{"id":49683,"date":"2021-02-25T09:51:27","date_gmt":"2021-02-25T14:51:27","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=49683"},"modified":"2021-04-19T13:46:37","modified_gmt":"2021-04-19T18:46:37","slug":"the-magic-of-tube-microphones-marc-daniel-nelson","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/the-magic-of-tube-microphones-marc-daniel-nelson\/","title":{"rendered":"The Magic of Tube Microphones! &#8211; Marc Daniel Nelson"},"content":{"rendered":"<div class=\"produ-leaderboard-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\" id=\"produ-2380153346\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-4851237560726-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-4851237560726-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-4851237560726-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-4851237560726-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-4851237560726-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div>[vc_row][vc_column][vc_column_text]\n<p class=\"p1\">In this episode of MakeMineMusic, Marc Daniel Nelson shares his experiences and stories of the magic of Tube Microphones. Join him in this fireside chat as he breaks down his personal experiences with a vast array of microphones.<\/p>\n<p class=\"p1\"><span class=\"s1\">The great, classic tube microphones will be discussed in this video and are mentioned in the list below!<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>C12 by AKG<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">AKG\u2019s C12 is one of the best-known tube condenser microphones in history. It is a side-address, large-diaphragm design based on AKG\u2019s CK12 capsule, a 6072 dual-triode glass tube, and a transformer-coupled output circuit.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Telefunken ELA M 251 (AKG made)<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Arguably one the most beautiful microphones ever produced, the TELEFUNKEN ELA M 251E has been featured on countless hits and classic recordings over the decades. Today, prime examples of vintage ELA M 250 \/ 251 (both &#8220;E&#8221; and &#8220;non E&#8221;) microphones have become rare and highly sought after jewels, commanding tens of thousands of dollars on the vintage market.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Neumann M50<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">The\u00a0<\/span><span class=\"s1\">Neumann M50<\/span><span class=\"s2\">\u00a0is a pressure-type microphone with non-directional characteristics. After its introduction in 1950, the outstanding tonal quality and omnidirectional pattern of the Neumann M50 made it the gold standard for the recording of symphony orchestras, either with the single-microphone technique, a stereo pair, or the Decca Tree for three-track recordings.\u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Neumann M49<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">The M49 has a dual-diaphragm design, which allowed it to become the first condenser microphone with a remotely switchable pickup pattern having constant sensitivity: the psu doubles as a pattern selector, with a continuously-variable potentiometer for choosing cardioid, omni-directional, figure-eight or any position in-between the three.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Neumann U67<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">The U 67 was developed to replace the venerable U 47 as the company&#8217;s flagship large-diaphragm condenser.\u00a0The U 67 is incredibly versatile. No source is off limits; its high SPL handling, ruler-flat frequency response, detailed midrange, and sweet, velvety character with a hint of delicate airiness make it a first-call mic for drums, piano, acoustic and electric guitars, strings, woodwinds, brass, percussion, and vocals.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Neumann M269<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">The M 269 is a large-diaphragm, multipattern tube condenser microphone. It is a variation of the Neumann U-67, developed as a way to sell the U-67 to the German broadcast market.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Neumann U47<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">The Neumann U 47 is the granddaddy of large diaphragm condenser microphones and features a legendary sound that has captured the vocal stylings of the greatest singers in the modern era. The Beatles used it to great effect, as did Frank Sinatra. From Ella to Adele, the Kingston Trio to the King of Pop, the vocal sounds of jazz and rock, folk and pop would not be the same without a U 47 in the studio.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Neumann U48<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">10 years after the development of the ubiquitous U47, the U48 was released with one variation to the U47; it had &#8220;bidirectional&#8221; (figure 8) capability. The bidirectional capability can be very useful in more &#8220;ambient&#8221; recording environments where the engineer recording the sound does not want to hear as much of the room ambience as might be recorded with an omnidirectional or cardioid pick-up pattern.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Today we have Marc Daniel Nelson sharing with us his experiences and stories of the magic of tube microphones.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Marc will be telling us about the three-dimensional sound of tube microphones and how they compare to valve microphones. While valve microphones can get \u201csick\u201d overtime, tube microphones will maintain their quality.<\/span><\/p>\n<div id=\"produ-348080398\" class=\"produ-300x250-first\"><\/div>\n<p class=\"p1\"><span class=\"s1\">The great, classic tube microphones will be discussed in this video and are mentioned in the list below!<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>C12 by AKG<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">AKG\u2019s C12 is one of the best-known tube condenser microphones in history. It is a side-address, large-diaphragm design based on AKG\u2019s CK12 capsule, a 6072 dual-triode glass tube, and a transformer-coupled output circuit.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Telefunken ELA M 251 (AKG made)<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Arguably one the most beautiful microphones ever produced, the TELEFUNKEN ELA M 251E has been featured on countless hits and classic recordings over the decades. Today, prime examples of vintage ELA M 250 \/ 251 (both \u201cE\u201d and \u201cnon E\u201d) microphones have become rare and highly sought after jewels, commanding tens of thousands of dollars on the vintage market.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Neumann M50<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">The\u00a0<\/span><span class=\"s1\">Neumann M50<\/span><span class=\"s2\">\u00a0is a pressure-type microphone with non-directional characteristics. After its introduction in 1950, the outstanding tonal quality and omnidirectional pattern of the Neumann M50 made it the gold standard for the recording of symphony orchestras, either with the single-microphone technique, a stereo pair, or the Decca Tree for three-track recordings.\u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Neumann M49<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">The M49 has a dual-diaphragm design, which allowed it to become the first condenser microphone with a remotely switchable pickup pattern having constant sensitivity: the psu doubles as a pattern selector, with a continuously-variable potentiometer for choosing cardioid, omni-directional, figure-eight or any position in-between the three.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Neumann U67<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">The U 67 was developed to replace the venerable U 47 as the company\u2019s flagship large-diaphragm condenser.\u00a0The U 67 is incredibly versatile. No source is off limits; its high SPL handling, ruler-flat frequency response, detailed midrange, and sweet, velvety character with a hint of delicate airiness make it a first-call mic for drums, piano, acoustic and electric guitars, strings, woodwinds, brass, percussion, and vocals.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Neumann M269<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">The M 269 is a large-diaphragm, multipattern tube condenser microphone. It is a variation of the Neumann U-67, developed as a way to sell the U-67 to the German broadcast market.<\/span><\/p>\n<div id=\"produ-1471282587\" class=\"produ-300x250-second\">SEE ALSO:<a href=\"https:\/\/producelikeapro.com\/blog\/sausage-fattener\/\">\u00a0SAUSAGE FATTENER PLUGIN\u00a0<\/a><br \/>\nSEE ALSO: <a href=\"https:\/\/producelikeapro.com\/blog\/how-to-sidechain-in-ableton\/\">HOW TO SIDECHAIN IN ABLETON<\/a><\/div>\n<div>SEE ALSO: <a href=\"https:\/\/producelikeapro.com\/blog\/how-to-write-a-chorus\/\">HOW TO WRITE A CHORUS<\/a><\/div>\n<p class=\"p1\"><span class=\"s1\"><b>Neumann U47<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">The Neumann U 47 is the granddaddy of large diaphragm condenser microphones and features a legendary sound that has captured the vocal stylings of the greatest singers in the modern era. The Beatles used it to great effect, as did Frank Sinatra. From Ella to Adele, the Kingston Trio to the King of Pop, the vocal sounds of jazz and rock, folk and pop would not be the same without a U 47 in the studio.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Neumann U48<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><br \/>\n10 years after the development of the ubiquitous U47, the U48 was released with one variation to the U47; it had \u201cbidirectional\u201d (figure 8) capability. The bidirectional capability can be very useful in more \u201cambient\u201d recording environments where the engineer recording the sound does not want to hear as much of the room ambience as might be recorded with an omnidirectional or cardioid pick-up pattern.<\/span><\/p>\n<p><strong>Watch the video below to learn more about these mics!<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGMGVDbjk5c3hkU1ElMjIlMjBmcmFtZWJvcmRlciUzRCUyMjAlMjIlMjBhbGxvdyUzRCUyMmFjY2VsZXJvbWV0ZXIlM0IlMjBhdXRvcGxheSUzQiUyMGNsaXBib2FyZC13cml0ZSUzQiUyMGVuY3J5cHRlZC1tZWRpYSUzQiUyMGd5cm9zY29wZSUzQiUyMHBpY3R1cmUtaW4tcGljdHVyZSUyMiUyMGFsbG93ZnVsbHNjcmVlbiUzRSUzQyUyRmlmcmFtZSUzRQ==[\/vc_raw_html][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text] In this episode of MakeMineMusic, Marc Daniel Nelson shares his experiences and stories of the magic of Tube Microphones. Join him in this fireside chat as he breaks down his personal experiences with a vast array of microphones. The great, classic tube microphones will be discussed in this video and are mentioned in the&hellip;<\/p>\n","protected":false},"author":25,"featured_media":49707,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-49683","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audio-engineering"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Magic of Tube Microphones! - Marc Daniel Nelson - Produce Like A Pro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/producelikeapro.com\/blog\/the-magic-of-tube-microphones-marc-daniel-nelson\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Magic of Tube Microphones! - Marc Daniel Nelson - Produce Like A Pro\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text] In this episode of MakeMineMusic, Marc Daniel Nelson shares his experiences and stories of the magic of Tube Microphones. 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