{"id":52504,"date":"2021-11-10T10:49:46","date_gmt":"2021-11-10T15:49:46","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=52504"},"modified":"2021-11-10T10:52:52","modified_gmt":"2021-11-10T15:52:52","slug":"another-brick-in-the-wall-pt2","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/","title":{"rendered":"Non-Conformist Grooves: \u201cAnother Brick in the Wall, Part 2\u201d"},"content":{"rendered":"<div class=\"produ-leaderboard-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\" id=\"produ-895349368\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-3362331718148-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-3362331718148-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-3362331718148-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-3362331718148-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-3362331718148-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div>[vc_row][vc_column][vc_column_text]<span style=\"font-weight: 400;\">Pink Floyd began their career as an experimental, psychedelic rock group of the late sixties, but by the seventies the band had shifted directions to progressive, conceptual art rock under the newly assumed leadership of Roger Waters. In 1979, Waters and Pink Floyd would record and release their most ambitious project &#8211; a rock opera called <\/span><i><span style=\"font-weight: 400;\">The Wall.\u00a0 <\/span><\/i><span style=\"font-weight: 400;\">From the heart of this album came a revolutionary single, \u201cAnother Brick in the Wall, Part 2,\u201d bringing together progressive grooves and production alongside iconic rock sounds and provocative themes and lyrics, and topped off with a haunting, unforgettable children\u2019s chorus.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Pink Floyd was founded in London in the early sixties when several architecture and art students began playing music while attending school together. Guitarist and singer Roger \u201cSyd\u201d Barret, bassist Roger Waters, keyboardist Rick Wright and drummer Nick Mason form the first consistent lineup of the group as they started gigging regularly together in 1965, building their name out of two blue musicians: \u201cPink Anderson\u201d and \u201cFloyd Council\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">By 1966 they had combined their rhythm and blues repertoire with an innovative light show, establishing themselves as leaders of the progressive psychedelic scene in England.\u00a0 Their early performances and recordings were centered on free improvisations, and songs written by Barrett. This can be seen in their debut album <\/span><i><span style=\"font-weight: 400;\">The Piper at the Gates of Dawn <\/span><\/i><span style=\"font-weight: 400;\">in 1967.\u00a0 But as the band\u2019s relationship with Barrett dissolved by decade&#8217;s end, they moved in new directions under the leadership of another founding member &#8211; Roger Waters.\u00a0 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">As the new primary lyricist and creative, conceptual force behind the band, Waters pushed Pink Floyd in new experimental directions. The addition of David Gilmour on guitar in 1967 also contributed to this development in the band\u2019s sound and creative output. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">1973\u2019s release of <\/span><i><span style=\"font-weight: 400;\">The Dark Side of the Moon <\/span><\/i><span style=\"font-weight: 400;\">kicked off what is often viewed as the band\u2019s classic period. Certainly, it is when they started to receive more international, and especially American attention. The period also reflects the darker turn in Waters\u2019 own creativity which he brought to the band.\u00a0 Themes of alienation, insanity and death became recurring elements of his writing, epitomized in the band\u2019s 1979 double album <\/span><i><span style=\"font-weight: 400;\">The Wall. <\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">A semi-autobiographical reflection on Water\u2019s own life, trauma and success, <\/span><i><span style=\"font-weight: 400;\">The Wall <\/span><\/i><span style=\"font-weight: 400;\">is often viewed as a rock opera, in which the songs work together to tell a story of a depressed rock star, Pink, who falls into a nightmarish hallucination as he builds a metaphorical wall of isolation around himself. The key musical composition that builds this wall is the triptych of \u201cAnother Brick in the Wall.\u201d Each part acts as its own song detailing a specific moment in the plot.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Part 1 of \u201cAnother Brick in the Wall\u201d centers on the death of Pink\u2019s father in WW2 and the resulting overprotective parenting of his mother. The longing for a lost father is plot detail which has clear autobiographical connections to Waters whose own father was killed during the war when the future musician was only 5 months old.\u00a0 The details of Water\u2019s father\u2019s death were only recently discovered, in 2013, and <\/span><i><span style=\"font-weight: 400;\">The Wall <\/span><\/i><span style=\"font-weight: 400;\">represents the musician&#8217;s struggle with growing up without ever having known his father or even what happened to him. Waters later explained: <\/span><i><span style=\"font-weight: 400;\">\u201c<\/span><\/i><i><span style=\"font-weight: 400;\">I was very angry&#8230;.Because he was missin<\/span><\/i><span style=\"font-weight: 400;\">g<\/span><i><span style=\"font-weight: 400;\"> in action, presumed killed, until quite recently I expected him to come home.&#8221;<\/span><\/i><span style=\"font-weight: 400;\"> In the final part of \u201cAnother Brick in the Wall\u201d Pink\u2019s character devolves into a violent breakdown in which he completes building his metaphorical wall, and thus, his isolation from the world around him <\/span><\/p>\n<p><span style=\"font-weight: 400;\">But it is the middle section of the composition, \u201cAnother Brick in the Wall, Part 2,\u201d which has gone on to achieve a life of its own.\u00a0 In the context of the album&#8217;s plot, it reflects upon the trauma of an oppressive school system and manifests as a haunting protest against educators who would suppress and control student thinking in an effort to force conformity on their generation.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Waters first developed and presented his ideas and music demos for <\/span><i><span style=\"font-weight: 400;\">The Wall <\/span><\/i><span style=\"font-weight: 400;\">to Gilmour, Wright and Mason in July of 1978.\u00a0 Wright later recalled thinking when he first heard the tapes: <\/span><i><span style=\"font-weight: 400;\">\u201cOh, here we go again\u2014it\u2019s all about the war, about his mother, about his father being lost.\u201d<\/span><\/i><span style=\"font-weight: 400;\"> It took the efforts of Producer Bob Ezrin to get the band excited about the project.\u00a0 He took Water\u2019s demos and managed to translate them into a coherent storyline for the band to read through before recording the album. Ezrin explained:\u00a0 <\/span><i><span style=\"font-weight: 400;\">\u201c&#8230;I ended up producing like a forty-page book that night &#8230; The next day at the studio, we had a table read, like you would with a play, but with the whole of the band, and their eyes all twinkled, because then they could see the album.\u201d<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Waters\u2019 demos for <\/span><i><span style=\"font-weight: 400;\">The Wall <\/span><\/i><span style=\"font-weight: 400;\">began at Britannia Row studio in London &#8211;\u00a0 a studio which Pink Floyd had built in 1975, after the completion of their album <\/span><i><span style=\"font-weight: 400;\">Wish You Were Here. <\/span><\/i><span style=\"font-weight: 400;\">They had used it to record their 1977 album <\/span><i><span style=\"font-weight: 400;\">Animals.\u00a0 <\/span><\/i><span style=\"font-weight: 400;\">In January of 1979, the band travelled to France to record much of <\/span><i><span style=\"font-weight: 400;\">The Wall<\/span><\/i><span style=\"font-weight: 400;\"> working between Super Bear Studios and Studio Miraval.\u00a0 In September and October of 1979, production switched to New York\u2019s CBS Studios. Here they worked with conductor and arranger Michael Kamen and the New York Philharmonic to fill out the album\u2019s orchestration.\u00a0 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The band also used Los Angeles\u2019s Cherokee Studios and the Producer\u2019s Workshop to complete some of the recording and the mixing for the album.\u00a0 When it came to recording \u201cAnother Brick in the Wall &#8211; part 2\u201d the initial tracks sounded, according to Mason, like \u201c<\/span><i><span style=\"font-weight: 400;\">a funereal, gloomy thing.<\/span><\/i><span style=\"font-weight: 400;\">\u201d\u00a0 Ezrin looked back to his recent work at Record Plant in New York where he had been working with Nils Lofgren at the same time that the disco band Chic was recording in the studios.\u00a0 He suggested that the band bring in a Chic-style groove to the track &#8211; a surprising and yet phenomenal juxtaposition of brightness against the dark, traumatic theme and haunting, repetitive vocals. Gilmour\u2019s funky and edgy guitar solo pairs the perfect sound with this now iconic groove.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The final touch, of course, is the addition of the children&#8217;s chorus. In a song which repeatedly declares <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">We don&#8217;t need no education<\/span><\/i><\/p>\n<p><i><span style=\"font-weight: 400;\">We don&#8217;t need no thought control<\/span><\/i><\/p>\n<p><i><span style=\"font-weight: 400;\">No dark sarcasm in the classroom<\/span><\/i><\/p>\n<p><i><span style=\"font-weight: 400;\">Teacher Leave them Kids Alone<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">The power of adding children\u2019s voices to the sound of protest is undeniable.\u00a0 To achieve this effect, engineer James Guthrie sent the tapes\u00a0 to Britannia Row engineer Nick Griffiths with the request to fill in with youth voices. He explained:\u00a0<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">\u201cwe actually sent Nick a 24 track tape, with a stereo mix of the song on 2 tracks and asked him to fill up the rest of the tracks with different performances of the kids. That way we would have plenty of choices when making a balance, which we then transferred to the master tape. On one take, he put some of the kids into an echoey stair well. I used a lot of that one in the mix. It really helped to increase the size of the chorus\u201d. <\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">So Giffith contacted the nearby Islington Green School, where he was lucky enough to find a music teacher, Alun Renshaw, who was equally as anti-establishment as the song\u2019s lyrics.\u00a0 Without asking for permission from the school administration, he brought in 23 students to the studio &#8211; under the agreement that the school orchestra could have some recording time there. Griffiths reflected positively on the experience: <\/span><i><span style=\"font-weight: 400;\">\u201cEverybody had a whale of a time. It took just half an hour to do, then I tracked the voices about a dozen times.\u201d\u00a0 <\/span><\/i><span style=\"font-weight: 400;\">The effect was brilliant. Waters recalls the first time he heard the children\u2019s voices in the mix: <\/span><i><span style=\"font-weight: 400;\">\u201c<\/span><\/i><i><span style=\"font-weight: 400;\">I feel shivery now remembering the feeling of hearing those kids sing that song\u201d<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">\u201cAnother Brick in the Wall, Part 2\u201d was released as a single on November 23, 1979, a week ahead of the full album on November 30.\u00a0 Guthrie recalls the the decision to release the song as a single: <\/span><i><span style=\"font-weight: 400;\">\u201cAs the album took shape, \u2018Brick 2\u2019 was clearly the best choice for a first single. We were not trying to make it blatantly commercial, just a good groove. But the commerciality of Roger\u2019s chorus hook was already clear on his demo and the school kids certainly helped\u201d.<\/span><\/i><span style=\"font-weight: 400;\"> Ezrin, too, was convinced that the song would be a hit single. He explained: \u201cI<\/span><i><span style=\"font-weight: 400;\"> pushed it through because I knew that it was an undeniable hit song. The band was not interested in singles but that was the culture I came from and so I was determined to make it into one.\u201d<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">The song hit number 1 on both the UK singles Chart and the US Billboard Hot 100 Chart as well as in several other countries including: Switzerland, Sweden, South Africa, Portugal, Norway, New Zealand, Germany, Austria, France, Finland, Ireland and Canada. And in the top 5 in Italy, Netherlands, Spain, Belgium and Australia. The response was powerful and lasting, although there was some pushback to the song&#8217;s critical lyrics. Water\u2019s recalled: <\/span><i><span style=\"font-weight: 400;\">\u201c<\/span><\/i><i><span style=\"font-weight: 400;\">People were driven to frenzies of rage by the song. They thought that when I said, \u2018We don\u2019t need no education,\u2019 that it was a kind of crass, revolutionary standpoint\u2014[but] if you listen to it in context, it clearly isn\u2019t at all.\u201d<\/span><\/i><i><span style=\"font-weight: 400;\">\u00a0<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Despite this critique, the song\u2019s legacy has extended for decades, as has that of the album. In 1983, the song won a British Academy Award for the Best Original Song for its appearance in the film version of <\/span><i><span style=\"font-weight: 400;\">The Wall. <\/span><\/i><span style=\"font-weight: 400;\">And the album was nominated for two 1980 Grammys: \u201cAlbum of the Year\u201d and \u201cBest Performance by A Duo or Group With Vocal.\u201d\u00a0 Both the song and the album have cemented the band\u2019s legacy as one of the most creative forces in rock music history.\u00a0 In 1996, they were inducted into the Rock and Roll Hall of Fame and in 2005 they were inducted into the UK Music Hall of Fame.\u00a0<\/span><\/p>\n<p><strong><em>Written By: Caitlin Vaughn Carlos<\/em><\/strong><\/p>\n<p><a href=\"https:\/\/producelikeapro.com\"><strong>Join the Produce Like A Pro Academy here!<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Watch the video below to learn more about Another Brick in the Wall Pt. 2!<\/strong>[\/vc_column_text][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGbndIWlJQWS1hWnMlMjIlMjB0aXRsZSUzRCUyMllvdVR1YmUlMjB2aWRlbyUyMHBsYXllciUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYWNjZWxlcm9tZXRlciUzQiUyMGF1dG9wbGF5JTNCJTIwY2xpcGJvYXJkLXdyaXRlJTNCJTIwZW5jcnlwdGVkLW1lZGlhJTNCJTIwZ3lyb3Njb3BlJTNCJTIwcGljdHVyZS1pbi1waWN0dXJlJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNF[\/vc_raw_html][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]Pink Floyd began their career as an experimental, psychedelic rock group of the late sixties, but by the seventies the band had shifted directions to progressive, conceptual art rock under the newly assumed leadership of Roger Waters. In 1979, Waters and Pink Floyd would record and release their most ambitious project &#8211; a rock opera&hellip;<\/p>\n","protected":false},"author":25,"featured_media":52505,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-52504","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audio-engineering"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Non-Conformist Grooves: \u201cAnother Brick in the Wall, Part 2\u201d - Produce Like A Pro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Non-Conformist Grooves: \u201cAnother Brick in the Wall, Part 2\u201d - Produce Like A Pro\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text]Pink Floyd began their career as an experimental, psychedelic rock group of the late sixties, but by the seventies the band had shifted directions to progressive, conceptual art rock under the newly assumed leadership of Roger Waters. In 1979, Waters and Pink Floyd would record and release their most ambitious project &#8211; a rock opera&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/\" \/>\n<meta property=\"og:site_name\" content=\"Produce Like A Pro\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/producelikeapro\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-11-10T15:49:46+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-11-10T15:52:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/11\/the-wall-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1080\" \/>\n\t<meta property=\"og:image:height\" content=\"606\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Warren Huart\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Warren Huart\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/\"},\"author\":{\"name\":\"Warren Huart\",\"@id\":\"https:\/\/producelikeapro.com\/blog\/#\/schema\/person\/8dfc15fcc5cd192b928e9795f45430d4\"},\"headline\":\"Non-Conformist Grooves: \u201cAnother Brick in the Wall, Part 2\u201d\",\"datePublished\":\"2021-11-10T15:49:46+00:00\",\"dateModified\":\"2021-11-10T15:52:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/\"},\"wordCount\":1767,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/producelikeapro.com\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/11\/the-wall-scaled.jpg\",\"articleSection\":[\"Audio Engineering\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/\",\"url\":\"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/\",\"name\":\"Non-Conformist Grooves: \u201cAnother Brick in the Wall, Part 2\u201d - Produce Like A Pro\",\"isPartOf\":{\"@id\":\"https:\/\/producelikeapro.com\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/11\/the-wall-scaled.jpg\",\"datePublished\":\"2021-11-10T15:49:46+00:00\",\"dateModified\":\"2021-11-10T15:52:52+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/#primaryimage\",\"url\":\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/11\/the-wall-scaled.jpg\",\"contentUrl\":\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/11\/the-wall-scaled.jpg\",\"width\":1080,\"height\":606},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Audio Engineering\",\"item\":\"https:\/\/producelikeapro.com\/blog\/category\/audio-engineering\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Non-Conformist Grooves: \u201cAnother Brick in the Wall, Part 2\u201d\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/producelikeapro.com\/blog\/#website\",\"url\":\"https:\/\/producelikeapro.com\/blog\/\",\"name\":\"Produce Like A Pro\",\"description\":\"Blog\",\"publisher\":{\"@id\":\"https:\/\/producelikeapro.com\/blog\/#organization\"},\"alternateName\":\"Create radio worthy and professional sounding music in your home studio.\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/producelikeapro.com\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/producelikeapro.com\/blog\/#organization\",\"name\":\"Produce Like A Pro\",\"url\":\"https:\/\/producelikeapro.com\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/producelikeapro.com\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/01\/PLAP-Logo-Small.jpg\",\"contentUrl\":\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/01\/PLAP-Logo-Small.jpg\",\"width\":192,\"height\":192,\"caption\":\"Produce Like A Pro\"},\"image\":{\"@id\":\"https:\/\/producelikeapro.com\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/producelikeapro\/\",\"https:\/\/www.instagram.com\/producelikeapro\/\",\"https:\/\/www.youtube.com\/user\/WarrenHuartRecording\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/producelikeapro.com\/blog\/#\/schema\/person\/8dfc15fcc5cd192b928e9795f45430d4\",\"name\":\"Warren Huart\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/producelikeapro.com\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/a625b2f18dae6798c91631e0f781b741c8759aa2c4554218b5acdbbcbe065c15?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/a625b2f18dae6798c91631e0f781b741c8759aa2c4554218b5acdbbcbe065c15?s=96&d=mm&r=g\",\"caption\":\"Warren Huart\"},\"description\":\"Warren Huart is a Los Angeles-based British music producer who has played a fundamental part in the creation of platinum winning and billboard-soaring albums; as well as the development of many of today\u2019s successful artists\u2019 careers. Warren Huart is known for his hard work ethic, positive attitude and respect for the artist\u2019s vision. Many of his long term work relationships have turned into close friendships. With over 20 years of experience in the ever expanding music industry (record production, engineering, mixing and song writing), as well as his extensive knowledge of musical equipment used yesterday and today, Warren manages to create the most diverse sound around.\",\"url\":\"https:\/\/producelikeapro.com\/blog\/author\/warren-huart\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Non-Conformist Grooves: \u201cAnother Brick in the Wall, Part 2\u201d - Produce Like A Pro","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/","og_locale":"en_US","og_type":"article","og_title":"Non-Conformist Grooves: \u201cAnother Brick in the Wall, Part 2\u201d - Produce Like A Pro","og_description":"[vc_row][vc_column][vc_column_text]Pink Floyd began their career as an experimental, psychedelic rock group of the late sixties, but by the seventies the band had shifted directions to progressive, conceptual art rock under the newly assumed leadership of Roger Waters. In 1979, Waters and Pink Floyd would record and release their most ambitious project &#8211; a rock opera&hellip;","og_url":"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/","og_site_name":"Produce Like A Pro","article_publisher":"https:\/\/www.facebook.com\/producelikeapro\/","article_published_time":"2021-11-10T15:49:46+00:00","article_modified_time":"2021-11-10T15:52:52+00:00","og_image":[{"width":1080,"height":606,"url":"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/11\/the-wall-scaled.jpg","type":"image\/jpeg"}],"author":"Warren Huart","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Warren Huart","Est. reading time":"8 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/#article","isPartOf":{"@id":"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/"},"author":{"name":"Warren Huart","@id":"https:\/\/producelikeapro.com\/blog\/#\/schema\/person\/8dfc15fcc5cd192b928e9795f45430d4"},"headline":"Non-Conformist Grooves: \u201cAnother Brick in the Wall, Part 2\u201d","datePublished":"2021-11-10T15:49:46+00:00","dateModified":"2021-11-10T15:52:52+00:00","mainEntityOfPage":{"@id":"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/"},"wordCount":1767,"commentCount":0,"publisher":{"@id":"https:\/\/producelikeapro.com\/blog\/#organization"},"image":{"@id":"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/#primaryimage"},"thumbnailUrl":"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/11\/the-wall-scaled.jpg","articleSection":["Audio Engineering"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/","url":"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/","name":"Non-Conformist Grooves: \u201cAnother Brick in the Wall, Part 2\u201d - Produce Like A Pro","isPartOf":{"@id":"https:\/\/producelikeapro.com\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/#primaryimage"},"image":{"@id":"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/#primaryimage"},"thumbnailUrl":"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/11\/the-wall-scaled.jpg","datePublished":"2021-11-10T15:49:46+00:00","dateModified":"2021-11-10T15:52:52+00:00","breadcrumb":{"@id":"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/#primaryimage","url":"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/11\/the-wall-scaled.jpg","contentUrl":"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2021\/11\/the-wall-scaled.jpg","width":1080,"height":606},{"@type":"BreadcrumbList","@id":"https:\/\/producelikeapro.com\/blog\/another-brick-in-the-wall-pt2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Audio Engineering","item":"https:\/\/producelikeapro.com\/blog\/category\/audio-engineering\/"},{"@type":"ListItem","position":2,"name":"Non-Conformist Grooves: \u201cAnother Brick in the Wall, Part 2\u201d"}]},{"@type":"WebSite","@id":"https:\/\/producelikeapro.com\/blog\/#website","url":"https:\/\/producelikeapro.com\/blog\/","name":"Produce Like A Pro","description":"Blog","publisher":{"@id":"https:\/\/producelikeapro.com\/blog\/#organization"},"alternateName":"Create radio worthy and professional sounding music in your home studio.","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/producelikeapro.com\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/producelikeapro.com\/blog\/#organization","name":"Produce Like A Pro","url":"https:\/\/producelikeapro.com\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/producelikeapro.com\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/01\/PLAP-Logo-Small.jpg","contentUrl":"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2018\/01\/PLAP-Logo-Small.jpg","width":192,"height":192,"caption":"Produce Like A Pro"},"image":{"@id":"https:\/\/producelikeapro.com\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/producelikeapro\/","https:\/\/www.instagram.com\/producelikeapro\/","https:\/\/www.youtube.com\/user\/WarrenHuartRecording"]},{"@type":"Person","@id":"https:\/\/producelikeapro.com\/blog\/#\/schema\/person\/8dfc15fcc5cd192b928e9795f45430d4","name":"Warren Huart","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/producelikeapro.com\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/a625b2f18dae6798c91631e0f781b741c8759aa2c4554218b5acdbbcbe065c15?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/a625b2f18dae6798c91631e0f781b741c8759aa2c4554218b5acdbbcbe065c15?s=96&d=mm&r=g","caption":"Warren Huart"},"description":"Warren Huart is a Los Angeles-based British music producer who has played a fundamental part in the creation of platinum winning and billboard-soaring albums; as well as the development of many of today\u2019s successful artists\u2019 careers. Warren Huart is known for his hard work ethic, positive attitude and respect for the artist\u2019s vision. Many of his long term work relationships have turned into close friendships. With over 20 years of experience in the ever expanding music industry (record production, engineering, mixing and song writing), as well as his extensive knowledge of musical equipment used yesterday and today, Warren manages to create the most diverse sound around.","url":"https:\/\/producelikeapro.com\/blog\/author\/warren-huart\/"}]}},"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/producelikeapro.com\/blog\/wp-json\/wp\/v2\/posts\/52504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/producelikeapro.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/producelikeapro.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/producelikeapro.com\/blog\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/producelikeapro.com\/blog\/wp-json\/wp\/v2\/comments?post=52504"}],"version-history":[{"count":2,"href":"https:\/\/producelikeapro.com\/blog\/wp-json\/wp\/v2\/posts\/52504\/revisions"}],"predecessor-version":[{"id":52507,"href":"https:\/\/producelikeapro.com\/blog\/wp-json\/wp\/v2\/posts\/52504\/revisions\/52507"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/producelikeapro.com\/blog\/wp-json\/wp\/v2\/media\/52505"}],"wp:attachment":[{"href":"https:\/\/producelikeapro.com\/blog\/wp-json\/wp\/v2\/media?parent=52504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/producelikeapro.com\/blog\/wp-json\/wp\/v2\/categories?post=52504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/producelikeapro.com\/blog\/wp-json\/wp\/v2\/tags?post=52504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}