{"id":54402,"date":"2022-05-16T09:05:46","date_gmt":"2022-05-16T14:05:46","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=54402"},"modified":"2022-05-18T07:36:23","modified_gmt":"2022-05-18T12:36:23","slug":"daniel-lanois-interview","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/daniel-lanois-interview\/","title":{"rendered":"Daniel Lanois: The Interview"},"content":{"rendered":"<div class=\"produ-leaderboard-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\" id=\"produ-2903834361\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-7272151006762-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-7272151006762-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-7272151006762-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-7272151006762-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-7272151006762-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div>[vc_row][vc_column][vc_column_text]\n<div class=\"page\" title=\"Page 1\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p class=\"p1\">Rolling Stone magazine once called Daniel Lanois \u201cthe most important record producer to emerge in the eighties.\u201d The vast majority of music lovers will second this, and it can be argued that Lanois was also the most important record producer of the nineties. From the perspective of the 21<span class=\"s1\"><sup>st<\/sup><\/span> century, the Canadian is undoubtedly one of the most important record producers of all time.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Lanois\u2019 production work with Brian Eno, Peter Gabriel, U2, Bob Dylan, Neville Brothers, Emmylou Harris, Robbie Robertson, Willie Nelson, Neil Young, and many others, has yielded countless classic albums, that continue to stand the tests of time. In addition to this, Lanois also enjoyed and continues to enjoy a successful career as an artist, expressed in solo albums, or in collaborations.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Daniel Lanois was born on Sep 19, 1951, in Hull, Quebec. The family was poor, but their house filled with music, and the youngster was steeped in the traditional folk music of Canada, as well as the pop music of the day. As a teenager he set up a studio with his older brother Bob in the basement of their mother\u2019s home in Ancaster, Ontario. The two recorded many local artists, and developed a reputation for their musical as well as technical skills, and their eagerness for sonic experimentation.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Lanois continued working as a producer in his twenties, with acts like Martha and the Muffins (in which his sister Jocelyne played bass), Ray Materick, Spoons, and many more. In 1981, when Lanois was already 30, Brian Eno heard his work and invited him to contribute as an engineer to Eno\u2019s solo album <i>Ambient 4: On Land <\/i>(1982).<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Eno and Lanois found that they had similar attitudes to music and to using the studio as an instrument, rather than a technical facility. It laid the foundations for a decades-long collaboration. Lanois also contributed, as a musician, producer and composer, to Eno albums like <i>Apollo: Atmospheres and Soundtracks <\/i>(1983), with Lanois playing slide guitar, <i>The Pearl <\/i>(1984, a collaboration with Harold Budd), and <i>Thursday Afternoon <\/i>(1985).<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">In 1983, U2 invited Brian Eno to produce their four studio album, despite resistance from Chris Blackwall of Island Records, who feared the Briton would \u201cbury them under a layer of avant-garde nonsense.\u201d Eno in turn invited Lanois to engineer and co-produce the album with him. The result, <i>The Unforgettable Fire <\/i>(1984), became one of the biggest albums of the decade.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">His work on <i>The Unforgettable Fire <\/i>put Lanois on the mainstream map, and after working with more leftfield artists like Michael Brook, Roger Eno and Jon Hassell, he was invited by Peter Gabriel to work on the singer\u2019s fifth album, which became <i>So <\/i>(1986). It was the most commercially successful album of Gabriel\u2019s career, with classic singles like \u201cSledgehammer\u201d and \u201cDon\u2019t Give Up,\u201d and it was nominated for a Grammy Award for Album of the Year.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Following this, Eno and Lanois produced another classic album, U2\u2019s <i>The Joshua Tree <\/i>(1987), which won the Grammy Award for Album of the Year. At this point, it seemed as if Lanois could not put a foot wrong, and an endless stream of critically acclaimed albums followed.<\/p>\n<p class=\"p1\">Some of them were relatively obscure, like Jon Hassel\/Farfina\u2019s <i>Flash Of The Spirit <\/i>(1988), but other Lanois productions were commercially very successful, like Robbie Robertson\u2019s self-titled debut solo album (1987), Bob Dylan\u2019s <i>Oh Mercy <\/i>(1989), The Neville Brothers <i>Yellow Moon <\/i>(1989), U2\u2019s <i>Achtung Baby <\/i>(1991) and Peter Gabriel\u2019s <i>Us <\/i>(1992). <i>Achtung Baby <\/i>won Eno and Lanois a Producer of the Year Grammy Award, and <i>Oh Mercy <\/i>is widely regarded as marking a triumphant reinvention and revival of Dylan\u2019s career.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">In 1989, Lanois had kickstarted his solo career, with his highly regarded debut solo album <i>Acadie, <\/i>which highlighted his skills as a guitarist, vocalist and song writer. The album had a strong acoustic flavour, but also drew on the ambient sonic experimentation he had pioneered alone and with Eno.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">More stellar and widely lauded productions by Lanois followed during the nineties, including of Emmylou Harris\u2019 <i>Wrecking Ball <\/i>(1995), <i>Bob Dylan\u2019s Time Out Of Mind <\/i>(1997, it won an Album Of The Year Grammy Award), and Willie Nelson\u2019s <i>Teatro <\/i>(1998).<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p3\">The new century began with the classic U2 album, <i>All That You Can\u2019t Leave Behind <\/i>(2000), co-produced again with Eno, which earned three Grammy Awards, for Best Rock Album, and two Record of the Year Awards for the singles, \u201cBeautiful Day\u201d and \u201cWalk On.\u201d <span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p3\">As the century progressed, there were more major productions. Lanois contributed to the Steve Lillywhite-produced U2\u2019s <i>How To Dismantle An Atomic Bomb <\/i>(2004, it won eight Grammy Awards), and the Lillywhite, Eno and Lanois co-produced <i>No Line On The Horizon <\/i>(2009, which was nominated for two Grammy Awards.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p3\">There were more important productions, by Brandon Flowers, Neil Young and Rocco Deluca, but overall there was a sense of Lanois winding down his production activities in favour of his work as an artist.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p3\">Lanois had released his second solo album, <i>For The Beauty of Wynona, <\/i>which contained the classic song \u201cThe Maker,\u201d in 1993. Following this he wrote the soundtrack for the movie <i>Sling Blade, <\/i>which was released in 1996.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p3\">In the 21C century there have been a slew of albums on which Lanois appears as an artist, including solos albums like <i>Shine <\/i>(2003), <i>Belladonna <\/i>(2005), <i>Here Is What Is <\/i>(2007), <i>Flesh and Machine <\/i>(2014), and <i>Goodbye To Language <\/i>(2016), and collaborative albums like <i>Black Dub <\/i>(2010, a band album by Black Dub), <i>Venetian Snares x Daniel Lanois <\/i>(2018, a collaboration with Venetian Snares), and most recently, <i>Heavy Sun <\/i>(2021, a band album).<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Lanois\u2019 work as an artist spans the entire, widespread range of his career, from the traditional musical roots from his childhood to the sonic experimentation of his teenage years and with Eno, and includes elements of all the genres he works in, whether rock, folk, pop, R&amp;B, blues, soul, world music, avant-garde, and more.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">* Early 1970s Recorded local artists with brother Bob in studio in basement of mother\u2019s home in (Bob died in 2021)<\/p>\n<p class=\"p1\">* 1976 &#8211; Started Grant Avenue studios in Hamilton, Ontario. Worked with Martha and the Muffins in 1981.<\/p>\n<p class=\"p1\">* 1982 \u2013 Start working with Brian Eno on Eno\u2019s solo albums<\/p>\n<p class=\"p1\">* 1984 \u2013 Eno invites Lanois to coproduce U2\u2019s The Unforgettable Fire<\/p>\n<p class=\"p1\">* 1987 \u2013 coproduces The Joshua Tree<\/p>\n<p class=\"p1\">Won seven Grammy Awards in total<\/p>\n<p class=\"p1\">The Unforgettable Fire \u2013 U2, 1984<\/p>\n<p class=\"p1\">Thursday Afternoon \u2013 Brian Eno, 1985<\/p>\n<p class=\"p1\">Hybrid \u2013 Michael Brook, 1985<\/p>\n<p class=\"p1\">Birdy \u2013 Peter Gabriel, 1985<\/p>\n<p class=\"p1\">Voices \u2013 Roger Eno, 1985<\/p>\n<p class=\"p1\">So \u2013 Peter Gabriel, 1986<\/p>\n<p class=\"p1\">The Joshua Tree \u2013 U2, 1987<\/p>\n<p class=\"p1\">Robbie Robertson \u2013 Robbie Robertson, 1987<\/p>\n<p class=\"p1\">Acadie \u2013 Daniel Lanois, 1989<\/p>\n<p class=\"p1\">Oh Mercy \u2013 Bob Dylan, 1989<\/p>\n<p class=\"p1\">Yellow Moon \u2013 Neville Brothers, 1989<\/p>\n<p class=\"p1\">Achtung Baby \u2013 U2, 1991<\/p>\n<p class=\"p1\">Us \u2013 Peter Gabriel, 1992<\/p>\n<p class=\"p1\">For the Beauty of Wynona \u2013 Daniel Lanois, 1993<\/p>\n<p class=\"p1\">Wrecking Ball \u2013 Emmylou Harris, 1995<\/p>\n<p class=\"p1\">Time Out of Mind \u2013 Bob Dylan, 1997<\/p>\n<p class=\"p1\">Teatro \u2013 Willie Nelson, 1998<\/p>\n<p class=\"p1\">All That You Can&#8217;t Leave Behind \u2013 U2, 2000<\/p>\n<p class=\"p1\">La Bella Vista &#8211; Harold Budd, 2003 (secretly recorded in Lanois Los Angeles living room)<\/p>\n<p class=\"p1\">Stumble into Grace &#8211; Emmylou Harris, 2003<\/p>\n<p class=\"p1\">How to Dismantle an Atomic Bomb \u2013 U2, 2004 (track &#8220;Love and Peace or Else&#8221;)<\/p>\n<p class=\"p1\">No Line on the Horizon \u2013 U2, 2009 (plus songwriting credits).<\/p>\n<p class=\"p1\">Flamingo \u2013 Brandon Flowers, 2010.<\/p>\n<p class=\"p1\">Le Noise \u2013 Neil Young, 2010.<\/p>\n<p class=\"p1\">Black Dub solo album, 2010<\/p>\n<p class=\"p1\">Battle Born \u2013 The Killers, 2012 (co-writer on tracks &#8220;The Way It Was&#8221;, &#8220;Heart of a Girl&#8221;, and &#8220;Be Still&#8221;).<\/p>\n<p class=\"p1\">Heavy Sun solo album, 2021<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><strong>Watch the full interview with Daniel Lanoir Below<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGckdDOFBWQzlBeUklMjIlMjB0aXRsZSUzRCUyMllvdVR1YmUlMjB2aWRlbyUyMHBsYXllciUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYWNjZWxlcm9tZXRlciUzQiUyMGF1dG9wbGF5JTNCJTIwY2xpcGJvYXJkLXdyaXRlJTNCJTIwZW5jcnlwdGVkLW1lZGlhJTNCJTIwZ3lyb3Njb3BlJTNCJTIwcGljdHVyZS1pbi1waWN0dXJlJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNF[\/vc_raw_html][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text] Rolling Stone magazine once called Daniel Lanois \u201cthe most important record producer to emerge in the eighties.\u201d The vast majority of music lovers will second this, and it can be argued that Lanois was also the most important record producer of the nineties. From the perspective of the 21st century, the Canadian is undoubtedly&hellip;<\/p>\n","protected":false},"author":25,"featured_media":54407,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[40,62],"tags":[],"class_list":["post-54402","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audio-engineer","category-interviews"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Daniel Lanois: The Interview - Produce Like A Pro<\/title>\n<meta name=\"description\" content=\"Rolling Stone magazine once called Daniel Lanois \u201cthe most important record producer to emerge in the eighties.\u201d The vast majority of music lovers will second this, and it can be argued that Lanois was also the most important record producer of the nineties.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/producelikeapro.com\/blog\/daniel-lanois-interview\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Daniel Lanois: The Interview - 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