{"id":41678,"date":"2021-07-15T00:00:00","date_gmt":"2021-07-15T05:00:00","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=41678"},"modified":"2021-08-09T16:02:38","modified_gmt":"2021-08-09T21:02:38","slug":"mixing-vocals-master-list","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/mixing-vocals-master-list\/","title":{"rendered":"Mixing Vocals: The Produce Like A Pro Master List"},"content":{"rendered":"<div id=\"produ-2611902004\" class=\"produ-leaderboard-placement produ-entity-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-6219682201229-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-6219682201229-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-6219682201229-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-6219682201229-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-6219682201229-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div><p>Have you ever had trouble getting a vocal to sit right in the mix? Have you ever felt underwhelmed by the overall tonality of a vocal, whether it&#8217;s too thin or perhaps too muffled? Does the vocal feel too wet or too dry, or are problem frequencies sticking out like a sore thumb? The truth is, we&#8217;ve all struggled with <a href=\"https:\/\/producelikeapro.com\/blog\/creative-techniques-mixing-vocals\/\">mixing vocals<\/a> at some point. Because they&#8217;re so important to listeners, it&#8217;s easy to feel frustrated when we just can&#8217;t seem to get it right. Fortunately, there are some standard as well as creative techniques with which you can approach mixing vocals. We&#8217;ve compiled a &#8220;master list&#8221; to help you achieve better sounding vocals.<\/p>\n<div class=\"flex-video widescreen youtube\">\n<div class=\"container-lazyload preview-lazyload container-youtube js-lazyload--not-loaded\"><a href=\"https:\/\/www.youtube.com\/watch?v=nPeZCAzL-h0\" class=\"lazy-load-youtube preview-lazyload preview-youtube\" data-video-title=\"5 Grammy Winning Vocal Mixing Tricks - Warren Huart: Produce Like A Pro\" title=\"Play video &quot;5 Grammy Winning Vocal Mixing Tricks - Warren Huart: Produce Like A Pro&quot;\">https:\/\/www.youtube.com\/watch?v=nPeZCAzL-h0<\/a><noscript>Video can&#8217;t be loaded because JavaScript is disabled: <a href=\"https:\/\/www.youtube.com\/watch?v=nPeZCAzL-h0\" title=\"5 Grammy Winning Vocal Mixing Tricks - Warren Huart: Produce Like A Pro\">5 Grammy Winning Vocal Mixing Tricks &#8211; Warren Huart: Produce Like A Pro (https:\/\/www.youtube.com\/watch?v=nPeZCAzL-h0)<\/a><\/noscript><\/div>\n<\/div>\n<h1><\/h1>\n<h3>Saturation<\/h3>\n<p>We\u2019re all familiar with basic compression and EQ, but how often do you consider saturation when mixing a vocal track?<\/p>\n<p>When we use the term \u201csaturation,\u201d we\u2019re referring to plugins that emulate what analogue equipment used to do to a recording. Saturation adds rich harmonics\/overtones and a bit of distortion to make a vocal \u201cfatter\u201d and more exciting for listeners. It can help push a performance to the front for an \u201cin-your-face\u201d sound.<\/p>\n<p>Experiment with saturation to give a vocal more edge, helping it stand out in a dense mix. Lo-Fi, included with Pro Tools, is just one example of these types of plugins that can enhance an otherwise dry\/dull vocal.<\/p>\n<h3><a href=\"https:\/\/producelikeapro.com\/blog\/vocal-compression-beginners\/\">Compression<\/a><\/h3>\n<p>For those who are new to mixing, compression can be a rather mysterious signal processor. On paper, it\u2019s easy enough to understand that a compressor smooths out a performance by bringing peaks down and valleys up. However, it\u2019s sometimes difficult to determine its effects for ears that are unaccustomed to it.<\/p>\n<p>If you find yourself struggling with vocal compression, the following is an excellent starting point to orientate yourself.<\/p>\n<p>Set a <strong>ratio<\/strong> of 4:1; set the <strong>attack<\/strong> time to medium or fast; adjust for a medium <strong>release<\/strong> time; and adjust the <strong>threshold<\/strong> for about 4-6 dB of gain reduction.<\/p>\n<p>These rules aren\u2019t hard and fast, so use your judgement and compress to taste! What works for one track may not work for another, and so on, but <a href=\"https:\/\/producelikeapro.com\/blog\/vocal-compression-beginners\/\">these guidelines<\/a> are a wonderful place to start.<\/p>\n<h5>Parallel Compression<\/h5>\n<p>Another common technique used for more aggressive or exciting vocals is parallel compression. It works by duplicating the desired vocal track and slamming it with a compressor to the point where it\u2019s unpleasant on its own. Then, you gradually mix in the duplicated, slammed channel with the main vocal channel to taste.<\/p>\n<h3>\u201cMagic\u201d Frequencies for Mixing Vocals<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-40390 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10.png\" alt=\"10 Must-Have Waves Plugins to Add to Your Arsenal_10\" width=\"260\" height=\"533\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10.png 260w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-37x75.png 37w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-132x270.png 132w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-110x225.png 110w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-83x170.png 83w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-205x420.png 205w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-73x150.png 73w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-171x350.png 171w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-40x82.png 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-9x18.png 9w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-160x328.png 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-8x16.png 8w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-206x422.png 206w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-7x14.png 7w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-166x340.png 166w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-5x10.png 5w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-13x26.png 13w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-146x300.png 146w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-4x9.png 4w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-10x21.png 10w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/09\/10-Must-Have-Waves-Plugins-to-Add-to-Your-Arsenal_10-20x41.png 20w\" sizes=\"auto, (max-width: 260px) 100vw, 260px\" \/><\/p>\n<p>Akin to the compression starting points outlined above, knowing specific frequencies and how they effect vocals means you can make quick, precise adjustments with less guesswork. Check out these five areas of interest for vocal EQ:<\/p>\n<ul>\n<li>120 Hz: Fullness<\/li>\n<li>240 Hz: Boominess<\/li>\n<li>5 kHz: Presence<\/li>\n<li>4 to 7 kHz: Sibilance<\/li>\n<li>10 to 15 kHz: Air<\/li>\n<\/ul>\n<p>Experiment with each of these frequencies or bands and see how they effect your particular vocal mix. If a performance feels muddy, try cutting a bit around 240-250 Hz. If sibilance is particularly harsh, sweep between 4 and 7 kHz to find the most offensive frequencies and tame them. As always,\u00a0<em>listen<\/em> and use what best suits your personal taste.<\/p>\n<h3>Reverb and Delay Techniques<\/h3>\n<p>When we use a time-based effect like reverb, we\u2019re trying to create a \u201cspace\u201d for a mix element to live. Oftentimes we add it with the intention of bringing our vocals to the front, when in reality we find we\u2019ve only pushed them further away.<\/p>\n<p>The quick fix? <strong>Pre-delay<\/strong>. Many reverb plugins have this parameter, and it functions by separating the dry signal from the wet signal via a user-set delay. The result is hearing the space and dimension that we wanted from our reverb without pushing the dry vocal into the recesses of the mix.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-40732 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/11\/Creative-Techniques-for-Mixing-Vocals_3.jpg\" alt=\"Creative Techniques for Mixing Vocals_3\" width=\"634\" height=\"319\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/11\/Creative-Techniques-for-Mixing-Vocals_3.jpg 634w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/11\/Creative-Techniques-for-Mixing-Vocals_3-600x302.jpg 600w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/11\/Creative-Techniques-for-Mixing-Vocals_3-80x40.jpg 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/11\/Creative-Techniques-for-Mixing-Vocals_3-320x161.jpg 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/11\/Creative-Techniques-for-Mixing-Vocals_3-298x150.jpg 298w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/11\/Creative-Techniques-for-Mixing-Vocals_3-40x20.jpg 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/11\/Creative-Techniques-for-Mixing-Vocals_3-160x81.jpg 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/11\/Creative-Techniques-for-Mixing-Vocals_3-20x10.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/11\/Creative-Techniques-for-Mixing-Vocals_3-596x300.jpg 596w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/11\/Creative-Techniques-for-Mixing-Vocals_3-18x9.jpg 18w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/11\/Creative-Techniques-for-Mixing-Vocals_3-385x194.jpg 385w\" sizes=\"auto, (max-width: 634px) 100vw, 634px\" \/><\/p>\n<p>You can also get very creative with delay in a variety of ways. One of the more common techniques is to <strong>automate the delay<\/strong> on certain words or phrases. If a particular line bears repeating, have the delay bypassed until you reach the desired lyric and automate it on.<\/p>\n<p>Another thing to remember is to <strong><em>EQ your reverb and delay returns<\/em><\/strong>. Most of the time, we don\u2019t want our reverbs and delays sharing the exact same frequency space as our dry vocals. If you bandpass your effects return\u2013say between 600 Hz and 4 kHz\u2013your wet\/dry signals won\u2019t be competing for room.<\/p>\n<h3>De-Ess!<\/h3>\n<p>Sibilance\u2013that hissing noise produced with \u201cs\u201d sounds\u2013is a naturally occurring phenomenon within the human voice. While we don\u2019t consider it unpleasant in conversation\u2013if we notice it at all\u2013on a recorded vocal, sibilance can often be overwhelmingly harsh.<\/p>\n<p>Using a de-esser to control sibilant frequencies, generally somewhere between 4 and 7 kHz, is crucial. A great de-essing plugin will retain presence\/clarity without totally flattening out an exciting performance.<\/p>\n<p>An awesome trick for mixing vocals is to boost the top end with an EQ and control it with a de-esser. You\u2019ll get the brightness and clarity from boosting with the EQ, minus the exaggerated \u201cs\u201d and \u201ct\u201d sounds thanks to the de-esser.<\/p>\n<h3>Vocal Editing<\/h3>\n<p>This is an extremely important step for mixing vocals that generally takes place in between tracking and mixing. Editing your vocals ensures you have the best possible stems to mix with later. You&#8217;ll want to first comp your vocal takes for the best overall performance, and then do finer editing like removing the heads and tails of clips, clip gaining loud breaths and plosives, and doing other clean-up work. If you take the time to carefully edit your vocals, you&#8217;ll thank yourself when you&#8217;re actually mixing them!<\/p>\n<h3>Vocal Tuning<\/h3>\n<p>Vocal tuning can really be as simple or as complex as you\u2019d like it to be. Real-time pitch correction with plugins like Auto-Tune or Waves Real-Time is very effective, especially when working with a solid vocalist. In these instances, you may sometimes be able to \u201cset it and forget it.\u201d Surgical tweaks on pre-recorded tracks can take a bit more time, but they also provide the most flexibility and depth in terms of what can and cannot be done.<\/p>\n<div class=\"flex-video widescreen youtube\">\n<div class=\"container-lazyload preview-lazyload container-youtube js-lazyload--not-loaded\"><a href=\"https:\/\/www.youtube.com\/watch?v=KMw6LHJEEe8&#038;t=490s\" class=\"lazy-load-youtube preview-lazyload preview-youtube\" data-video-title=\"How to Tune Vocals - Warren Huart: Produce Like A Pro\" title=\"Play video &quot;How to Tune Vocals - Warren Huart: Produce Like A Pro&quot;\">https:\/\/www.youtube.com\/watch?v=KMw6LHJEEe8&#038;t=490s<\/a><noscript>Video can&#8217;t be loaded because JavaScript is disabled: <a href=\"https:\/\/www.youtube.com\/watch?v=KMw6LHJEEe8&#038;t=490s\" title=\"How to Tune Vocals - Warren Huart: Produce Like A Pro\">How to Tune Vocals &#8211; Warren Huart: Produce Like A Pro (https:\/\/www.youtube.com\/watch?v=KMw6LHJEEe8&#038;t=490s)<\/a><\/noscript><\/div>\n<\/div>\n<h5><\/h5>\n<h5>The Right Tools for the Job<\/h5>\n<p>Knowing when to use real-time pitch correction or surgical correction is important. When tracking through a plugin, or on performances that need just a slight bit of help, real-time plugins can do the trick. The thing to remember, though, is that one setting acts on every note that a vocalist performs. What sounds great on one passage or phrase may not be as useful on another.<\/p>\n<p>Surgical vocal tuning, with a plugin like Melodyne, for example, gives the user control over each individual note in a take. You can probably imagine how useful this is in nearly any situation. Let\u2019s say a vocalist holds out a note over several seconds, but loses pitch at the very end. With surgical pitch correction, you can find the errant section and fix it. Mixing vocals can require some patience with tuning plugins!<\/p>\n<h3>Don&#8217;t Forget Context!<\/h3>\n<p>This concept applies to every element in your mix\u2013not just vocals. Soloing a track and making it sound fantastic by itself is nice, but what about the bigger picture? When we rely on the solo button for too long, we lose our frame of reference and can find that the processing we\u2019ve done doesn\u2019t sit right in the full mix.<\/p>\n<p>We can save time and avoid headaches by frequently un-soloing to make sure the changes we\u2019ve made are working. No one wants to reach the end of a long signal processing chain to find their vocals sound amazing\u2013but only by themselves.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Have you ever had trouble getting a vocal to sit right in the mix? Have you ever felt underwhelmed by the overall tonality of a vocal, whether it&#8217;s too thin or perhaps too muffled? Does the vocal feel too wet or too dry, or are problem frequencies sticking out like a sore thumb? The truth&hellip;<\/p>\n","protected":false},"author":3,"featured_media":41681,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[20],"tags":[699,198,102,36],"class_list":["post-41678","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mixing","tag-home-mixing","tag-home-recording","tag-mixing-vocals","tag-vocals"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Mixing Vocals: The Produce Like A Pro Master List - Produce Like A Pro<\/title>\n<meta name=\"description\" content=\"? 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