{"id":52735,"date":"2021-12-01T12:54:14","date_gmt":"2021-12-01T17:54:14","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=52735"},"modified":"2021-12-01T12:55:36","modified_gmt":"2021-12-01T17:55:36","slug":"queen-another-one-bites-the-dust","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/queen-another-one-bites-the-dust\/","title":{"rendered":"Classic Rock and Disco Grooves: \u201cAnother One Bites the Dust\u201d"},"content":{"rendered":"<div class=\"produ-leaderboard-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\" id=\"produ-432777799\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-1952256134154-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-1952256134154-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-1952256134154-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-1952256134154-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-1952256134154-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div>[vc_row][vc_column][vc_column_text]<span style=\"font-weight: 400;\">From its inception in the early seventies, Queen was known for its ability to transform itself and bring together diverse and eclectic soundworlds.\u00a0 From glam rock to soul, rhythm and blues to opera &#8211; nothing seemed off limits. In 1980, they proved that again, combining the hottest sounds of disco with their signature classic rock sound, they created a track that would captivate generation of musicians and listeners alike &#8212; \u201cAnother One Bites the Dust\u201d\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Queen was formed in London in the early seventies when Freddie Mercury teamed up with a local band called Smile, which featured Brian May on guitar and Roger Taylor on drums.\u00a0 <\/span><span style=\"font-weight: 400;\">Freddie Mercury was born Farrokh Bulsara on the East African island of Zanzibar on <\/span><span style=\"font-weight: 400;\">September 5, 1946. He spent much of his childhood at boarding school in India where he learned to play piano-\u00a0 beginning at age 7.\u00a0 In 1964, his family moved to Middlesex; later, Mercury began studying graphic design at Ealing Art College.\u00a0 May was a student at the Imperial College of London and Taylor was a student at East London Polytechnic while they were performing in Smile and the earliest days of Queen.\u00a0 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">When Mercury joined Smile in 1970, he suggested they change the band\u2019s name to Queen. Likewise, May and Taylor gave Mercury his stage name. In 1971, after several rounds of auditions, the band brought on John Deacon on bass.\u00a0 Working out a management and publishing deal with Trident Studios in 1972, the band began working on their self-titled debut album &#8211; which would be released the following year. Prior to its release, in early 1973, the band signed with EMI.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Their second album <\/span><i><span style=\"font-weight: 400;\">Queen II <\/span><\/i><span style=\"font-weight: 400;\">was released in March 1974 and was their first true hit.\u00a0 It made the Top 5 in the UK. Success across the Atlantic came at the end of 1974, with the release of their third album <\/span><i><span style=\"font-weight: 400;\">Sheer Heart Attack, <\/span><\/i><span style=\"font-weight: 400;\">which contained the hit song &#8211; a now iconic track &#8211; \u201cKiller Queen.\u201d Their audience base was growing rapidly, even if the press was usually critical (oftentimes cruel).\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Their 6-minute long magnum opus, \u201cBohemian Rhapsody\u201d in 1975, brought the band unprecedented success. It remains one of the most important tracks of their history and showcased the dramatic diversity of sound for which the band was becoming increasingly known.\u00a0 The band would round out the seventies with several other hit tracks &#8211; all showcasing their impressive ability to incorporate different genres and styles of music into their hard rocking frame. These include the soulful \u201cSomebody to Love\u201d in 1976, and two of the biggest stadium anthems of all time, \u201cWe Will Rock You\u201d and \u201cWe Are the Champions\u201d (both in 1977).\u00a0 Glam rock, old fashioned rhythm and blues, sports anthems and soulful power-ballads, hard rock guitar solos juxtaposed against operatic vocals\u2026.what else was left?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Then in 1980, the band brought in yet another influence &#8211; disco. With its four-on-the-floor pulsing groove, \u201cAnother One Bites the Dust\u201d added yet another sound to the band\u2019s arsenal a<\/span><span style=\"font-weight: 400;\">nd transformed the sound of an already epic rock band.\u00a0 <\/span><span style=\"font-weight: 400;\">\u201cAnother One Bites the Dust\u201d was the brainchild of bassist John Deacon. Deacon explained his inspiration came from the Black American music he had listened to <\/span><span style=\"font-weight: 400;\">growing up: <\/span><i><span style=\"font-weight: 400;\">&#8220;I listened to a lot of soul music when I was in school&#8230;and I&#8217;ve always been interested in that sort of music. I&#8217;d been wanting to do a track like Another One Bites The Dust for a while, but originally all I had was the line and the bass riff. Gradually I filled it in and the band added ideas. I could hear it as a song for dancing but had no idea it would become as big as it did. The song got picked up off our album and some of the black radio stations in the US started playing it, which we&#8217;ve never had before.&#8221;<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">The Black pop influence on Deacon\u2019s bassline is clearly evident through his interviews and simply listening to the sounds that were coming out of bands like Chic at the same time.\u00a0 Bernard Edwards explained that Deacon had even spent some time in the recording studio with them, which is why you might notice there is such a similarity to Chic\u2019s song of the previous year \u201cGood Times\u201d.\u00a0 Whether it was an intentional inspiration or not, Chic\u2019s disco grooves were certainly the sound of the times, and Deacon was enamored by their musical creativity.\u00a0 In \u201cAnother One Bites the Dust\u201d this pounding bass riff really does provide so much of the song\u2019s character, so much so that Mercury&#8217;s vocals often align directly with it, especially on its iconic refrain \u201cAnother One Bites the Dust.\u201d The drum\u2019s dry, tight sound is another unforgettable element of the song. Taylor explained that he stuffed his drums with blankets and tuned his drums as low as he possibly could to get that dry sound that Deacon had imagined.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In Guitar World Magazine in 1993, Brian May explained that the drum sound was a complete departure from what the band was used to envisioning: <\/span><i><span style=\"font-weight: 400;\">&#8220;John Deacon, being totally in his own world, came up with this thing, which was nothing like what we were doing. We were going for the big drum sound: you know, quite pompous in our usual way. And Deakey says, &#8216;No, I want this to be totally different: it&#8217;s going to be a very tight drum sound.&#8217; It was originally done to a drum loop &#8211; this was before the days of drum machines. Roger did a loop, kind of under protest, because he didn&#8217;t like the sound of the drums recorded that way. And then Deakey put this groove down. Immediately Freddie became violently enthusiastic and said, &#8216;This is big! This Is important! I&#8217;m going to spend a lot of time on this.&#8217;\u201d<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Mercury championed the song, which although different than their usual sound, inspired his vocals.\u00a0 The lyrics are often interpreted to have been inspired by the St. Valentine\u2019s Day Massacre in Chicago in 1929. You can hear the dark foreboding in the song\u2019s first verse:\u00a0<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Steve walks warily down the street<\/span><\/i><\/p>\n<p><i><span style=\"font-weight: 400;\">With the brim pulled way down low<\/span><\/i><\/p>\n<p><i><span style=\"font-weight: 400;\">Ain&#8217;t no sound but the sound of his feet<\/span><\/i><\/p>\n<p><i><span style=\"font-weight: 400;\">Machine guns ready to go<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">In his typical theatrical magnificence, Mercury\u2019s vocals transports listeners to the tension filled space of the story they telling. The second verse, however, doesn\u2019t continue the story. It sounds much more like a domestic dispute, a break up:<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">How do you think I&#8217;m going to get along<\/span><\/i><\/p>\n<p><i><span style=\"font-weight: 400;\">Without you, when you&#8217;re gone<\/span><\/i><\/p>\n<p><i><span style=\"font-weight: 400;\">You took me for everything that I had<\/span><\/i><\/p>\n<p><i><span style=\"font-weight: 400;\">And kicked me out on my own<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">And yet the second verse ends the same as the first, with the sounds of violence:<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Out of the doorway the bullets rip<\/span><\/i><\/p>\n<p><i><span style=\"font-weight: 400;\">To the sound of the beat<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">The ambiguity of the song&#8217;s lyrics has intrigued listeners, but the fact remains that the singular sound of the song is really what has captivated them.\u00a0 Whether the song is a historical storytelling, a metaphorical explanation of the breakdown of a relationship, or something else all together, listeners could not get enough of the hypnotic groove alongside Mercury\u2019s powerful vocals.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">But the song doesn\u2019t end there &#8211; it pulls you in with its bass groove, tight drums and Mercury\u2019s iconic vocals, but then Brian May brings in his signature guitar sound. <\/span><span style=\"font-weight: 400;\">Finally the added effects and backing sounds build the texture of the song, without distracting from its powerful groove. These sounds heighten the intensity especially at key transitional moments.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cAnother One Bites the Dust,\u201d along with the rest of their eighth studio album <\/span><i><span style=\"font-weight: 400;\">The Game<\/span><\/i><span style=\"font-weight: 400;\">, was recorded at Musicland studios in Munich, Germany in the summer of 1979, and the early months of 1980.\u00a0 It was produced by the band and Rheinhold Mack, who had recently worked with E.L.O. before teaming up with Queen for <\/span><i><span style=\"font-weight: 400;\">The Game <\/span><\/i><span style=\"font-weight: 400;\">album.\u00a0 The album was mastered at Sterling Sound in New York.\u00a0 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The album was released on June 30, 1980, and \u201cAnother One Bites the Dust\u201d followed as a single on August 22 that same year. The sound of the song was a drastic departure for them (which is saying something, considering the many diverse colors that we find in the band oeuvre).\u00a0 The band credits Michael Jackson for encouraging them to release it as a single. Mercury explained:<\/span><i><span style=\"font-weight: 400;\"> \u201c<\/span><\/i><i><span style=\"font-weight: 400;\">John introduced this riff to us during rehearsal that we all immediately thought of disco, which was very popular at the time. We worked it out and once it was ready, played it for Michael. I knew we had a hit as he bobbed his head up and down. \u2018That&#8217;s it, that&#8217;s the gravy. Release it and it will top the charts,\u2019 he said. So we did and it did.\u201d<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Topping the charts was just the start. It hit the number one spot in the US, Canada, Spain, and Israel, and the top ten in the UK, Switzerland, New Zealand, South Africa, Ireland, Germany, Belgium, Australia and Austria. It even hit number two on the US Billboard Hot Disco Singles Chart and the Hot Soul Singles Chart.\u00a0 It spent 15 weeks in the Billboard top 10 in 1980 &#8211; the longest running hit single of the year, and in 2012, was credited as the band\u2019s top selling single with over 7 million copies sold. It won an American Music Award for Favorite Rock Single and a Grammy Nomination for best Rock Performance by a Duo or Group with Vocal.\u00a0 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">But the song has inspired so much more than that &#8211; it has been constantly covered and sampled, as well as appeared in TV shows, commercials and movies, and like \u201cWe Will Rock You\u201d and \u201cWe are the Champions\u201d it has also become a popular song for major sporting event, each time continually reintroducing the song to new generations of listeners. In its fusion of some of the biggest sounds of the era (disco and classic rock) it somehow managed to create an almost timeless sound, and establish its impressive legacy in the history of popular music.\u00a0<\/span><\/p>\n<p><em><b>Written by Caitlin Vaughn Carlos\u00a0<\/b><\/em><\/p>\n<p><a href=\"https:\/\/producelikeapro.com\"><strong>Join the Produce Like A Pro Academy here!<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Watch the video below to learn more about Queen&#8217;s &#8216;Another One Bites The Dust&#8217;!<\/strong>[\/vc_column_text][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGbmRicERsbi1QYlklMjIlMjB0aXRsZSUzRCUyMllvdVR1YmUlMjB2aWRlbyUyMHBsYXllciUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYWNjZWxlcm9tZXRlciUzQiUyMGF1dG9wbGF5JTNCJTIwY2xpcGJvYXJkLXdyaXRlJTNCJTIwZW5jcnlwdGVkLW1lZGlhJTNCJTIwZ3lyb3Njb3BlJTNCJTIwcGljdHVyZS1pbi1waWN0dXJlJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNF[\/vc_raw_html][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]From its inception in the early seventies, Queen was known for its ability to transform itself and bring together diverse and eclectic soundworlds.\u00a0 From glam rock to soul, rhythm and blues to opera &#8211; nothing seemed off limits. In 1980, they proved that again, combining the hottest sounds of disco with their signature classic rock&hellip;<\/p>\n","protected":false},"author":25,"featured_media":52736,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-52735","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audio-engineering"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Classic Rock and Disco Grooves: \u201cAnother One Bites the Dust\u201d - Produce Like A Pro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/producelikeapro.com\/blog\/queen-another-one-bites-the-dust\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Classic Rock and Disco Grooves: \u201cAnother One Bites the Dust\u201d - Produce Like A Pro\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text]From its inception in the early seventies, Queen was known for its ability to transform itself and bring together diverse and eclectic soundworlds.\u00a0 From glam rock to soul, rhythm and blues to opera &#8211; nothing seemed off limits. 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