{"id":53391,"date":"2022-02-08T12:00:18","date_gmt":"2022-02-08T17:00:18","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=53391"},"modified":"2022-02-09T12:02:21","modified_gmt":"2022-02-09T17:02:21","slug":"new-rose","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/new-rose\/","title":{"rendered":"\u201cNew Rose\u201d and The Damned: The Story of UK Punk\u2019s First Single"},"content":{"rendered":"<div class=\"produ-leaderboard-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\" id=\"produ-4232754871\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-6370949058331-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-6370949058331-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-6370949058331-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-6370949058331-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-6370949058331-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div>[vc_row][vc_column][vc_column_text]<span style=\"font-weight: 400;\">In 1976, Punk music (although it was not yet called that) was a vibrant and underground movement making some powerful noise in the London Music scene. But what had emerged as a live music experience was first captured on tape and released to the general public when producer Nick Lowe of Stiff Records teamed up with The Damned to release the first UK Punk Single on <\/span><span style=\"font-weight: 400;\">October 22, 1976 &#8211; \u201cNew Rose\u201d<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The Damned were formed in London in 1976. Several of its founding members had previously played together in another early Punk group, Masters of the Backside. Masters was managed by the Pistol\u2019s famed manager Malcolm Mclaren, and included future Damned members Dave Vanian (born David Lett), Captain Sensible (Raymond Burns) and Rat Scabies (Chris Millar), as well as future Pretenders lead Chrissie Hynde. Brian James was the drummer in a band called London SS, which is largely remembered for housing, not only James, but also future Clash member, Mick Jones and future Generation X member, Tony James. <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Scabies had met Brian James while auditioning for London SS. While he didn\u2019t get the part, the two decided to form their own band. James recalled: <\/span><i><span style=\"font-weight: 400;\">\u201cWe rehearsed and rehearsed for about a year with London SS, but it never really got off the ground. We couldn\u2019t find a singer or a drummer. When we did find a drummer (Rat Scapies), the others didn\u2019t want him, so me and Rat went and formed the Damned.\u201d<\/span><\/i><span style=\"font-weight: 400;\"> They invited Dave Vanian and future Sex Pistols bassist Sid Vicious to come audition for the role as lead singer. Vanian told the Guardian: <\/span><i><span style=\"font-weight: 400;\">\u201c<\/span><\/i><i><span style=\"font-weight: 400;\">The band were auditioning for a singer, and I went early to check out the the guy before me, but he never turned up. Turned out it was Sid Vicious. Could he have become the singer in the Damned, rather than the bass-player in the Sex Pistols? We\u2019ll never know.<\/span><\/i><i><span style=\"font-weight: 400;\">\u201d<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">The Damned were fully itnegrated into the emerging punk rock scene of London; their first live show was on July 6, 1976, alongside the Sex Pistols at the 100 Club. But the Damned can be credited for taking the raw power and attitude of this small (but loud) group of musicians and fans to awareness, not only outside of London, but to the larger, international stage. Five weeks before the Pistols released their landmark single \u201cAnarchy in the UK\u201d, the Damned released British punks first single ever \u201cNew Rose\u201d &#8211; a track which would eventually bring the UK punk scene to America.\u00a0 <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">The main riff for \u201cNew Rose\u201d was written by Brian James, in 1974, before The Damned had even formed. But it was with his new bandmates that the song really took off. James recalled: <\/span><i><span style=\"font-weight: 400;\">\u201cWhen I first got together with Rat\u2026.we were still in the stages of getting The Damned together \u2013 finding a bassist and singer and all that stuff. So I played him the [New Rose] riff and he just took to it like water. Bang! He was off. He just attacked it. It was perfect. Now I had something I could build a song around.\u201d<\/span><\/i><span style=\"font-weight: 400;\">\u00a0 In fact, it\u2019s Scabies fast-drumming that opened the track, and sounded unlike anything in the mainstream rock world.\u00a0 Of course, we now think of this sound as the epitome of\u00a0 the UK Punk sound, but in 1976, these musicians just thought of themselves as reimagining rock \u2018n roll. James told the Guardian in 2018: <\/span><i><span style=\"font-weight: 400;\">\u201cWe thought we were a fast rock\u2019n\u2019roll band, but the journalist Caroline Coon coined the term \u201cpunk rock\u201d so suddenly New Rose was \u201cthe first British punk single\u201d. Everything happened very quickly after that.\u201d<\/span><\/i><b><br \/>\n<\/b><b><br \/>\n<\/b><span style=\"font-weight: 400;\">James has explained that the song lyrics were largely spontaneously created to match the guitar riffs they were playing. Without any real intention of writing a love song or having deep meaning:<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">I got a new rose, I got it good<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Guess I knew that I always would<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">But James does connect the spirit of the lyrics to the energy of the emerging punk scene of the time. He said: <\/span><i><span style=\"font-weight: 400;\">\u00a0\u201c&#8230;some lines did express my excitement about the early punk scene: \u201cI got a feeling inside of me \/ It\u2019s kinda strange like a stormy sea.\u201d It was everything I\u2019d ever dreamed of. And there I was in London with everyone going crazy for it.\u201d <\/span><\/i><span style=\"font-weight: 400;\">And while the song lyrics may not have been deeply meaningful for the band, they were notably different from some of their contemporaries.\u00a0 While other punk bands seemed to focus on the world around them, the Damned\u2019s music seemed to embody the same basic structures of older rock and roll lyrics, but issued with a lot more intensity and certainly less polish. James explained: <\/span><i><span style=\"font-weight: 400;\">\u00a0\u201cI was only interested in politics in terms of stirring things up [&#8230;] If things are flat and boring and you\u2019re being programmed to be like your grandparents then something\u2019s wrong. Something\u2019s wrong if you\u2019ve gotta spend all your life working for a fucking pittance. We weren\u2019t shouting about anarchy or giving it the big Clash number but that was never what we were in it for. We just loved music and we just wanted to play.\u201d<\/span><\/i><span style=\"font-weight: 400;\">\u00a0 \u201cNew Rose\u201d epitomizes that spirit. The punk music of the damn was certainly a revolution, but not a political revolution\u2026. a musical one. And in tearing down the status quo and in stirring the pot of what people thought music should be, you could say it inspired a cultural revolution.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">That cultural revolution could happen because the Damned made punk music which would bring an underground London musical scene to mainstream awareness. And part of that credit can be shared with the brilliant production of Nick Lowe, who understood how to capture the radical, ephemeral quality of punk and put it on tape.\u00a0 <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">The Damned were picked up by Stiff Records early on &#8211; a new label which had only released its first track a few months before in August of 1976.\u00a0 James explained: <\/span><i><span style=\"font-weight: 400;\">\u201cWe didn\u2019t want to sign with a straight label\u2026.Jake [Riviera, Stiff boss] was the real McCoy, who ran Stiff out of an old shop. Everybody mucked in. Plus they had people like Dave Edmunds, Pink Fairies and Lemmy \u2013 good people who we could hang out with. Dave Edmunds used to thrash us at darts in the pub next door.\u201d<\/span><\/i><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Stiff Records\u2019 first release, was in fact Nick Lowes\u2019 \u201cSo it Goes\u201d\u00a0 and it was Lowe who would produce \u201cNew Rose\u201d and the Damned\u2019s first album \u201cDamned Damned Damned\u201d. Elvis Costello who worked with Lowe for his first five albums explained:\u00a0 <\/span><i><span style=\"font-weight: 400;\">\u201c<\/span><\/i><i><span style=\"font-weight: 400;\">Nick\u2019s production style\u2026.was to exhibit massive enthusiasm for the moment and seem possessed with the conviction that whatever we had just played was absolutely \u2018IT,\u2019\u2009\u201d<\/span><\/i><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Lowe was able to use that enthusiasm to channel the Damned\u2019s hyped-up rock and roll sound into a recordable medium. Vanian recalled in 2019:\u00a0 <\/span><i><span style=\"font-weight: 400;\">\u201cIt was an amazing experience because the idea was to capture the essence of the band &#8211; the live essence of the band. And if we had a big fancy producer, a big studio, and spent time, I don&#8217;t think we would have gotten that. Instead, you got this perfect encapsulation of seeing that band live, and it was an explosion of sound that was very rudimentary in production. In fact, no production &#8211; just the volume was set. I remember singing in the hallway because there was too much of the music coming into my microphone. I had to sing out there with the door shut, and it was still very loud because everything was full volume. There was barely enough room for the band when we recorded it, but it was a fantastic experience.\u201d<\/span><\/i><span style=\"font-weight: 400;\">\u00a0 Likewise, Brain James told the Guardian:\u00a0 <\/span><i><span style=\"font-weight: 400;\">\u201cWe signed to Stiff to do a single, and Nick Lowe produced us in a tiny eight-track studio. We spent more time in the pub round the corner than we spent recording, but Nick captured how wild we sounded.\u201d<\/span><\/i><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">That tiny eight-track studio was Pathway Studios in London. Dave Vanian recalled a quick and energetic recording experience for both the single and their first album: <\/span><i><span style=\"font-weight: 400;\">\u201cNew Rose was a raw, visceral, classic three-minute pop song. My famous spoken intro \u2013 \u201cIs she really going out with him?\u201d \u2013 is from the <\/span><\/i><a href=\"https:\/\/www.youtube.com\/watch?v=5Ge8_6rtQvs\"><i><span style=\"font-weight: 400;\">Shangri-La\u2019s Leader of the Pack<\/span><\/i><\/a><i><span style=\"font-weight: 400;\">, which I adored. I\u2019d just been clowning around, but everyone liked it so we kept it. We recorded a whole album \u2013 Damned Damned Damned \u2013 in two days flat. In those days, there was never much food around. We were fuelled by amphetamine sulphate and cider.\u201d<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">\u201cNew Rose\u201d was released by Stiff Records on October 22, 1976 &#8211; the first true single by a UK Punk Band. The single\u2019s B side was punk cover of The Beatles\u2019 \u201cHelp.\u201d The First album, \u201cDamned Damned Damned\u201d was also the first full-length album by a UK punk band. While the song wasn\u2019t a massive hit, in terms of sales or chart rankings, it\u2019s influence and historical importance is undeniable. It introduced the UK punk scene to the larger music public.\u00a0 And took what was an underground &#8211; albeit loud &#8211; musical movement into mainstream awareness.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/p>\n<p><em><b>Written by Caitlin Vaughn Carlos\u00a0<\/b><\/em><\/p>\n<p><strong><a href=\"https:\/\/producelikeapro.com\">Join the Produce Like A Pro Academy here!<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Watch the video to learn more about &#8220;New Rose&#8221;!<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGdmg5anlZUF95WVklMjIlMjB0aXRsZSUzRCUyMllvdVR1YmUlMjB2aWRlbyUyMHBsYXllciUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYWNjZWxlcm9tZXRlciUzQiUyMGF1dG9wbGF5JTNCJTIwY2xpcGJvYXJkLXdyaXRlJTNCJTIwZW5jcnlwdGVkLW1lZGlhJTNCJTIwZ3lyb3Njb3BlJTNCJTIwcGljdHVyZS1pbi1waWN0dXJlJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNF[\/vc_raw_html][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]In 1976, Punk music (although it was not yet called that) was a vibrant and underground movement making some powerful noise in the London Music scene. But what had emerged as a live music experience was first captured on tape and released to the general public when producer Nick Lowe of Stiff Records teamed up&hellip;<\/p>\n","protected":false},"author":18,"featured_media":53484,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[532,1145],"tags":[],"class_list":["post-53391","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-history","category-inside-the-song"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201cNew Rose\u201d and The Damned: The Story of UK Punk\u2019s First Single - Produce Like A Pro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/producelikeapro.com\/blog\/new-rose\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cNew Rose\u201d and The Damned: The Story of UK Punk\u2019s First Single - Produce Like A Pro\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text]In 1976, Punk music (although it was not yet called that) was a vibrant and underground movement making some powerful noise in the London Music scene. 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