{"id":49335,"date":"2023-02-10T18:55:11","date_gmt":"2023-02-10T23:55:11","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=49335"},"modified":"2023-03-08T13:05:49","modified_gmt":"2023-03-08T18:05:49","slug":"aaron-marshall-intervals","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/aaron-marshall-intervals\/","title":{"rendered":"Aaron Marshall of Intervals Redefines Instrumental Guitar Music"},"content":{"rendered":"<div class=\"produ-leaderboard-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\" id=\"produ-3018315811\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-8693331881591-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-8693331881591-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-8693331881591-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-8693331881591-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-8693331881591-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div><p><a href=\"http:\/\/www.intervalsmusic.net\">Intervals<\/a> is the brainchild of guitarist\/composer Aaron Marshall. Since the project&#8217;s inception in 2011, Marshall has explored sounds within the instrumental progressive scene.\u00a0His latest full-length,\u00a0<em>Circadian<\/em>, is a complete realization of Marshall&#8217;s unique voice on the guitar and his personal take on what instrumental music can be.<\/p>\n<h2>Within Intervals, Aaron Marshall reimagines instrumental guitar music<\/h2>\n<p>Intervals launched two EPs in 2011 and 2012:\u00a0<i>The\u00a0Space Between\u00a0<\/i>and\u00a0<em>In Time<\/em>. Both were instrumental, and original in their way, but still fit within the emerging sound of the day, which included bands like Periphery, Monuments, Animals as Leaders, and others.\u00a0These early projects quickly established the foundation of Intervals as an instrumental project, and Marshall began to demonstrate his virtuosity and melodic lead lines.<\/p>\n<p>In 2014, Intervals recorded their first full-length, this time adding a vocalist to the lineup. <em>A Voice Within<\/em>\u00a0may have come as a surprise to some fans, though Marshall initially intended Intervals to be a full band despite finding a sound early on in instrumental metal.<\/p>\n<p>Unfortunately this lineup wouldn&#8217;t last, as each member of the band departed following the album&#8217;s release. Marshall was left to rediscover Intervals&#8217;s sound once again \u2014 though arguably for the betterment of his creative expression.<\/p>\n<ul>\n<li><strong>Related:<\/strong>\u00a0<a href=\"https:\/\/producelikeapro.com\/blog\/who-is-plini-the-future-of-exceptional-guitar-playing\/\">Who is Plini? The Future of Exceptional Guitar Playing<\/a><\/li>\n<\/ul>\n<h3><a href=\"https:\/\/open.spotify.com\/album\/4MYLm8Uxayy4UyqFHPHfBB?si=KCDd5vZrRR6cIjhukxVRDg\"><em>The Shape of Colour<\/em><\/a><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-49354 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_2.jpg\" alt=\"Aaron Marshall of Intervals Redefines Instrumental Guitar Music_2\" width=\"600\" height=\"600\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_2.jpg 600w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_2-300x300.jpg 300w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_2-100x100.jpg 100w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_2-150x150.jpg 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_2-20x20.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_2-385x385.jpg 385w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Intervals&#8217;s second full-length,\u00a0<em>The Shape of Colour<\/em>, debuted in 2015. The album marked a major sonic departure from previous releases as Marshall explored influences outside of metal in rock, fusion, jazz, and even pop. While his metal roots are certainly recognizable in the work, he wrote entirely in standard tuning and drop D, further distancing\u00a0<em>TSOC\u00a0<\/em>from earlier releases.<\/p>\n<p>What this new sound introduced was an emphasis on hooky, melodic lead lines throughout. This is perhaps the most defining feature of Marshall&#8217;s guitar playing and writing. Instrumental guitar music isn&#8217;t just constant soloing over a backing track; rather, he uses the guitar in place of a vocalist. Inherently, there&#8217;s a catchy, vocal-like quality to his top lines you don&#8217;t hear in many other guitarists.<\/p>\n<p>With\u00a0<em>The Shape of Colour<\/em>, Intervals forged a brand new path showcasing not only Marshall&#8217;s expressive lead writing, but also his ability to write &#8216;ear worm&#8217; melodies \u00e0 la pop vocalists.<\/p>\n<h3><a href=\"https:\/\/open.spotify.com\/album\/731aQEGKlJ8RveY3ncSekU?si=euU9uQAKQJ-pCmiHgRe21A\"><em>The Way Forward<\/em><\/a><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-49355 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_3.jpg\" alt=\"Aaron Marshall of Intervals Redefines Instrumental Guitar Music_3\" width=\"600\" height=\"600\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_3.jpg 600w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_3-300x300.jpg 300w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_3-100x100.jpg 100w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_3-150x150.jpg 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_3-20x20.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_3-385x385.jpg 385w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>2017 saw the release of\u00a0Intervals&#8217;s third album, a further exploration of what was made possible on the previous record. Similar in style to\u00a0<em>TSOC<\/em>, Marshall collaborated with Norwegian guitarist\/composer <a href=\"https:\/\/open.spotify.com\/artist\/2LkMP01m9PIf5r87iC0HI2?si=8zSgjanhSAWRIM4l0A9yEw\">Owane<\/a>, who contributed keyboards accompanying many of the lead guitar hooks. Marshall still provided all of the songwriting itself.<\/p>\n<p>It&#8217;s quintessentially the Intervals and Aaron Marshall we heard post-<em>A Voice<\/em>\u00a0<em>Within<\/em>, showcasing virtuosic guitar playing that doesn&#8217;t feel verbose or tedious to listen to. Despite having a deep toolkit of technical prowess, Marshall shows restraint as a lead player, serving the song with lasting melodies as opposed to mindless shredding.<\/p>\n<h3><em><a href=\"https:\/\/open.spotify.com\/album\/3wPiflIal3wakcU7Th6QRE?si=1-3Oy4o_Q0GwY2KWEiQK9A\">Circadian<\/a>\u00a0<\/em><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-49356 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_4.jpg\" alt=\"Aaron Marshall of Intervals Redefines Instrumental Guitar Music_4\" width=\"600\" height=\"600\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_4.jpg 600w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_4-300x300.jpg 300w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_4-100x100.jpg 100w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_4-150x150.jpg 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_4-20x20.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_4-385x385.jpg 385w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>This is Intervals\/Aaron Marshall&#8217;s most recent offering (November 2020), and to date the fullest realization of what Intervals brings to the instrumental\/progressive rock scene.<\/p>\n<p>In a recent conversation with Eyal Levi on the <a href=\"https:\/\/open.spotify.com\/episode\/0967umuPN66dm9fKAzGRso?si=Ydhz7YniTEmd_XLiFTV2bg\">Unstoppable Recording Machine podcast<\/a>, Aaron Marshall and producer\/engineer Sam Guaiana (Silverstein) opened up on the process behind the record. Marshall, who&#8217;s worked with a different producer on every project \u2014 including <a href=\"https:\/\/producelikeapro.com\/blog\/mixing-modern-metal-with-jordan-valeriote\/\">Jordan Valeriote<\/a> (Counterparts, Nick Johnston) \u2014 heard a foundation for this latest record in Guaiana&#8217;s previous production\/mixing work.<\/p>\n<p>Guaiana, who&#8217;d never worked in instrumental music prior to\u00a0<em>Circadian<\/em>, had a major breakthrough approaching this project when he realized not to treat Aaron Marshall&#8217;s lead playing as &#8216;solos,&#8217; but as &#8216;vocals.&#8217; This, in itself, perfectly summarizes Intervals, Marshall&#8217;s one-of-a-kind phrasing, and what modern instrumental music can be.<\/p>\n<p>The result is what Marshall considers &#8216;the most Intervals-sounding Intervals record&#8217; yet.<\/p>\n<ul>\n<li><strong>Related:\u00a0<\/strong><a href=\"https:\/\/producelikeapro.com\/blog\/neural-dsp-quad-cortex\">Neural DSP Quad Cortex<\/a><\/li>\n<\/ul>\n<h2>What gear does Aaron Marshall use?<\/h2>\n<p>Being on the cutting edge of modern progressive music, Aaron Marshall is no stranger to using the latest technology to bring his ideas to life.<\/p>\n<h3>Guitars<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-49364 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_5.jpg\" alt=\"\" width=\"800\" height=\"345\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_5.jpg 800w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_5-600x259.jpg 600w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_5-768x331.jpg 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_5-770x332.jpg 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_5-20x9.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/01\/Aaron-Marshall-of-Intervals-Redefines-Instrumental-Guitar-Music_5-385x166.jpg 385w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>He&#8217;s played a number of guitars over the years from a bunch of high-end manufacturers, including PRS, Aristides, and Suhr. Currently, he seems pretty settled on <a href=\"https:\/\/mayones.com\">Mayones<\/a>, a boutique company from Poland that produces outstanding handmade instruments.<\/p>\n<p>There are rumors of an official Aaron Marshall x Mayones signature in the works, but that remains to be seen! The model pictured above is the Regius Core V24, which has become his main axe both on tour (pre-Covid, of course) and in the studio working on\u00a0<em>Circadian<\/em>.<\/p>\n<h3>Amps &amp; Effects<\/h3>\n<p>Aaron Marshall has a big collection of &#8216;real&#8217; amps and effects pedals, including Mesa Boogie and Morgan amplifiers and Strymon pedals. However, he&#8217;s a huge fan of amp modeling, having used the Axe-FX for years and most recently Neural DSP plugins and the coveted Quad Cortex floor unit.<\/p>\n<p>The majority of guitar tones on <em>Circadian\u00a0<\/em>were actually done with Neural plugins, including the Fortin Cali Suite and Archetypes: Nolly and Plini.<\/p>\n<ul>\n<li><strong>RELATED:<\/strong> <a href=\"https:\/\/producelikeapro.com\/blog\/strymon-iridium-review\/\">Strymon Iridium Review | Portable Tone On the Go<\/a><\/li>\n<\/ul>\n<h3>Conclusion: Aaron Marshall of Intervals<\/h3>\n<p>To summarize Aaron Marshall as a guitar player would be an oversimplification. It appears above all he&#8217;s a songwriter, which immediately becomes evident upon hearing his ultra-catchy melodies. Excellent technique facilitates it all, but his note choice and phrasing is more reminiscent of an expressive songwriter than a shredder.<\/p>\n<p>With artists like Aaron Marshall\/Intervals and <a href=\"https:\/\/producelikeapro.com\/blog\/who-is-plini-the-future-of-exceptional-guitar-playing\/\">Plini<\/a> around, the state of instrumental music in 2021 is in great hands.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Intervals is the brainchild of guitarist\/composer Aaron Marshall. Since the project&#8217;s inception in 2011, Marshall has explored sounds within the instrumental progressive scene.\u00a0His latest full-length,\u00a0Circadian, is a complete realization of Marshall&#8217;s unique voice on the guitar and his personal take on what instrumental music can be. Within Intervals, Aaron Marshall reimagines instrumental guitar music Intervals&hellip;<\/p>\n","protected":false},"author":3,"featured_media":49368,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-49335","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audio-engineering"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Aaron Marshall of Intervals Redefines Instrumental Guitar Music - Produce Like A Pro<\/title>\n<meta name=\"description\" content=\"Aaron Marshall is a guitarist\/composer expressing 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