{"id":54022,"date":"2022-03-31T11:27:05","date_gmt":"2022-03-31T16:27:05","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=54022"},"modified":"2022-03-31T12:26:17","modified_gmt":"2022-03-31T17:26:17","slug":"i-never-loved-a-man-aretha-franklin","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/i-never-loved-a-man-aretha-franklin\/","title":{"rendered":"Aretha at FAME: Where The Queen of Soul Found Her Voice"},"content":{"rendered":"<div class=\"produ-leaderboard-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\" id=\"produ-3918858992\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-9114334912546-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-9114334912546-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-9114334912546-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-9114334912546-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-9114334912546-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div>[vc_row][vc_column][vc_column_text]<b>Written by Caitlin Vaughn Carlos\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">When Aretha Franklin entered Fame studios in 1967, she was undoubtedly a prodigious talent, but she hadn\u2019t yet found the voice that would crown her the Queen of Soul. \u00a0 While the sessions have gone down history as one of the studio\u2019s must tumultuous, they also brought us the song which would carry Aretha Franklin to the top of the charts and kick-started the career which would inspired generations of musicians to follow &#8211; \u201dI Never Loved a Man (The Way that I Loved You)\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">From her earliest years, Aretha Franklin had grown up around music.\u00a0 Her mother was a gospel pianist and singer, and her father was a minister in the New Bethel Baptist Church &#8211; filling Franklin\u2019s earliest days with incredible music. Her father\u2019s reputation as a powerful preacher allowed him to record sermons on more than 50 LPs, and brought celebrity gospel performers like Clara Ward, James Cleaveland, Mahalia Jackson, Jackie Wilson and Sam Cooke into his young daughter&#8217;s life.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Inspired by the music around her, Franklin began playing piano, by ear, at a young age, and by the age of 12, she was singing solos in her father\u2019s church.\u00a0 In 1960, at the age of 18, Aretha signed with Columbia Records. She found some success in her time at Columbia, but became increasingly frustrated with the artistic direction in which she felt herself being pushed. In 1966, she joined Atlantic records, hoping to remain musically connected to her gospel roots. A year later, she found herself in Muscle Shoals, Alabama, recording the tracks which would change her whole career. <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b><br \/>\n<\/b><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">In January of 1967, Jerry Wexler of Atlantic Records sent Aretha and her husband (and acting manager) Ted White, to FAME studios in Muscle Shoals to record with a rhythm section who were quickly gaining a reputation as one of the premier studio musicians of the time &#8211; The Swampers. Wexler and engineer Tom Dowd joined Aretha and White in the studios, where they met up with FAME owner Rick Hall, the Swampers, and a horn section hired by Hall for the sessions.\u00a0 <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Hall recalled being unsure of the seemingly shy new singer, when she first entered the studio. Wexler had wanted to record a song written by Ronnie Shannon called \u201cI Never Loved a Man (The Way I Love You).\u201d\u00a0 But the musicians struggled to understand it at first.\u00a0 <\/span><span style=\"font-weight: 400;\">Hall recalled thinking at first: \u201c\u2018What\u2019s this song all about? It sounds like an old waltz! It\u2019s got a waltz beat, you can\u2019t dance to it, it\u2019s not gonna happen.\u2019\u201d But then Aretha sat down at the piano.\u00a0 <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">With Wexler\u2019s encouragement, Aretha felt more artistic freedom than she had before, and with her singing from the piano, she was able to guide the musicians in gospel-infused 6\/8 groove.Swampers bassist David Hood was playing trombone that day and recalled:\u00a0 \u201cAretha played the piano while she sang, rather than just standing there singing. Her piano feel really helped the feel the musicians got to play with her.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">With Franklin at the piano, keyboardist Spooner Oldham was able to switch to the Wurlitzer. Hood also credits Oldham with helping the group find that now-iconic groove. \u201cSpooner came up with this great little lick and everyone fell in line with that, started playing, and that saved the song. It was minutes after that we did the horn parts.\u201d<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">In addition to Oldham and Hood, the song features: Jimmy Johnson<\/span><span style=\"font-weight: 400;\">, and Chips Moman on guitar, Tommy Cogbill on bass guitar, and Gene Chrisman, and Roger Hawkins on drums. Melvin Lastie plays trumpet, and Willie Bridged plays baritone saxophone, while Charles Chalmers, and King Curtis on are credited on tenor saxophone. Carolyn Franklin, Erma Franklin, and Cissy Houston performed the background vocals on the track.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The powerhouse musicians create the perfect foundation for Aretha\u2019s incredibly emotive singing.\u00a0 The song lyrics are emotionally heavy: <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">\u201cYou&#8217;re a no good heartbreaker<\/span><\/p>\n<p><span style=\"font-weight: 400;\">You&#8217;re a liar and you&#8217;re a cheat<\/span><\/p>\n<p><span style=\"font-weight: 400;\">And I don&#8217;t know why<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I let you do these things to me\u201d<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Her performance perfectly captures\u00a0 the lyrical struggle to reconcile a love for a man who treats her so terribly (\u201cBut oh, they don&#8217;t know, that I&#8217;d leave you if I could\u201d).<\/span><b>\u00a0 <\/b><span style=\"font-weight: 400;\">This is the recording that showed the world the power of Aretha Franklin\u2019s voice. As she digs into and pulls off each phrase, you get lost in the emotional turmoil of the song&#8217;s lyrics.\u00a0 Even if you didn\u2019t know what the words were about, in her performance you can hear a painful longing.\u00a0 Her voice carries the text in a way that is truly unlike any other.\u00a0 <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">We can trace the true start of Aretha Franklin\u2019s incredible output to her recording of \u201cI Never Loved a Man\u201d at FAME Studios, but unfortunately, it was the only time she would record there. It\u2019s hard to know the finer details of what happened that day at the studio, but what is clear is that some of those involved in sessions, including Franklin\u2019s husband, Ted White, had been drinking.\u00a0 According to Hall, White claimed that one of the trumpet players had acted inappropriately towards Franklin and demanded that he be fired.\u00a0 A little bit later, he demanded the saxophonist be sent home, as well.\u00a0 As tensions rose, Hall also had a few drinks and thought things could be settled outside the studio over more drinks.. Years later, he admitted that Wexler had warned him not to go, and regretted the fight that followed.\u00a0 <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">However it started, the conflict ended with Wexler taking Aretha back to New York to finish the record, never to return to FAME studios. For these New York sessions, which finished another song started at FAME &#8211; \u201cDo Right Woman, Do Right Man\u201d &#8211; Wexler flew in several members of the Muscle Shoals Rhythm Section. This became the start of their move from being the Swampers to their official name as the Muscle Shoals Rhythm Section, which they took on as they started their own competing recording studio (The Muscle Shoals Sound Studio) in 1969.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">\u201cI Ain\u2019t Never Loved a Man (The Way That I Loved You)\u201d was released as a single on February 10, 1967.\u00a0 The B side was the other song Aretha had recorded (but not finished) at FAME,\u201cDo Right Woman, Do Right Man.\u201d \u00a0 The single hit the Top 10 on the Billboard Hot 100 Charts and became Franklin\u2019s first #1 Hit on the Rhythm and Blues charts.\u00a0 The song also provided the name for her first Atlantic LP &#8211; a powerhouse record which also included incredible tracks like \u201cRESPECT\u201d and \u201cDr. Feelgood.\u201d\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">\u201cI Never Loved a Man\u201d\u00a0 kicked off the gospel-infused, soul sound which would crown Aretha its Queen.\u00a0 In 1987, she became the first female artist to be inducted into the Rock \u2018n Roll Hall of Fame and was named the #1 singer, on the Rolling Stone\u2019s list of the greatest 100 singers of all time.\u00a0 And it was at FAME Studios in 1966, that she found that voice. <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/p>\n<p><strong>Watch below &#8211; Songs That Changed Music: I Never A Man The Way I Love You by Aretha Franklin<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGZFNnWmVNbmd0SEklMjIlMjB0aXRsZSUzRCUyMllvdVR1YmUlMjB2aWRlbyUyMHBsYXllciUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYWNjZWxlcm9tZXRlciUzQiUyMGF1dG9wbGF5JTNCJTIwY2xpcGJvYXJkLXdyaXRlJTNCJTIwZW5jcnlwdGVkLW1lZGlhJTNCJTIwZ3lyb3Njb3BlJTNCJTIwcGljdHVyZS1pbi1waWN0dXJlJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNF[\/vc_raw_html][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]Written by Caitlin Vaughn Carlos\u00a0 When Aretha Franklin entered Fame studios in 1967, she was undoubtedly a prodigious talent, but she hadn\u2019t yet found the voice that would crown her the Queen of Soul. \u00a0 While the sessions have gone down history as one of the studio\u2019s must tumultuous, they also brought us the song&hellip;<\/p>\n","protected":false},"author":25,"featured_media":54026,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[532,1145,11375],"tags":[11853],"class_list":["post-54022","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-history","category-inside-the-song","category-songs-that-changed-music","tag-what-is-time-stretching-and-when-would-you-use-it"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - 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