{"id":48407,"date":"2020-12-09T13:26:01","date_gmt":"2020-12-09T18:26:01","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=48407"},"modified":"2020-12-09T16:31:56","modified_gmt":"2020-12-09T21:31:56","slug":"turn-it-on-again-and-the-remarkable-transformation-of-genesis","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/turn-it-on-again-and-the-remarkable-transformation-of-genesis\/","title":{"rendered":"\u201cTurn It On Again\u201d and The Remarkable Transformation of Genesis"},"content":{"rendered":"<div class=\"produ-leaderboard-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\" id=\"produ-1132927112\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-5886793263338-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-5886793263338-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-5886793263338-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-5886793263338-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-5886793263338-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div>[vc_row][vc_column][vc_column_text]<strong>Written by Caitlin Vaughn Carlos<\/strong><\/p>\n<p>It is extremely rare for a well-known band to survive the departure of their lead singer, not to mention achieve even greater mainstream attention. As Chris Salewicz posited in Gig in 1977: \u201cIf Mick Jagger were to quit the Rolling Stones or Robert Plant were to leave Led Zeppelin, there doesn&#8217;t seem to be the least possibility that either band would \u2013 as Genesis has done since lead vocalist Peter Gabriel split the outfit in 1975 after several albums \u2013 retain its status or actually increase its popularity.\u201d It would seem even more unlikely for the band to find that new, star figurehead in the recesses of the stage line-up, hidden behind a few toms, a bass drum and some cymbals. And yet, the unlikely transformation of Phil Collins from drummer to lead vocalist of Genesis in the mid-seventies corresponds with the band\u2019s own transition into mainstream commercial success. Further, the band somehow manages to maintain its artsy, prog-rock aesthetic all while venturing into the world of pop stardom. This can be seen especially with the band\u2019s 1980 hit single \u201cTurn It On Again\u201d, from their album Duke. Despite its complex musical structure and unusual lyrical content, \u201cTurn It On Again\u201d broke the top ten in the UK and has remained one of the bands most loved tracks.<\/p>\n<p>By the time Genesis had come together to record Duke, the band had nine albums and over a decade of experience under their belt. In the early seventies, Genesis had earned a reputation, and a cult following, for writing long and complex compositions with progressive sounds and theatrics. Gabriel\u2019s departure in 1975, and guitarist Steve Hackett\u2019s in 1977 certainly affected the band\u2019s dynamic and sound, as they shifted towards a more pop oriented style. The band\u2019s commercial success only grew with this shift and Collins on the mic; 1978\u2019s &#8230;And Then There Were Three (Genesis\u2019 first album after Hackett left the band) produced the band\u2019s first UK top ten single, \u201cFollow You, Follow Me\u201d. While the band achieved remarkable success &#8211; the album hit number 3 in the UK and number 14 in the US &#8211; the band members have often described it as a difficult album for them both creatively and dynamically.<\/p>\n<p>A short hiatus in 1979, allowed Tony Banks and Mike Rotherford to put out their own solo albums while Collins\u2019 moved to Canada in hopes of repairing his failing marriage. When Collins returned to the UK later that year and gathered with his bandmates to work on Genesis\u2019 next album, the band felt revitalized and cohesive. In the midst of recording Duke, Banks told Sounds in October 1979, \u201cI think a lot of it is down to not having worked together for a while&#8230;Good ideas are coming out in rehearsals which hasn\u2019t happened for some time.\u201d<br \/>\n\u201cTurn it On Again\u201d is a phenomenal example of what could come out of this time of working and writing together. It evolved out of various pieces of material that the band had developed for other projects. In 2009, Banks explained:<\/p>\n<p>\u201cMike wrote the main riff on \u2018Turn It On Again\u2019, which is really what is best about the song. We kind of put that bit \u2013 the bit he didn&#8217;t use on Smallcreep&#8217;s Day, curiously enough \u2013 with the bit I didn&#8217;t use on A Curious Feeling, and put these two together. We made it much more rocky, both bits became much more rocky, my bit was a bit more epic, and Mike&#8217;s bit was a bit slower and a bit more heavy-metal. And then Phil gave it a much more straightforward drum part (perhaps neither of us would ever have thought that we would want that on that bit) and it made it into something much better, I think.\u201d<\/p>\n<p>Rutherford\u2019s infectious riff is the first deceptively simple element of the song. Its driving pulse hides a complex rhythmic structure. Rutherford explained that he only realized the hidden complexity, when Phil suggested that he play the riff at a faster speed: \u201c&#8230;and then he said to me, \u2018Do you realize it&#8217;s 13\/8?\u2019 and I said, \u2018What do you mean it&#8217;s in 13? It\u2019s in 4\/4, isn\u2019t it? \u2018No, it&#8217;s in 13.\u201d There\u2019s a few ways to interpret the meter, but it comes down to a constant and smooth shift between alternating groupings of 4, 5, 6 and 7. And yet, Collins\u2019 seemingly straightforward drum part completely masks the challenge of these tricky changes.<\/p>\n<p>Collins\u2019 vocal melody and performance also perfectly compliment the instrumentals\u2019 dynamic drive, making the uneven phrasing seem natural and balanced. His passionate performance draws out Rutherford\u2019s philosophical lyrics, telling the story of a man raised on television who is unable to distinguish the technological medium from reality.<\/p>\n<p>In the four years since Gabriel\u2019s departure, Collins had proven his vocal talent in recording and live performance, but it was not a role that came easy at first for the now-legendary singer. Looking back he explained: &#8220;You&#8217;re singing someone else&#8217;s lyrics mostly, so you feel like you&#8217;re playing a part&#8230;The emotion didn&#8217;t come from you. Peter used to do that effortlessly, but I found it hard. However, he found a completely new level of comfort and connection with \u201cTurn It On Again\u201d and the Duke album. Banks reflected,\u201dAfter all those vocals he did on his demos, Duke was the first time Phil really sounded like a singer, a total singer.\u201d<\/p>\n<p>Finally, Genesis\u2019s transition from Gabriel to Collins &#8211; from progressive rock legends to pop superstars &#8211; was, in many ways, guided by the steady hand and influence of producer David Hentschel. In addition to his skills in the studio, Hentschel\u2019s musical training and talent made him an extra valuable asset at Trident studios. He became the first programmer and session synthesizer player in the UK and played synth on iconic tracks like Elton John\u2019s \u201cRocket Man\u201d and \u201cFuneral For a Friend\u201d (both in 1972).<\/p>\n<p>Hentschel\u2019s first project with the group was A Trick of the Tail (1976) corresponded with Collins shift to lead vocalist. Reflecting on that album, Collins credited Hentschel with fostering a new sound and energy when the band entered Trident studios to record: \u201cWe go into Trident with a new co-producer, Dave Hentschel, and record at a cracking pace. We\u2019re really pleased with these songs. They\u2019re sounding strong, fresh and a bit different. We feel like a new band, and we\u2019re sounding like it.\u201d He continued with the band through all their following albums, ending with Duke.<\/p>\n<p>Over the past four decades, Genesis has created a legacy for fusing artistic brilliance with great pop songwriting. In 2010, they were inducted into the Rock and Roll Hall of Fame and have received numerous awards and recognitions including Lifetime Achievement Awards from both the Mojo Awards (2008) and the Progressive Music Awards (2012).<\/p>\n<p>\u201cTurn It On Again\u201d marks an important period in the development of Genesis with Banks, Rutherford and Collins coming together to reimagine the band\u2019s songwriting and sound. It also showcases the trio\u2019s ability to write captivating popular hits which retain the band\u2019s reputation for artistic creativity and complexity. \u201cTurn It On Again\u201d continues to be a fan favorite to this day and has been performed at every Genesis show since it\u2019s release.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGOWVTTXpnY1dkTWclMjIlMjBmcmFtZWJvcmRlciUzRCUyMjAlMjIlMjBhbGxvdyUzRCUyMmFjY2VsZXJvbWV0ZXIlM0IlMjBhdXRvcGxheSUzQiUyMGNsaXBib2FyZC13cml0ZSUzQiUyMGVuY3J5cHRlZC1tZWRpYSUzQiUyMGd5cm9zY29wZSUzQiUyMHBpY3R1cmUtaW4tcGljdHVyZSUyMiUyMGFsbG93ZnVsbHNjcmVlbiUzRSUzQyUyRmlmcmFtZSUzRQ==[\/vc_raw_html][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]Written by Caitlin Vaughn Carlos It is extremely rare for a well-known band to survive the departure of their lead singer, not to mention achieve even greater mainstream attention. As Chris Salewicz posited in Gig in 1977: \u201cIf Mick Jagger were to quit the Rolling Stones or Robert Plant were to leave Led Zeppelin, there&hellip;<\/p>\n","protected":false},"author":25,"featured_media":48410,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-48407","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audio-engineering"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201cTurn It On Again\u201d and The Remarkable Transformation of Genesis - Produce Like A Pro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/producelikeapro.com\/blog\/turn-it-on-again-and-the-remarkable-transformation-of-genesis\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cTurn It On Again\u201d and The Remarkable Transformation of Genesis - Produce Like A Pro\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text]Written by Caitlin Vaughn Carlos It is extremely rare for a well-known band to survive the departure of their lead singer, not to mention achieve even greater mainstream attention. 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