{"id":54295,"date":"2022-05-04T01:24:26","date_gmt":"2022-05-04T06:24:26","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=54295"},"modified":"2022-05-05T11:26:15","modified_gmt":"2022-05-05T16:26:15","slug":"pump-it-up-elvis-costello","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/pump-it-up-elvis-costello\/","title":{"rendered":"\u201cPump It Up\u201d: How Elvis Costello and the Attractions turned Punk into New Wave\u00a0"},"content":{"rendered":"<div id=\"produ-660991065\" class=\"produ-leaderboard-placement produ-entity-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-4366989104633-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-4366989104633-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-4366989104633-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-4366989104633-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-4366989104633-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div>[vc_row][vc_column][vc_column_text]\n<div class=\"page\" title=\"Page 1\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><b>Written by Caitlin Vaughn Carlos\u00a0\u00a0\u00a0<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Rock and Roll is often associated with excess; and by the end of the seventies, this image was clearly in the air. Even the outsider, cool young artists of Stiff Records found themselves lured into its temptations. In the midst of Punk\u2019s musical revolution in England, stripping rock down its barest essentials and attitudes, a young Elvis Costello stepped into the spotlight with his own ironic take on rock and roll indulgence &#8211; \u201cPump It Up\u201d &#8211; and in doing so, kicked off his own musical revolution; on which would take the form of New Wave and carry across the following decade.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Elvis Costello was born Declan Patrick MacManus in Paddington, London in 1954. Music was in his blood; and Costello learned from the example and experiences of his jazz-trumpeter father. His first time on a broadcast recording involved singing backup for his father for a TV commercial.\u00a0 He formed his earliest bands as a young teenager, and in 1976, was signed to the newly formed Stiff Records label. Both his first single, \u201cLess than Zero,\u201d and first album, \u201cMy Aim is True,\u201d were released in 1977. Later the same year, he formed his first permanent backing band: <\/span><i><span style=\"font-weight: 400;\">The Attractions<\/span><\/i><span style=\"font-weight: 400;\">.\u00a0\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Costello has a particular talent for capturing (often with a wry sense of humor) the world around him.\u00a0 When Costello wrote \u201cPump It Up\u201d while sitting on top of a fire escape in Newcastle, he was reflecting on the cliche of excess &#8211;\u00a0 \u201csex, drugs and rock \u2018n roll.\u201d Costello was in the midst of Stiff Records Live Tour &#8211; a package tour of the label\u2019s biggest and most promising artists. The newly formed record label was known for its clever, off-beat, and often sarcastic lineup of musicians, from <\/span><i><span style=\"font-weight: 400;\">Nick Lowe<\/span><\/i><span style=\"font-weight: 400;\"> to <\/span><i><span style=\"font-weight: 400;\">Ian Drury and the Blockheads<\/span><\/i><span style=\"font-weight: 400;\">; but even this group of musicians would find themselves drawn into the fantasy of the rock artist lifestyle. Costello wrote in his autobiography: <\/span><span style=\"font-weight: 400;\">\u201cAll it took was some gin, some tonic, some blue pills, and a red pen to write \u2018Pump It Up\u2019 during my first exposure to idiotic rock and roll decadence\u2026 I thought myself above and beyond it, but quickly found it easier to indulge than to sit in judgment.\u201d\u00a0 The lyrics use double entendres and irony, highlighting the temptations faced by the young celebrity.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Costello leaned into past songs when writing this tune, particularly Bob Dylan\u2019s \u201cSubterranean Homesick Blues.\u201d Of course, Dylan noticed this connection, as Costello later recalled: <\/span><span style=\"font-weight: 400;\">\u201cOne night, many years later, Bob Dylan said to me: \u2018U2! How could they do that to you? How could they take your song like that?\u2019 It took me a moment to know what he was talking about, and a moment more to realize that he was putting me on. But then, U2\u2019s \u2018Get On Your Boots\u2019 was probably to \u2018Pump It Up\u2019 what \u2018Subterranean Homesick Blues\u2019 is to Chuck Berry\u2019s \u2018Too Much Monkey Business\u2019.\u201d\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">\u201cPump it Up\u201d is an example of how artists may draw on the music of the past to find their own sound. Despite resembling a more-than-a-decade-old song (at the time), \u201cPump It Up\u201d was incredibly modern; Punk was in the midst of its fast-burning musical revolution, and \u201cPump It Up\u201d fits right into that moment. In many ways, we can hear \u201cPump It Up\u201d as the start of New Wave, with its punk-attitude mixed with ironic humor and a cleaner, more-polished sound.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">\u201cPump It Up\u201d has a rough, powerful, and outspoken energy. The fact that it was recorded so quickly also speaks to the punk-like spirit found in the song. Two days after writing the song, Costello and the Attractions debuted it in a high school cafeteria. A week later, the song was on tape, recorded in only a few takes at Eden Studios in Acton, London.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Fellow Stiff Records artist, Nick Lowe, produced the track. All the parts were played by Costello and his Attractions bandmates: <\/span><span style=\"font-weight: 400;\">Bruce Thomas (guitar), Steve Nieve (organ), and Pete Thomas (drums).\u00a0 <\/span><span style=\"font-weight: 400;\">The guitar part, recorded by Costello, delivers the majority of the song\u2019s punk-energy and sound.\u00a0 However, unlike the pulsing bass lines usually found in punk, Bruce Thomas\u2019 bass line carries an infectious groove. Likewise, the organ part also separates the song from being \u201cstrictly\u201d punk.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">\u201cPump It Up\u201d was released by Stiff Records on June 10, 1978. It hit number 24 on the UK Singles Chart, and number 55 in Australia. The song remains one of Costello\u2019s most popular tunes, still playing in the ears and minds of the newest generations of musicians. In fact, just in 2021, listeners were quick to point out that Olivia Rodrigo\u2019s hit song \u201cBrutal\u201d draws on Costello\u2019s \u2018Pump it Up\u201d for inspiration &#8211; to which Costello famously replied:\u00a0 \u201c<\/span><span style=\"font-weight: 400;\">This is fine by me &#8230; It&#8217;s how rock and roll works. You take the broken pieces of another thrill and make a brand new toy. That&#8217;s what I did.\u201d<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Its punk guitar and drum sound &#8211; combined with a grooving bass line, organ, and wit &#8211; reveals the song to be one of the true predecessors to the soon-to-emerge New Wave; a crucially-transitional moment in time where Costello would undoubtedly reign as one of the most important leaders.\u00a0\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><strong>Watch the full video on Elvis Costello and The Attractions &#8211; Pump It Up Below<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGc19pcF9YbkVaaHMlMjIlMjB0aXRsZSUzRCUyMllvdVR1YmUlMjB2aWRlbyUyMHBsYXllciUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYWNjZWxlcm9tZXRlciUzQiUyMGF1dG9wbGF5JTNCJTIwY2xpcGJvYXJkLXdyaXRlJTNCJTIwZW5jcnlwdGVkLW1lZGlhJTNCJTIwZ3lyb3Njb3BlJTNCJTIwcGljdHVyZS1pbi1waWN0dXJlJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNF[\/vc_raw_html][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text] Written by Caitlin Vaughn Carlos\u00a0\u00a0\u00a0 &nbsp; Rock and Roll is often associated with excess; and by the end of the seventies, this image was clearly in the air. Even the outsider, cool young artists of Stiff Records found themselves lured into its temptations. In the midst of Punk\u2019s musical revolution in England, stripping rock&hellip;<\/p>\n","protected":false},"author":25,"featured_media":54300,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[532,1145],"tags":[],"class_list":["post-54295","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-history","category-inside-the-song"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201cPump It Up\u201d: How Elvis Costello and the Attractions turned Punk into New Wave\u00a0 - Produce Like A Pro<\/title>\n<meta name=\"description\" content=\"To better understand humbucker vs single coil sound, we&#039;ll investigate the key differences between them and the overall affect on tone.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/producelikeapro.com\/blog\/pump-it-up-elvis-costello\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cPump It Up\u201d: How Elvis Costello and the Attractions turned Punk into New Wave\u00a0 - 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