{"id":49237,"date":"2021-01-22T12:36:13","date_gmt":"2021-01-22T17:36:13","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=49237"},"modified":"2021-01-27T09:05:38","modified_gmt":"2021-01-27T14:05:38","slug":"lyle-workman-world-class-composer-session-guitarist-beck-jellyfish-sting","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/lyle-workman-world-class-composer-session-guitarist-beck-jellyfish-sting\/","title":{"rendered":"Lyle Workman: World-Class Composer &#038; Session Guitarist (Beck, Jellyfish, Sting)"},"content":{"rendered":"<div class=\"produ-leaderboard-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\" id=\"produ-1293890632\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-7047762777570-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-7047762777570-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-7047762777570-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-7047762777570-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-7047762777570-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div>[vc_row][vc_column][vc_column_text]Lyle Workman hasn\u2019t just had a successful career\u2014he\u2019s had three. As a sideman and first-call session musician, he\u2019s toured and recorded with everyone from Beck and Sting to Frank Black and Todd Rundgren; as a composer for film and television, he\u2019s written music for box office blockbusters that have earned over a billion dollars worldwide, including Superbad, The 40 Year Old Virgin, and Forgetting Sarah Marshall; and as a songwriter and solo artist, he\u2019s written a hit single and earned praise from guitar heroes like Steve Vai and Steve Lukather. Now, Workman is set to bring all three of his disparate worlds together with \u2018Uncommon Measures,\u201d a stunning new instrumental collection featuring a 63-piece orchestra captured live at Abbey Road Studios in London.<\/p>\n<p>\u201cThis record ties together all the different threads of who I am as an artist,\u201d explains Workman. \u201cIt\u00a0was four years in the making due to my\u00a0film and TV schedule,\u00a0but it\u2019s really the culmination of a lifetime in music.\u201d<\/p>\n<p>Bursting at the seams with soaring arrangements and virtuosic performances, \u2018Uncommon Measures\u2019 plays like the score to some epic film from an alternate dimension, mixing elements of progressive rock, jazz fusion, and romantic classical music with gleeful abandon. The songs here are living, breathing entities, constantly growing and evolving in ways both subtle and drastic, and the production is similarly unpredictable, veering from larger-than-life bombast to whispered intimacy and back, sometimes within the very same track. Grand as the record is, though, it\u2019s Workman\u2019s eye for detail and gift for melody that remain front and center throughout. He paints vivid, emotional portraits on the album with his evocative guitar and keyboard work, crafting an immersive, cinematic universe plumbed entirely from the depths of his subconscious in spontaneous, improvised writing sessions. The result is a record as extraordinary as it is unexpected, a captivating, transportive song cycle that manages to scale the heights of joy and sadness, love and friendship, self-discovery and celebration, all without a single word.<\/p>\n<p>\u201cI\u2019ve always felt like the muse is much more intuitive and in touch with my emotions than I am,\u201d says Workman. \u201cWriting these songs, I tried to just go into this tabula rasa state of mind, a meditative place where I could let the music tell me where to go.\u201d<\/p>\n<p>Indeed, music has been a faithful guide for much of Workman\u2019s life. Born and raised in San Jose, California, he fell in love with The Beatles at an early age and taught himself guitar by listening to their records. While Workman\u2019s tastes would expand over the years\u2014Genesis and Yes brought him to Mahavishnu Orchestra and Miles Davis, which led him to Ravel and Debussy\u2014he would always hold a special place in his heart for the simple pleasures of a perfectly crafted pop song. After studying music in college, Workman joined a band out of Sacramento called Bourgeois Tagg, which landed a deal with Island Records, and co-wrote the hit single \u201cI Don\u2019t Mind At All,\u201d which climbed the charts on both sides of the pond and helped earn the group performances on the Tonight Show, Top Of The Pops, American Bandstand, and their European equivalents. Bourgeois Tagg proved to be a launching pad for Workman, who, after recording two albums with the band, soon began picking up work in the studio and on the road with a wide array of big-name artists.<\/p>\n<p>\u201cThe great thing about being a sideman is that every gig is an education,\u201d he reflects. \u201cWhether I\u2019m working with artists like Beck or Sting, Todd Rundgren or Frank Black, Norah Jones or Bryan Adams, they\u2019re all worlds unto themselves, and playing with them is a chance to step inside their heads and understand how they create.\u201d<\/p>\n<p>In many instances, the influence flowed both directions. Workman co-wrote songs on Sting\u2019s \u201857th &amp; 9th,\u2019 for example, and composed the track \u201cMachu Picchu,\u201d which appeared on late jazz icon Tony Williams\u2019 final album, \u2018Wilderness.\u2019<\/p>\n<p>\u201cI was a huge fan of Tony\u2019s playing with Miles Davis and beyond,\u201d says Workman, \u201cso it totally blew my mind when he invited me to come to his place and start collaborating. We worked on ideas together for about a month, and when we recorded \u2018Machu Picchu,\u2019 we had Stanley Clarke and Herbie Hancock playing it with us. It was an incredible experience.\u201d<\/p>\n<p>As a sideman, Workman learned what it took to help bring other artists\u2019 visions to life, a skill set that also made him ideally suited for the world of film and television. Gigs writing commercial jingles gave way to composing jobs for indie films, which opened the door to major studio releases and a connection with Judd Apatow, who began hiring Workman to score his films and television series.<\/p>\n<p>Successful as he became, though, something was still missing for Workman. He\u2019d released a trio of well-received solo albums in the \u201990s and early 2000s, but as his sideman and film composing careers exploded, he found that he had to put his own artistic visions on the backburner.<\/p>\n<p>\u201cI absolutely love all the work I get to do with other artists and filmmakers,\u201d he explains, \u201cbut sometimes you need to articulate your own thoughts and feelings as a writer, too. There\u2019s a singular satisfaction that comes from creating something that\u2019s a pure expression of yourself.\u201d<\/p>\n<p>And so Workman embarked on the epic journey that would become \u2018Uncommon Measures,\u2019 beginning at first by shutting off his mind and simply letting the music flow in his Los Angeles studio. From those improvised guitar and keyboard sessions, he began shaping discrete songs, some short and sweet, others clocking in at ten minutes and consisting of multiple suites and movements. Next, he assembled an all-star band to help flesh out the core material, tapping drummers Vinnie Colaiuta (Joni Mitchell, Frank Zappa) and Matt Chamberlain (Bob Dylan, Bruce Springsteen) along with bassist Tim Lefebvre (David Bowie, Wayne Krantz) and pedal steel wizard Greg Leisz (Eric Clapton, Jackson Browne,) among other A-Listers. Finally, with the intoxicating grooves of a fully realized rhythm section in place, Workman began the lengthy back-and-forth process of creating orchestral arrangements with John Ashton Thomas, the orchestrator extraordinaire behind films like Black Panther and Captain Marvel.<\/p>\n<p>\u201cFor the most part, I\u2019d start with an orchestral mockup using computer samples, which John would then take and run with,\u201d says Workman. \u201cOn the track \u2018Arc of Life,\u2019 though, I used guitar to map out the harmony and counterpoint intended for strings, woodwinds, and brass, and then had John apply it to the orchestral domain along with his own brilliant embellishments, which make the piece even more grand and dynamic. John and I grew up with the same influences, so there\u2019s a personal and professional kinship between the two of us, along with a deep mutual respect for each other\u2019s musicianship,\u00a0that made the record such a joy to create.&#8221;<\/p>\n<p>When it came time to record the orchestra, Thomas cherry-picked 63 of London\u2019s finest players and gathered them at Abbey Road for nine-and-a-half hours of pure magic. The session was a \u201cpinch me\u201d moment for Workman, both as a kid who grew up obsessed with The Beatles and as a composer finally seeing his vision come to life.<\/p>\n<p>\u201cBeing in that studio with the orchestra playing my songs, it was like hearing everything go from black and white to Technicolor,\u201d he explains. \u201cThey added a soul and a humanity to everything that was just so beautiful and three dimensional.\u201d<\/p>\n<p>That soul and humanity lies at the heart of \u2018Uncommon Measures,\u2019 which showcases not only Workman\u2019s unparalleled musicianship, but also his profound empathy and expansive emotional vocabulary. Tracks like the dizzying \u201cNorth Star\u201d and pulse-pounding \u201cAll The Colors Of The World\u201d balance breakneck guitar runs and instrumental fireworks with moments of deep calm and poignant reflection, while more playful tunes like the ecstatic \u201cNoble Savage\u201d and funky, horn-fueled \u201cUnsung Hero\u201d revel in the joys of creative freedom. As the record progresses, Workman finds himself looking inwards more and more, appreciating the beauty in melancholy with the meditative \u201cLabyrinth Of Love\u201d and finding hope for the future on the expansive \u201cRise And Shine.\u201d As varied as the tracks here are\u2014the final song, \u201cOur Friendship,\u201d is actually a Thomas composition inspired by the pair\u2019s working relationship\u2014there\u2019s an underlying cohesiveness that binds the collection as a whole, a unified approach to the music rooted in a radical exploration and embrace of the self.<\/p>\n<p>\u201cIf there\u2019s any one thing that ties all of these songs together,\u201d says Workman, \u201cit\u2019s the power of expressing yourself at all costs, of free falling into the music with complete abandon. When I\u2019m working on a film or someone else\u2019s record, there are always parameters to follow and opinions to consider, but here, there were no boundaries at all. I could do anything I wanted.\u201d<\/p>\n<p>For an artist like Lyle Workman, when the possibilities are infinite, the infinite becomes possible. \u2018Uncommon Measures\u2019 is proof of that.<\/p>\n<p><strong>Watch the video below to hear more from Lyle Workman!<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGTTVuWm1HUVNlWE0lMjIlMjBmcmFtZWJvcmRlciUzRCUyMjAlMjIlMjBhbGxvdyUzRCUyMmFjY2VsZXJvbWV0ZXIlM0IlMjBhdXRvcGxheSUzQiUyMGNsaXBib2FyZC13cml0ZSUzQiUyMGVuY3J5cHRlZC1tZWRpYSUzQiUyMGd5cm9zY29wZSUzQiUyMHBpY3R1cmUtaW4tcGljdHVyZSUyMiUyMGFsbG93ZnVsbHNjcmVlbiUzRSUzQyUyRmlmcmFtZSUzRQ==[\/vc_raw_html][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]Lyle Workman hasn\u2019t just had a successful career\u2014he\u2019s had three. As a sideman and first-call session musician, he\u2019s toured and recorded with everyone from Beck and Sting to Frank Black and Todd Rundgren; as a composer for film and television, he\u2019s written music for box office blockbusters that have earned over a billion dollars worldwide,&hellip;<\/p>\n","protected":false},"author":25,"featured_media":49240,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-49237","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audio-engineering"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Lyle Workman: World-Class Composer &amp; Session Guitarist (Beck, Jellyfish, Sting) - Produce Like A Pro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/producelikeapro.com\/blog\/lyle-workman-world-class-composer-session-guitarist-beck-jellyfish-sting\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lyle Workman: World-Class Composer &amp; Session Guitarist (Beck, Jellyfish, Sting) - Produce Like A Pro\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text]Lyle Workman hasn\u2019t just had a successful career\u2014he\u2019s had three. As a sideman and first-call session musician, he\u2019s toured and recorded with everyone from Beck and Sting to Frank Black and Todd Rundgren; as a composer for film and television, he\u2019s written music for box office blockbusters that have earned over a billion dollars worldwide,&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/producelikeapro.com\/blog\/lyle-workman-world-class-composer-session-guitarist-beck-jellyfish-sting\/\" \/>\n<meta property=\"og:site_name\" content=\"Produce Like A Pro\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/producelikeapro\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-01-22T17:36:13+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-01-27T14:05:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Lyle-Workman750.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"750\" \/>\n\t<meta property=\"og:image:height\" content=\"421\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Warren Huart\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Warren Huart\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/producelikeapro.com\/blog\/lyle-workman-world-class-composer-session-guitarist-beck-jellyfish-sting\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/producelikeapro.com\/blog\/lyle-workman-world-class-composer-session-guitarist-beck-jellyfish-sting\/\"},\"author\":{\"name\":\"Warren Huart\",\"@id\":\"https:\/\/producelikeapro.com\/blog\/#\/schema\/person\/8dfc15fcc5cd192b928e9795f45430d4\"},\"headline\":\"Lyle Workman: World-Class Composer &#038; 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