{"id":52083,"date":"2021-09-27T11:35:07","date_gmt":"2021-09-27T16:35:07","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=52083"},"modified":"2021-09-27T12:28:34","modified_gmt":"2021-09-27T17:28:34","slug":"travelling-the-world-recording-in-a-van","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/travelling-the-world-recording-in-a-van\/","title":{"rendered":"Travelling The World Recording In A Van"},"content":{"rendered":"<div class=\"produ-leaderboard-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\" id=\"produ-2567213144\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-4166221041305-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-4166221041305-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-4166221041305-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-4166221041305-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-4166221041305-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div>[vc_row][vc_column][vc_column_text]<span style=\"font-weight: 400;\">Welcome, my name is Ady and I\u2019m a mobile record producer, traveling with my partner Kasia through the world, recording singles\/LP\u2019s with local artists to support their musical culture and heritage.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">On top of that I work on client mixes remotely straight from the van! How is this possible?<\/span><\/p>\n<p><a href=\"https:\/\/producelikeapro.com\/we-are-one-multitracks\"><strong>Download the FREE &#8216;We Are One&#8217; multitracks here!<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-52084 aligncenter lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-300x300.png\" alt=\"\" width=\"445\" height=\"445\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-300x300.png 300w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-100x100.png 100w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-600x600.png 600w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-150x150.png 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-768x768.png 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-75x75.png 75w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-270x270.png 270w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-225x225.png 225w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-170x170.png 170w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-320x320.png 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-770x770.png 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-40x40.png 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-18x18.png 18w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-160x160.png 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-540x540.png 540w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-16x16.png 16w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-606x606.png 606w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-14x14.png 14w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-340x340.png 340w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-10x10.png 10w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-640x640.png 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-20x20.png 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-9x9.png 9w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1-385x385.png 385w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture1.png 940w\" sizes=\"auto, (max-width: 445px) 100vw, 445px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">We are living in a camper van that is fully equipped with microphones, interfaces and basic equipment, ready to transform any house into a temporary record studio.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Recently we came back from a 2 year Morocco tour to discover a new language of music and make it accessible to everyone. Today I\u2019m sharing recording, mindset and mixing tips that I learned while recording in different places, instruments and styles that we never heard before.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Music is the universal language that everybody understands and that\u2019s why <\/span><a href=\"https:\/\/hittheroadmusicstudio.com\/\"><span style=\"font-weight: 400;\">\u201cHit The Road Music Studio<\/span><\/a><span style=\"font-weight: 400;\">\u201d started &#8211; to connect the world with the love of music.<\/span><\/p>\n<p><b>Let\u2019s get our hands dirty with <\/b><a href=\"https:\/\/youtu.be\/Q4RJYBa0huY\"><b>our Song \u201cWe are one\u201d recorded in 3 languages<\/b><\/a><\/p>\n<p><span style=\"font-weight: 400;\">If you are into World Music, Rock or Blues, this song is perfect for you. It is so valuable to learn how to mix different musical styles using new techniques to grow and get better in mixing.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">That\u2019s why you can download the Multi Tracks for our production \u201cWe Are One\u201d and mix it for yourself to spice up your portfolio.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">You get the chance to mix Aimad Kacinas percussion, he\u2019s the current title holder of Africa\u2019s best percussionist according to the 4 day Percussion Festival in Ghana where he represented Morocco and won the first place.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I wrote this song in January 2021 as a thank you for this amazing experience in Morocco and to appreciate the rich culture, fantastic music, lovely people as well as the local art.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We traveled 4000 Km in total to record this song with 4 different artists with the thought that everyone will get his own part in the song in a different language, here\u2019s the structure:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">1st Verse \/ 1st Chorus &amp; Solo for Daraa Tribes in Arabic, recorded in Tagounite, the Desert of Morocco.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2nd Verse \/ 2nd Chorus &amp; Solo for Zegro Band in Tamazigh (Original North African Language from the Amazigh people), recorded in the legendary \u201cJazzawiya Club &#8221; in Agadir, at the Ocean side.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Bridge became the end of the Song with the incredible Lala Tamar in Hebrew, recorded in the creative wind city Essaouira.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Last Chorus Verse \/ Outro (Didn\u2019t make it on the track) by Izouran N-Sahara singing in the original desert language.<\/span><\/p>\n<p><b>Pre-Production process<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Luckily it wasn\u2019t the first time working with Daraa Tribes so we already had a routine and organised\u00a0 the magnificent Kasbah Aitisfoul &#8211; literally a palace in the desert &#8211; where we can always write and record.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We started to translate the lyrics and see how to make the rhymes and rhythm fit into the structure, switching between structure and lyric changes until the core message could be expressed while still making sense. The video is on our YouTube Channel and has subtitles in English, so you can understand what it is about.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The recording process was pure fun and we started with Blkhers powerful percussion to build a foundation for the track.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">He\u2019s playing the djembe, a typical african instrument as well as the Karkaba, the grandfather of the spanish castanetas. These are 2 metal plates that you play together used in an almost hypnotic rhythm.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-52085 aligncenter lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture2-300x300.png\" alt=\"\" width=\"446\" height=\"446\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture2-300x300.png 300w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture2-100x100.png 100w\" sizes=\"auto, (max-width: 446px) 100vw, 446px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">This instrument is famously used in Gnawa music, the spiritual music from Morocco.<\/span><\/p>\n<p><b>Record and Mix punchy acoustic Instruments with these tips and tricks<\/b><\/p>\n<p><span style=\"font-weight: 400;\">I use this chain all the time for acoustic instruments that need more excitement, punch and presence in the mix. In this category we have instruments like the Cajon, Djembe, Congas, Bongos, Karkaba, Calabash (African Rhythm Instrument that reminds me of a half pumpkin) and more, you get the idea!<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Usually I record the top and low end separately, let\u2019s check for example the cajon, a trick that Hafid showed me in the desert:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I put a kick mic inside the cajon (Through the back hole) and put it on a pillow. The Second mic, a SM57 is close to the point with the richest, punchiest sound from the front &#8211; the magic in mixing starts in the recording and getting the sound you need!<\/span><\/p>\n<p><span style=\"font-weight: 400;\">When mixing music I\u2019m not familiar with I usually imagine what those instruments would represent in a Rock Mix &#8211; What could be the Kick? Which instruments take over the role of the snare?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Cajon was treated as the kick, so here\u2019s the processing:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I process them individually and cut the top end from the cajon low-end mic, dip the boxiness out by around 350 &#8211; 400 Hz, use compression or a limiter and reduce up to -3dB max to keep the transients under control.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The final touch is low end cleanup, usually cutting by 30 Hz and treating it like a kick drum by adding a subharmonic generator like RBass to boost around 60Hz (If it sounds natural only)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Now I cut the low end from the Cajon Top Mic with a smooth curve &#8211; we are not building a puzzle and cutting straight from 0 &#8211; 500Hz. What I\u2019m looking for is a natural transition between the 2 elements, using a to 3 &#8211; 6 dB\/oct cut rather than a straight 24 dB\/oct.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Both tracks go to a Bus called Cajon &#8211; this is just a sub Bus of the main Percussion Bus, where all percussive instruments are routed to.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Now I\u2019m adding final processing on the Cajon Bus: Another limiter that limits the spikes down by -2dB max to have more headroom and in general a fuller sound for the song.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-52086 aligncenter lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture3-300x300.png\" alt=\"\" width=\"444\" height=\"444\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture3-300x300.png 300w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/09\/Picture3-100x100.png 100w\" sizes=\"auto, (max-width: 444px) 100vw, 444px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">Finally you find a channel strip, either the Brainworx Console N or an SSL 4000 E emulation plugin for the final touches when continuing mixing the song, adjusting the mid range, controlling the low end further and adding a touch of compression for spikes. Yes, it\u2019s a very expressive music style and needs some control to get maximum loudness without killing the life out of the element.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Cajon is additionally routed to my Percussion Parallel Compression Bus where I smack the input signal and glue them together with Waves EMI TG12345 emulation. Here I go by feel, sometimes pumping it like crazy and adding more lows and highs. This always depends on the bleed as we usually record live. In general, I love the Abbey Roads Plugins from Waves, especially for the smooth low end control, somehow just adding smooth sounding low end instead of muddiness.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">When I continue mixing the rest of the track, I quickly find the issue that the wooden rhythm instruments that should drive the song, go down between electric guitars, powerful vocals and the bass.<\/span><\/p>\n<p><b>Adjustments after the first mix is ready<\/b><\/p>\n<p><span style=\"font-weight: 400;\">The solution is another processing stage in the main Percussion Bus &#8211; Parallel Distortion to enhance and add harmonics.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I\u2019m using iZotope Trash 2 for this task as it allows me more control with the Dry\/Wet mix button.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">My go to way to use it for percussion is the \u201cTape\u201d preset, it\u2019s not too aggressive and really pushes the whole rhythm section forward, usually having a 40:60 ratio between original and processed signal.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I don\u2019t know what it is but the Edelweiss plugin from Black Rooster audio made it into my Drums\/Percussion chain, just adding a bit more of the low \/ low mid EQ as well as a touch of highs is doing the trick to bring the right presence in the mix.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If further corrections are needed in the final mixing stages I simply love Waves REQ for cutting and boosting what I need.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">After getting the right balance for my rhythm section between Cajon, Djembe and Karkaba I face the problem of panning as Cajon and Djembe, Bass and Vocals should be all panned to the centre, so the possibility of frequency masking is high.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The first solution is to Pan the Cajon 4% to the left and the Djembe 4 &#8211; 5% to the right and double check in mono if the instruments are distinguishable from each other.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If there is a clash or I can\u2019t hear that there are 2 different elements the EQ\u2019s will be adjusted to serve the fundamental frequencies of each element, as well as cut the clashing frequency in one element and boost the same frequency a few dB in the other &#8211; now we are working like with a puzzle!\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The same mono listening will be also used once the mix is done, so I can really check if anything is masking the vocals, still the most important element for me.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If you want to learn how to mix the whole rhythm section and make it work, check out our free mixing tutorial and download the multi tracks to try it out on your own.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Thanks for tuning in, if you have any questions please let me know via social media, leave a comment or write to me directly via the Produce Like A Pro Academy &#8211; sharing is caring and I try my best to answer every question I get!\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">On top of that we prepared 16 Mixing tutorials on Promix Academy for you, with 23 sets of Multi Tracks included that can be used in your portfolio.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In these tutorials I will guide you through the process of how we met the bands, what issues we faced, how we recorded the songs in places I see the first time in my love and more.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Additionally I show you how to start a mix, bring it further and finish it for release.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The purchase of the courses allows us also to continue with our artist&#8217;s support journey world wide as we are heading right now to the Balkans, Turkey, Georgia and Armenia.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Thank you for your support and to the whole Produce Like A Pro team, you all Rock!<\/span><\/p>\n<p><span style=\"font-weight: 400;\">All the best and keep on rocking,<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Adrian \u201cAdy\u201d Parzentny<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Watch the Travelling The World Recording In A Van video\u00a0below!<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGaURjM0pLamZnVzAlMjIlMjB0aXRsZSUzRCUyMllvdVR1YmUlMjB2aWRlbyUyMHBsYXllciUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYWNjZWxlcm9tZXRlciUzQiUyMGF1dG9wbGF5JTNCJTIwY2xpcGJvYXJkLXdyaXRlJTNCJTIwZW5jcnlwdGVkLW1lZGlhJTNCJTIwZ3lyb3Njb3BlJTNCJTIwcGljdHVyZS1pbi1waWN0dXJlJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNF[\/vc_raw_html][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]Welcome, my name is Ady and I\u2019m a mobile record producer, traveling with my partner Kasia through the world, recording singles\/LP\u2019s with local artists to support their musical culture and heritage. On top of that I work on client mixes remotely straight from the van! How is this possible? Download the FREE &#8216;We Are One&#8217;&hellip;<\/p>\n","protected":false},"author":25,"featured_media":52087,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-52083","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audio-engineering"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Travelling The World Recording In A Van - Produce Like A Pro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/producelikeapro.com\/blog\/travelling-the-world-recording-in-a-van\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Travelling The World Recording In A Van - Produce Like A Pro\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text]Welcome, my name is Ady and I\u2019m a mobile record producer, traveling with my partner Kasia through the world, recording singles\/LP\u2019s with local artists to support their musical culture and heritage. On top of that I work on client mixes remotely straight from the van! How is this possible? 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