{"id":43678,"date":"2021-07-15T00:00:00","date_gmt":"2021-07-15T05:00:00","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=43678"},"modified":"2022-12-14T12:08:11","modified_gmt":"2022-12-14T17:08:11","slug":"3-guitar-amp-micing-techniques","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/3-guitar-amp-micing-techniques\/","title":{"rendered":"3 Guitar Amp Micing Techniques"},"content":{"rendered":"<div id=\"produ-1380944138\" class=\"produ-leaderboard-placement produ-entity-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-5186828351724-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-5186828351724-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-5186828351724-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-5186828351724-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-5186828351724-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div>[vc_row][vc_column][vc_column_text]This episode we\u2019re going to go over r<strong>ecording guitar!<\/strong><\/p>\n<p>I have a carl Martin BandMate 15 Roadie, which is a fairly clean amp but you can drive it with a gain pedal. In this instance, I\u2019m going to keep it pretty clean because a lot of the comments we get from people say that 99% of the recording guitar videos out there are all about heavy guitars.<\/p>\n<p>So we have set up a clean tone and we\u2019re going to drive it with a Nobels ODR-1 Overdrive which a lot of you probably know it very well. <strong>This pedal is becoming a little bit of a session players standard.<\/strong><\/p>\n<p>Tim Pierce is the one who introduced me to it, it\u2019s a great sounding pedal and I ended up meeting the company and they\u2019re nice guys.<\/p>\n<p>We have an MXR Carbon Copy for Delay, we\u2019re going to hear the tone clean, drive, little reverb, and a bit of delay. You are going to hear every variation that we can do.<\/p>\n<p><strong>There are three methods that we\u2019re going to talk about.<\/strong><\/p>\n<p>The first one is just sticking a good old fashion mid-price dynamics. In this case, we\u2019re using an SM 57. The other version is going to use the back mic because we\u2019re using an open back cab we\u2019re going to mic the back.<\/p>\n<p>Since the back mic is going to be hearing the exact opposite the polarity if going to be flipped so that you get perfect phase. &#8211;\u00a0or at least as near as possible.<\/p>\n<p>And then, of course, the third version will be a double mic technique which is often explained as a 421 but has become most popular using ribbon mics. I do use ribbon mics, not often but occasionally on guitar amps and one of those favorites, of course, is the Royer 121 which is a relatively expensive mic.<\/p>\n<p>However, Royer has brought out the Royer R-10 which we reviewed about a year ago which is a much more affordable ribbon mic. <strong>&#8211; so we\u2019re going to use that ribbon mic!<\/strong><\/p>\n<p>So we\u2019re going to go over 3 completely different techniques and we\u2019re going to hear them with different kinds of sounds so you can get an idea of what might be best for you given what kind of guitar sound you\u2019re going for.<\/p>\n<ul>\n<li><strong>RELATED:<\/strong> <a href=\"https:\/\/producelikeapro.com\/blog\/best-budget-guitar-cabs\/\">What Are the Best Budget Guitar Cabs (Our Top Picks for 2023)<\/a><\/li>\n<\/ul>\n<p><strong>Watch the full video below to see all 3 mixing techniques!<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGVVVPSktsSUh6bzAlMjIlMjBmcmFtZWJvcmRlciUzRCUyMjAlMjIlMjBhbGxvdyUzRCUyMmFjY2VsZXJvbWV0ZXIlM0IlMjBhdXRvcGxheSUzQiUyMGVuY3J5cHRlZC1tZWRpYSUzQiUyMGd5cm9zY29wZSUzQiUyMHBpY3R1cmUtaW4tcGljdHVyZSUyMiUyMGFsbG93ZnVsbHNjcmVlbiUzRSUzQyUyRmlmcmFtZSUzRQ==[\/vc_raw_html][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]This episode we\u2019re going to go over recording guitar! I have a carl Martin BandMate 15 Roadie, which is a fairly clean amp but you can drive it with a gain pedal. In this instance, I\u2019m going to keep it pretty clean because a lot of the comments we get from people say that 99%&hellip;<\/p>\n","protected":false},"author":25,"featured_media":43681,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[578],"tags":[198,225,319],"class_list":["post-43678","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-recording-guitar","tag-home-recording","tag-home-studio","tag-recording-guitar"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>3 Guitar Amp Micing Techniques - Produce Like A Pro<\/title>\n<meta name=\"description\" content=\"So we\u2019re going to go over 3 completely different techniques and the different kinds of sounds so you can decide what kind of guitar sound you\u2019re going for.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/producelikeapro.com\/blog\/3-guitar-amp-micing-techniques\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"3 Guitar Amp Micing Techniques - 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