=\"https:\/\/producelikeapro.com\/blog\/eric-valentine-interview\/\">previously been discussed at length<\/a>!<\/p>\n<p>Bradley notably works as project manager, prototype builder, and machinist at UnderTone, bringing 30 years of audio engineering experience to the team.<\/p>\n<h5>The UTA Console<\/h5>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-41454 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A.jpg\" alt=\"Barefoot Recording Studio A\" width=\"750\" height=\"570\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A.jpg 750w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A-600x456.jpg 600w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A-80x61.jpg 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A-320x243.jpg 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A-296x225.jpg 296w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A-224x170.jpg 224w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A-197x150.jpg 197w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A-40x30.jpg 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A-160x122.jpg 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A-20x15.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A-640x486.jpg 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A-555x422.jpg 555w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A-18x14.jpg 18w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A-447x340.jpg 447w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A-13x10.jpg 13w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A-395x300.jpg 395w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A-12x9.jpg 12w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2019\/01\/Barefoot-Recording-Studio-A-385x293.jpg 385w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/p>\n<p>In Studio A at Barefoot stands the LC60: the first console commissioned by UTA. It was designed and assembled at Barefoot Recording and currently holds a full-time job in Studio A making records! Eric loved it so much it lead to the production of a second console for Studio B. Eventually, so many people wanted to buy an LC60 that it lead to the production of rack gear and the making of the Unfairchild compressor. Since then, 8 more custom consoles have been built and sold.<\/p>\n<p>LC60 UnderToneAudio Custom Console\u00a0Specifications:<br \/>\n\u2022 60 channels of UTA channel strips<br \/>\n\u2022 24 busses<br \/>\n\u2022 6 aux sends<br \/>\n\u2022 4 additional external monitoring inputs<br \/>\n\u2022 Tube mix buss and control room outputs<br \/>\n\u2022 Analog VU metering for channels, busses, &amp; aux sends<br \/>\n\u2022 Individual level &amp; pan control on buss sends for surround mixing<br \/>\n\u2022 UnderTone Audio EQ on every channel<br \/>\n\u2022 Built-in audiophile headphone amp<br \/>\n\u2022 Equipped with Martinsound Flying Faders II system[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGRzliNFVKQkVHeU0lMjIlMjBmcmFtZWJvcmRlciUzRCUyMjAlMjIlMjBhbGxvdyUzRCUyMmFjY2VsZXJvbWV0ZXIlM0IlMjBhdXRvcGxheSUzQiUyMGVuY3J5cHRlZC1tZWRpYSUzQiUyMGd5cm9zY29wZSUzQiUyMHBpY3R1cmUtaW4tcGljdHVyZSUyMiUyMGFsbG93ZnVsbHNjcmVlbiUzRSUzQyUyRmlmcmFtZSUzRQ==[\/vc_raw_html][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]Bradley Cook is an engineer who&#8217;s worked with countless amazing artists, including Foo Fighters, Queens of the Stone Age, Counting Crows, Isaac Hayes, Ben Harper, Fishbone, and Everclear. He calls Barefoot Recording a home away from home, having worked there on and off since the studio&#8217;s renovation and rebranding in 2000. Bradley assisted Eric Valentine&hellip;<\/p>\n","protected":false},"author":3,"featured_media":41501,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[62],"tags":[268,811,812,148,543],"class_list":["post-41473","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","tag-barefoot-recording","tag-bradley-cook","tag-foo-fighters","tag-recording","tag-recording-engineer"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Bradley Cook: Recording Engineer (Foo Fighters, QOTSA) - Produce Like A Pro<\/title>\n<meta name=\"description\" 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