{"id":56334,"date":"2022-11-08T17:39:57","date_gmt":"2022-11-08T22:39:57","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=56334"},"modified":"2022-11-08T17:49:20","modified_gmt":"2022-11-08T22:49:20","slug":"king-crimson-part-2","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/king-crimson-part-2\/","title":{"rendered":"Artists Who Changed Music: King Crimson 1974 &#8211; Present Day"},"content":{"rendered":"<div class=\"produ-leaderboard-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\" id=\"produ-2297176621\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-4360575362101-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-4360575362101-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-4360575362101-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-4360575362101-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-4360575362101-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div>[vc_row][vc_column][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGYzlnaU56WThKUmslMjIlMjB0aXRsZSUzRCUyMllvdVR1YmUlMjB2aWRlbyUyMHBsYXllciUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYWNjZWxlcm9tZXRlciUzQiUyMGF1dG9wbGF5JTNCJTIwY2xpcGJvYXJkLXdyaXRlJTNCJTIwZW5jcnlwdGVkLW1lZGlhJTNCJTIwZ3lyb3Njb3BlJTNCJTIwcGljdHVyZS1pbi1waWN0dXJlJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNF[\/vc_raw_html][vc_column_text][\/vc_column_text][vc_column_text]King Crimson is one of the most important bands in the history of music.<br \/>\nFounded in 1968, the band has over the decades seen many different line-<br \/>\nups, that played very different styles of music, and that have changed music in<br \/>\nseveral ways. King Crimson\u2019s groundbreaking debut album In The Court of<br \/>\nthe Crimson King (1969), can be regarded as the Big Bang of prog rock.<br \/>\nThe amazing 1972-74 line-up of the band, which had at its core guitarist<br \/>\nRobert Fripp, violinist David Cross, bassist and vocalist John Wetton, and<br \/>\ndrummer Bill Bruford, produced three studio albums of stunning impact and<br \/>\noriginality: Larks&amp;#39; Tongues in Aspic (1973), Starless and Bible Black (1974),<br \/>\nand Red (1974).<\/p>\n<p>Robert Fripp has been and remains the only continuous member of King<br \/>\nCrimson throughout all the many incarnations of the band. Since the band\u2019s<br \/>\ndebut album, Fripp has taken most major band decisions, repeatedly<br \/>\ndissolving and reforming King Crimson, and determining who the other band<br \/>\nmembers are.<\/p>\n<p>FIRST HIATUS<\/p>\n<p>At the end of 1974 Fripp called the band\u2019s first major hiatus. For two years<br \/>\nFripp studied and practiced the teachings of the Armenian philosopher,<br \/>\nspiritual teacher and mystic George Ivanovich Gurdjieff (1877-1949) and his<br \/>\nEnglish follower J.G. Bennett (1897 \u2013 1974).<\/p>\n<p>However, in 1976 returned to the world of music, first working with Peter<br \/>\nGabriel on the singer\u2019s debut solo album, and a year later with Brian Eno and<br \/>\nDavid Bowie\u2019s on the singer\u2019s legendary album Heroes. Fripp\u2019s solos on the<br \/>\ntitle track have become iconic.<\/p>\n<p>Fripp also worked as a producer and\/or guitarist with Blondie, Talking Heads,<br \/>\nThe Roches, Daryl Hall, and again with Bowie, on Scary Monsters, and on<br \/>\nGabriel\u2019s second and third album<\/p>\n<p>By 1978, Fripp started doing solo performances as what he called a \u201csmall,<br \/>\nindependent, mobile and intelligent unit,\u201d using what he called Frippertronics,<br \/>\na two-tape recorder set-up that created long delays, resulting in slow, ambient<br \/>\nmusic.<\/p>\n<p>Fripp released his first solo album, Exposure in 1979. It was followed by God<br \/>\nSave the Queen\/Under Heavy Manners in 1980. In that same year Fripp<br \/>\nfounded The League of Gentlemen, which was influenced by the New Wave,<br \/>\nwith straightforward rhythms and catchy synth lines, over which Fripp played<br \/>\nangular and often atonal guitar parts, usually with a clean tone and again<br \/>\nmaking use of his fast cross-picking technique.<\/p>\n<p>BACK TO THE BIG LEAGUE<\/p>\n<p>By late 1980, Fripp decided that he wanted to play in a top-level band again.<br \/>\nHe enlisted drummer Bill Bruford, bassist Tony Levin, and guitarist and singer<br \/>\nAdrian Belew, and initially called the new band Discipline.<\/p>\n<p>During May and June of 1981, the band recorded its debut album at Island<br \/>\nStudios in London, with Rhett Davies engineering and producing. The<br \/>\nresulting album, Discipline, was released in September 1981, under the name<br \/>\nKing Crimson.<\/p>\n<p>Over time Discipline has come to be universally regarded as a timeless and<br \/>\nhugely influential masterpiece. With Belew as a fellow guitar player, and Levin<br \/>\noften playing the Chapman Stick, Fripp\u2019s rapid-fire guitar ostinatos resulted in<br \/>\nthe band\u2019s signature sound of complex interlocking guitar parts. The circular<br \/>\nrhythmic patterns have echoes of Indonesian gamelan music, as well as<br \/>\nminimalism, pointillism, and African music.<\/p>\n<p>There also are many striking and unusual sounds, from industrial clangs,<br \/>\nclashes and sirens to Belew imitating shrieking elephants, in \u201cElephant Talk\u201d,<br \/>\nto seagulls, in \u201cMatte Kudesai,\u201d a track that was based on music from The<br \/>\nLeague of Gentlemen.<\/p>\n<p>The modern musical influences on Discipline include progressive rock, art<br \/>\nrock, new wave, post-punk, industrial rock, and math rock, while classical<br \/>\ninfluence include The Rite of Spring by Stravinsky, musique concrete, George<br \/>\nAntheil\u2019s, industrial pieces, and John Cage\u2019s mindset of going beyond any<br \/>\nkind of accepted musical form.<\/p>\n<p>Discipline remains a remarkable achievement to this day, and one of the most<br \/>\ninfluential albums of all time.<\/p>\n<p>HIGHLIGHTS<\/p>\n<p>Similar to the two previous incarnations of the band, the fourth incarnation of<br \/>\nKing Crimson produced three studio albums, and lasted for around three<br \/>\nyears. The band\u2019s second album was recorded in March and April 1982 at<br \/>\nOdyssey Studios in London, again with Rhett Davies at the controls.<\/p>\n<p>Beat was released in June 1982, was stylistically a direct extension of its<br \/>\npredecessor, with more pop influences. The album contains many highlights,<br \/>\nincluding \u201cNeal and Jack and Me,\u201d \u201cHeartbeat,\u201d and \u201cRequiem.\u201d<\/p>\n<p>King Crimson Mark 4\u2019s third album was recorded over the course of 1983, at<br \/>\nArny\u2019s Shack near Poole in Dorset, England, Marcus Studios in London, and<br \/>\nBearsville Sound Studio in Woodstock, New York. The sessions were<br \/>\nproduced by the band, with Tony Arnold and Brad Davis engineering.<\/p>\n<p>The resulting album, Three of a Perfect Pair, was released in March 1984,<br \/>\nand is also regarded as uneven but with amazing highlights, including the title<br \/>\ntrack, and the single \u201cSleepless,\u201d with a monster bass riff by Levin. Side two is<br \/>\nmore experimental, and closes with \u201cLarks Tongues in Aspic Part 3.\u201d Both the<br \/>\ntitle and the music refer back to the first album by the third, 1972-1974<br \/>\nincarnation of King Crimson.<\/p>\n<p>SECOND HIATUS<\/p>\n<p>In July 1984, Fripp again dissolved King Crimson. It was a logic next step for<br \/>\nFripp to explore collaborations with others. He had already recorded an album<br \/>\nwith The Police guitarist Andy Summers, I Advance Masked (1982), and in<br \/>\n1984 worked with him on Bewitched.<\/p>\n<p>At the end 1984, Fripp started Guitar Craft. Fripp presented a new approach<br \/>\nto playing the flat-picked acoustic guitar, incorporating some of the spiritual<br \/>\nteachings of Gurdjieff and Bennett. He also introduced a new tuning, C-G-D-<br \/>\nA-E-G, which he called the New Standard Tuning, and which he used from<br \/>\nthis point onwards.<\/p>\n<p>During the late eighties Fripp was also active as a performing musician in a<br \/>\nband with his wife Toyah Willcox called Sunday All Over The World. In the<br \/>\nearly nineties he collaborated extensively with singer David Sylvian.<\/p>\n<p>Fripp and Sylvian released three joint projects, a studio album, The First Day<br \/>\n(1993), a remix album Darshan (The Road to Graceland) (1993), and a live<br \/>\nalbum, Damage: Live (1994). In 1992, Fripp set up his own label, Discipline<br \/>\nGlobal Mobile, together with producer David Singleton.<\/p>\n<p>REBIRTH<\/p>\n<p>In that same year, Fripp judged that conditions for King Crimson to reform<br \/>\nwere finally right again. Building on the considerable achievements of the<br \/>\nSylvian\/Fripp project, he invited two musicians who had been part of the<br \/>\nproject, drummer Pat Mastelotto, and Chapman Stick and Warr guitar player<br \/>\nTrey Gunn, who also had been a Guitar Craft student.<\/p>\n<p>Joined by Adrian Belew, Tony Levin, and Bill Bruford, the result was King<br \/>\nCrimson Mk 4, with the addition of Mastelotto and Gunn. It is also known as<br \/>\nthe double trio line-up.<\/p>\n<p>The double trio first met on April 18th 1994, and wrote and recorded its debut<br \/>\nEP VROOOM in Applehead, a boutique studio in Woodstock, New York,<br \/>\nengineered and produced by David Bottrill. Crimson Mk 5 recorded its first full<br \/>\nstudio album at Real World Studios in the fall of 1994, again with Bill Bottrill<br \/>\nengineering, mixing and co-producing. Thrak was released on April 3, 1994.<br \/>\nSeveral pieces on the album are developments of tracks that appeared on<br \/>\nVROOOM.<\/p>\n<p>The music is in many ways a fusion of the music of the 1972-74 and the 1981-<br \/>\n84 bands. Just like in the seventies, there are the heavy, menacing, atonal<br \/>\ntracks in the style of \u201cLarks\u2019 Tongues in Aspic, Part II\u201d and \u201cRed.\u201d Examples<br \/>\nare the title track, \u201cThrak,\u201d \u201cVrooom,\u201d and \u201cVrooom Vrooom.\u201d The eighties<br \/>\ninfluence is obvious in the multi-rhythmic, interlocking guitar patterns.<\/p>\n<p>Reviewers have called the music \u201chigh-quality prog,\u201d and \u201cerratic, off the wall,<br \/>\nbizarre, incredibly complicated,\u201d and one reviewer wrote that King Crimson<br \/>\nwas, \u201cThe only progressive rock band from the sixties to be making new, vital,<br \/>\nprogressive music in the nineties\u201d<\/p>\n<p>A REVELATION<\/p>\n<p>The double trio line-up of King Crimson toured extensively during 1995 and<br \/>\n1996. In 1997, after Bill Bruford left, the decision was taken to break up in<br \/>\nsmaller groups, called ProjeKcts, to make it easier to improvise and work on<br \/>\nnew material, and incorporate different styles of music, including jazz,<br \/>\nindustrial, techno and drums \u2018n\u2019 bass. In 1999, Levin left the ProjeKcts, due to<br \/>\nother touring and session commitments.<\/p>\n<p>In that same year, the sixth incarnation of King Crimson came into being. It<br \/>\nconsisted of Fripp, Belew, Trey Gunn and Pat Mastelotto, and has been called<br \/>\na double duo. It recorded the album The Construkction of Light (2000).<br \/>\nThe album, incorporated industrial influences to a larger extent than ever<br \/>\nbefore, and received mixed reactions, with some calling it \u201cbackward looking.\u201d<br \/>\nFripp also was strongly dissatisfied, calling the sum of the parts greater than<br \/>\nthe whole.<\/p>\n<p>In 2019, the album was re-released as The Reconstrucktion Of Light. It had<br \/>\nbeen reworked, with new drum overdubs, by drummer Pat Mastelotto, and<br \/>\nnew mixes by Don Gunn, with help from Mastelotto, Fripp and David<br \/>\nSingleton.<\/p>\n<p>Three years later, King Crimson released its thirteenth and to date final studio<br \/>\nalbum, The Power To Believe. It featured the same line-up as its predecessor,<br \/>\nof Fripp, Belew, Gunn and Mastelotto.<\/p>\n<p>Similar to what happened with VROOOM and Thrak, The Power to Believe<br \/>\ncontains a lot of music that is a development of an EP that was released<br \/>\nearlier, in this case Happy with What You Have to Be Happy With (2002).<br \/>\nThe Power to Believe was released in March 2003, and by all accounts the<br \/>\nband was happy with the result. One reviewer called the album \u201csimply<br \/>\nstunning,\u201d and another \u201ca revelation for a few young metal heads.\u201d<\/p>\n<p>The album includes several updates of the pounding, multi-meter and multi-<br \/>\ntonal \u201cbulldozer riffing\u201d that was pioneered with \u201cRed.\u201d This is most strongly<br \/>\nthe case in a track like \u201cLevel V.\u201d The album also contains the funk-crunch of<br \/>\n\u201cElektrik,\u201d which incorporates clean guitar cross-picking, and gentler tracks,<br \/>\nlike \u201cEyes Wide Open,\u201d and \u201cThe Power to Believe II,\u201d which has echoes of<\/p>\n<p>\u201cLarks\u2019 Tongues in Aspic Part 1.\u201d The Power to Believe\u201d is a worthy<br \/>\nconclusion of King Crimson\u2019s studio output, if it so turns out.<\/p>\n<p>LIFTING THE VEIL<\/p>\n<p>This sixth incarnation of King Crimsom toured in 2003, but by the end of the<br \/>\ntour Trey Gunn left, and was replaced by Tony Levin. In 2004, King Crimson<br \/>\nwent on hiatus again, and it reformed in 2008 for a series of live concerts, with<br \/>\nFripp, Belew, Levin, Mastelotto, and Gavin Harrison, who had played with<br \/>\nPorcupine Tree, as a second drummer.<\/p>\n<p>In 2010, Fripp began working with guitarist, singer and producer Jakko<br \/>\nJakszyk. Fripp also had the idea of a band with three drummers, and invited<br \/>\nR.E.M and Ministry drummer Bill Rieflin. The group was nick-named \u2018The<br \/>\nSeven-Headed Beast,\u2019 and performed with the three drummers, Harrison,<br \/>\nMastelotto and Rieflin, at the front of the stage, and Fripp, Belew, Jakszyk and<br \/>\nCollins behind them.<\/p>\n<p>In 2015, Rieflin was replaced by drummer Jeremy Stacey, who had played<br \/>\nwith Robbie Williams and Eric Clapton. Stacey has remained in the band ever<br \/>\nsince.<\/p>\n<p>The seventh-line-up of King Crimson, has remained in place until its last<br \/>\nperformance on December 8 th , 2021. It is unclear whether there will be any<br \/>\nmore performances by the band.<\/p>\n<p>Over the last two decades, Fripp and Singleton\u2019s label DGM has released a<br \/>\nseemingly limitless flow of live albums and boxed sets. This includes at least<br \/>\neight live albums by the seventh incarnation of King Crimson alone.<\/p>\n<p>In addition, the boxed sets are dazzlingly extensive. For example, Starless,<br \/>\nreleased in 2014, with studio and live music from the 72-74 band, contains 23<br \/>\nCDs, 2 Blu-ray audio discs, and 2 DVD-A\u2019s, adding up to a grand total of 400<br \/>\ntracks. The boxed set Heaven &amp;amp; Earth, Live and in the Studio 1997-2008, was<br \/>\nreleased in 2019, and contains 18 CDs, 4 blu-ray discs, and 2 DVDs, with a<br \/>\ntotal track count of almost 1200.<\/p>\n<p>Is it possible to overdose on King Crimson? It clearly is possible to try.<br \/>\nHowever, what is beyond any doubt is that King Crimson has, over the course of its 13 studio albums, pushed the boundaries of music on many different ways<br \/>\nand influenced countless musicians. Active in a stunning seven decades, the<br \/>\nband has consistently been a force of nature, that has torn through the fabric<br \/>\nof music, and lifted the veil on many new and exciting musical vistas.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><span class=\"s1\">We&#8217;re also excited to announce an amazing <a href=\"https:\/\/promixacademy.com\/course\/recording-editing-mixing-masterclass-with-grammy-winner-cameron-webb\/\"><span class=\"s2\"><b>course release with Grammy winner Cameron Webb!<\/b><\/span><\/a><\/span><\/p>\n<p class=\"p1\">SO many courses with amazing producers miss the opportunity to explain the\u00a0<b>WHY\u00a0<\/b>behind a lot of what they do.<\/p>\n<p class=\"p1\">That&#8217;s why we wanted to introduce this\u00a0<b>all-encompassing, 20-hour class<\/b>,\u00a0<b>with<\/b>\u00a0<b>37 dedicated chapters<\/b>!<\/p>\n<p class=\"p1\">You\u2019ll get to be a fly on the wall, as\u00a0<b>Cameron produces, records, edits, and mixes two songs<\/b>\u00a0with the Punk\/Ska band<i>\u00a0Bite Me Bambi<\/i>\u00a0in a real-world session.<\/p>\n<p class=\"p2\"><span class=\"s2\"><a href=\"https:\/\/promixacademy.com\/course\/recording-editing-mixing-masterclass-with-grammy-winner-cameron-webb\/\"><b>Make sure you grab this course NOW for $70 OFF<\/b><\/a><\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGYzlnaU56WThKUmslMjIlMjB0aXRsZSUzRCUyMllvdVR1YmUlMjB2aWRlbyUyMHBsYXllciUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYWNjZWxlcm9tZXRlciUzQiUyMGF1dG9wbGF5JTNCJTIwY2xpcGJvYXJkLXdyaXRlJTNCJTIwZW5jcnlwdGVkLW1lZGlhJTNCJTIwZ3lyb3Njb3BlJTNCJTIwcGljdHVyZS1pbi1waWN0dXJlJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNF[\/vc_raw_html][vc_column_text][\/vc_column_text][vc_column_text]King Crimson is one of the most important bands in the history of music. Founded in 1968, the band has over the decades seen many different line- ups, that played very different styles of music, and that have changed music in several ways. King Crimson\u2019s groundbreaking debut album In The Court of the Crimson King&hellip;<\/p>\n","protected":false},"author":25,"featured_media":56336,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[12320],"tags":[],"class_list":["post-56334","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists-that-changed-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Artists Who Changed Music: King Crimson 1974 - Present Day - Produce Like A Pro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/producelikeapro.com\/blog\/king-crimson-part-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Artists Who Changed Music: King Crimson 1974 - Present Day - Produce Like A Pro\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGYzlnaU56WThKUmslMjIlMjB0aXRsZSUzRCUyMllvdVR1YmUlMjB2aWRlbyUyMHBsYXllciUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYWNjZWxlcm9tZXRlciUzQiUyMGF1dG9wbGF5JTNCJTIwY2xpcGJvYXJkLXdyaXRlJTNCJTIwZW5jcnlwdGVkLW1lZGlhJTNCJTIwZ3lyb3Njb3BlJTNCJTIwcGljdHVyZS1pbi1waWN0dXJlJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNF[\/vc_raw_html][vc_column_text][\/vc_column_text][vc_column_text]King Crimson is one of the most important bands in the history of music. Founded in 1968, the band has over the decades seen many different line- ups, that played very different styles of music, and that have changed music in several ways. 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