{"id":58214,"date":"2023-05-17T05:57:07","date_gmt":"2023-05-17T10:57:07","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=58214"},"modified":"2023-05-17T11:21:38","modified_gmt":"2023-05-17T16:21:38","slug":"peter-gabriel-part-1","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/peter-gabriel-part-1\/","title":{"rendered":"Peter Gabriel: Artists Who Changed Music"},"content":{"rendered":"<div class=\"produ-leaderboard-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\" id=\"produ-1881302969\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-8792251804857-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-8792251804857-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-8792251804857-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-8792251804857-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-8792251804857-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div>[vc_row][vc_column][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGWG1kR3Z6VVY0MUElMjIlMjB0aXRsZSUzRCUyMllvdVR1YmUlMjB2aWRlbyUyMHBsYXllciUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYWNjZWxlcm9tZXRlciUzQiUyMGF1dG9wbGF5JTNCJTIwY2xpcGJvYXJkLXdyaXRlJTNCJTIwZW5jcnlwdGVkLW1lZGlhJTNCJTIwZ3lyb3Njb3BlJTNCJTIwcGljdHVyZS1pbi1waWN0dXJlJTNCJTIwd2ViLXNoYXJlJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNF[\/vc_raw_html][vc_column_text]\n<p class=\"p1\">Peter Gabriel is a living legend who barely needs an introduction. He became well-known as the lead singer of Genesis, and after that went on to have a successful solo career, gaining fame for using new music technology in innovative ways, and hitting major commercial success with his fifth solo album <i>So <\/i>in 1986.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">An estimated 16 million Gabriel solo albums have been sold to date, including seven million of <i>So<\/i> alone. Gabriel has been nominated for 21 Grammy Awards and won six. He was inducted in the Rock \u2018n Roll Hall of Fame twice: with Genesis in 2010, and as a solo artist in 2014.<\/p>\n<p class=\"p1\">Gabriel has also written the soundtracks for four movies and songs for almost twenty other movies, and is a champion of world music and world music artists. He\u2019s also a human rights activist who won the Man of Peace Award in 2006, which is related to the Nobel Peace Prize.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">One side-issue that Gabriel has also become famous for is procrastination. He once said, \u201cSpeed is not my strength: diversions are,\u201d and his name has become synonymous with the fact that many rock artists have been taking increasingly long to release new albums.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Gabriel took six years between <i>So <\/i>and the follow-up <i>Us, <\/i>released in 1992, and another ten years until the release of his next album of new material, <i>Up, <\/i>in 2002, which is still his most recent.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">At the time, Gabriel declared in interviews that another album of new material, called <i>i\/o, <\/i>was close to completion, and would, in a sudden dramatic reversal of a long-standing habit, see the light of day within two years.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">However, the years went by without any sign <i>i\/o. <\/i>Eight years later, in 2010, there was an album of covers sung by Gabriel with an orchestra, <i>Scratch My Back<\/i>. Gabriel toured the album, also performing orchestral reinterpretations of his own songs, which were released a year later, in 2011, on <i>New Blood.<span class=\"Apple-converted-space\">\u00a0<\/span><\/i><\/p>\n<p class=\"p1\">Over the years he occasionally discussed the possible release of a new studio album, but <i>i\/o <\/i>seemed to have become a never-ending procrastination story. With Gabriel turning seventy in 2020, it was widely assumed that that he had more or less retired.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Gabriel\u2019s surprise announcement on November 8<span class=\"s1\"><sup>th<\/sup><\/span>, 2022 that he was planning a tour of Europe and North America to support the release of <i>i\/o<\/i>, came therefore as a big shock. If the album is indeed released in 2023, it will be an impressive 21 years since <i>Up.<span class=\"Apple-converted-space\">\u00a0<\/span><\/i><\/p>\n<p class=\"p1\">During 2023, Gabriel has been releasing one track from the album with every full moon, in at least three different versions: a Bright Side mix by Spike Stent, a Dark Side mix by Tchad Blake, and an immersive mix by Hans-Martin Buff. With Peter Gabriel in the news again, and regularly releasing new material, this is the perfect time to look at his achievements, past and present<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">BEGINNINGS<\/p>\n<p class=\"p1\">Peter Brian Gabriel was born on 13 February 1950 in Chobham, in Surrey, England.. The young Gabriel learned to play piano, drums, and the flute. At the age of 13, he went to the Charterhouse boarding school in Godalming, Surrey, where he was a drummer and vocalist in several bands.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">By 1967, Gabriel had teamed up keyboardist Tony Banks, drummer Chris Stewart, guitarist Anthony Phillips and bassist Mike Rutherford,<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">and worked on original material. A former Charterhouse pupil called Jonathan King paid for and produced a number of sessions, and suggested the name Genesis.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">The resulting album, with new drummer John Silver, was called <i>From Genesis Revelation <\/i>and released on Decca in 1968. It was not successful. Silver was replaced by drummer John Mayhew, and the quintet recorded the album <i>Trespass <\/i>in 1970, which laid the blueprint for Genesis\u2019s unique prog rock sound.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">After the release of the album, Anthony Phillips left the band, and Mayhew was asked to leave. The remaining three members recruited drummer Phil Collins and guitarist Steve Hackett as replacements. With this the classic Genesis line-up was in place.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">GENESIS AND GOING SOLO<\/p>\n<p class=\"p1\">Peter Gabriel, Tony Banks, Michael Rutherford, Steve Hackett and Collins recorded three studio albums that built on the blueprint of <i>Trespass<\/i>: <i>Nursery Cryme <\/i>(1971), <i>Foxtrot <\/i>(1972), and <i>Selling England By The Pound <\/i>(1973).<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">All Genesis members contributed to the music, but many fans regarded Gabriel as the band\u2019s leader, which began to cause friction. This friction deepened with the band\u2019s next album, <i>The Lamb Lies Down On Broadway <\/i>(1974),<i> <\/i>which was based on a concept and lyrics by Gabriel. In 1975, Gabriel left Genesis.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">By 1976, he started work on his first solo album, with Canadian producer Bob Ezrin. Gabriel\u2019s self-titled debut solo album was released on February 25<span class=\"s1\"><sup>th<\/sup><\/span>, 1977, and contains a ragbag of styles.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">The folk-influenced second track, \u201cSolsbury Hill,\u201d which is partly in 7\/4, was the first single, and has over time become Gabriel\u2019s most popular song.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Other notable tracks are \u201cModern Love,\u201d \u201cHumdrum,\u201d and most of all the album closer, \u201cHere Comes The Flood.\u201d Gabriel was unhappy with the bombastic production, and after the song was presented in 1979 as a piano ballad on Robert Fripp\u2019s <i>Exposure <\/i>solo album, he has performed it in this minimalist setting.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">BIG ONE<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Towards the end of 1977, Gabriel set about recording a follow-up album, with Robert Fripp producing and playing electric guitar.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Released in June 1978, Gabriel\u2019s second album was again self-titled, because he wanted the focus to be on the artwork, and felt that printed titles distracted from this. Instead he looked at every release as another issue of the same magazine.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">To distinguish between the albums, fans started calling the first album <i>Car <\/i>and the second album, <i>Scratch, <\/i>in references to the cover art. These informal titles have gradually become formalized and are now used on streaming platforms.<\/p>\n<p class=\"p1\">Gabriel\u2019s third solo album was the Big One from a creative point of view. It has become known as <i>Melt<\/i>, again because of its cover, and as the first album on which Gabriel truly developed a unique direction in music.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Recordings took place at Gabriel\u2019s home studio in Ashcombe House near Bath, with Steve Lillywhite was producing and Hugh Padgham was at the desk. Gabriel\u2019s writing process now started from the drums, and he worked his way upwards from there.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Looking for a new drum sound on his album, Gabriel asked drummers Phil Collins and Jerry Marotta not to use cymbals. This creative restriction made an extremely lucky accident possible, that would change the world of music.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">It happened at Townhouse Studio 2 in London, with Phil Collins on drums. The studio had just bought an early SSL desk, the first desk with compressors and noise gates on every channel, and a two-way talkback mic. Padgham noticed the enormous highly compressed drum sound coming back via the talkback mic, and how it was further enhanced by a noise gate.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">The famous \u2018gated drum sound\u2019 was born, and made possible by the fact that there were no cymbals. The gated drum sound was not only the foundation of the album opener, \u201cIntruder,\u201d but Phil Collins and Padgham soon used it again on Collins\u2019 monster hit \u201cIn The Air Tonight.\u201d<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Peter Gabriel\u2019s third solo album was released in May 1980, and critically immediately well-received. It was a significant commercial success, going to number one in the UK and France and 22 in the US. The single \u201cGames Without Frontiers\u201d went to number 4 in the UK, and \u201cBiko\u201d has become one of Gabriel\u2019s most important anthems.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">PIONEERING<\/p>\n<p class=\"p1\">Gabriel\u2019s interest in world music led him to found the WOMAD festival in 1980. WOMAD stands for \u2018World of Music, Arts and Dance,\u2019 and the first festival took place in 1982, with the participation of a large amount of world music artists.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Gabriel had meanwhile been busy working on his fourth solo album at his Ashcombe House studio near Bath. Composer David Lord engineered and co-produced the album with Gabriel. Two influences that Gabriel had started to explore on his third album, were center stage on his fourth: world music and the sampling technology of the Fairlight.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Peter Gabriel\u2019s fourth solo album was eighteen months in the making, in part because of Gabriel\u2019s indecisiveness. While the album again had no title in most territories, Gabriel was persuaded to call it <i>Security <\/i>for the US market. Over time, the album has become regarded as one of Gabriel\u2019s best and most pioneering solo efforts.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">SLEDGEHAMMER HIT<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Gabriel\u2019s next album was a dramatic departure, and the result of film director Alan Parker asking him to provide the music to the movie <i>Birdy. <\/i>Gabriel enlisted Canadian producer and multi-instrumentalist Daniel Lanois to help him.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Gabriel using existing tracks and also wrote some new material, and the result was a soundtrack album, <i>Birdy, <\/i>released in March 1985, that alternated between slow, dark ambient moods and occasional intense percussion moments.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">In the beginning of 1985, Gabriel started work on <i>So, <\/i>the album that would take him from cult artist to one of the world\u2019s most famous rock stars. Gabriel again asked Lanois to help with production.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Although Gabriel still drew on the world music and new music technology elements of his previous albums, his focus this time was on writing more traditional songs that would suit him as a singer, and that honored the soul and rhythm and blues music that had influenced him in his childhood.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">For the public, the first sign of Gabriel\u2019s dramatic shift in musical direction came with the release of the album\u2019s lead single, \u201cSledgehammer,\u201d in April 1986, which hit the music world like, well, a sledgehammer, and opened the path for Gabriel towards major stardom. The song has become an all-time classic and yielded Gabriel three Grammy Award nominations.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\"><i>So <\/i>was released in May 1986. With \u201cSledgehammer\u201d high in the charts around the world, <i>So <\/i>went to number one in many countries, including the UK. It reached to number 2 in the US. <i>So <\/i>was nominated for a Grammy Award for Album of the year.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">DREAM<\/p>\n<p class=\"p1\">Gabriel built on the success of <i>So <\/i>in several different ways. He used his new-found star profile to support humanitarian causes,<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">he invested part of the large amount of revenue that rolled in as a result of having a worldwide hit album in building his dream studio.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Real World has a huge, square feet, light-filled studio, with a floor surface of more than 2000 sq ft, which is about 200m2, and 10 meter high ceilings. The studio is set up as a combined writing, recording and mixing space.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">The first music that Gabriel recorded at his new studio was for the Martin Scorsese movie, <i>The Last Temptation of Christ. <\/i>After the movie\u2019s release in 1988, Gabriel spent several more months further developing the music. He was helped in all this by David Bottrill, who had worked as Lanois\u2019 assistant on <i>So.<\/i><span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\"><i>Passion <\/i>was released in June 1989, as the first on Real World Records, another new Gabriel venture.<span class=\"Apple-converted-space\">\u00a0 <\/span><i>Passion <\/i>earned Gabriel his first Grammy Award, for Best New Age performance, but it was not anywhere near as commercially successful as <i>So.<span class=\"Apple-converted-space\">\u00a0<\/span><\/i><\/p>\n<p class=\"p1\">In October 1989, Gabriel started work on his sixth solo album, which was released three year later as <i>Us<\/i>.<i> <\/i>Naturally, the album was recorded at Real World, with Lanois again producing, and Bill Bottrill at the controls. <span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">When <i>Us <\/i>was released in September 1992, it was immediately apparent that it was very different to <i>So. <\/i>The pop leanings had made way for a far more personal record. <i>Us <\/i>has been called Gabriel\u2019s \u201cdifficult album,\u201d and it was not surprising that it was less commercially successful than <i>So.<\/i><\/p>\n<p class=\"p1\">However, <i>Us<\/i> made it to number two in both the US and the UK charts, and resulted in four Grammy nominations and two Grammy Awards, the latter for the videos for \u201cDigging In The Dirt,\u201d and \u201cSteam.\u201d<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">GOING UP<\/p>\n<p class=\"p1\">In the thirty years since the release of <i>Us, <\/i>Gabriel has been pre-occupied with many activities other than making music, which explains the fact that he has only released one solo album since then. In the nineties, Gabriel stated that music only pre-occupied one third of his time, and the rest of his focus was on humanitarian work and his Real World label.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">In 1997, Gabriel was invited to provide the soundtrack for and co-write a multimedia event called The Millennium Dome Show, that was performed 999 times over the course of 2000. The corresponding soundtrack album, <i>Ovo, <\/i>was released in June of the same year.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Gabriel had to interrupt work on his seventh solo album to have the time to create <i>Ovo. <\/i>In fact, in line with his self-declared love of diversions, he accepted another diversion when he was asked to provide the soundtrack for the Australian movie <i>Rabbit-Proof Fence.<span class=\"Apple-converted-space\">\u00a0<\/span><\/i><\/p>\n<p class=\"p1\">The atmospheric and brooding end result was released in April 2002 under the title <i>Long Walk Home: Music from the Rabbit-Proof Fence. <\/i><span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Gabriel had started writing material for the follow-up to <i>Us <\/i>as early as 1995, with writing sessions in Meribel in France, Senegal, and in a boat along the Amazon river. He used a portable recording set-up, manned by Richard Chappell, who had become his engineer and general right-hand man.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Gabriel\u2019s new album was finally released in September 2002. <i>Up <\/i>was commercially far less successful than <i>Us, <\/i>though still reaching to number nine in the UK and number 11 in the US. Gabriel toured <i>Up <\/i>with a spectacular live show, with one of the many highlights being the moment he and his daughter Melanie were walking and singing literally upside down during the track \u201cDownside Up.\u201d The tour was documented on the DVDs <i>Growing Up Live<\/i> (2003) and <i>Still Growing Up: Live &amp; Unwrapped<\/i> (2005).<\/p>\n<p class=\"p1\">DISPARATE<\/p>\n<p class=\"p1\">Gabriel\u2019s activities have become increasingly disparate in the 20 years since the release of <i>Up. <\/i>On the musical front, there have been many awards and guest performances, and in 2008 he co-wrote and performed a song for the animated <i>Wall-E <\/i>movie called \u201cDown To Earth.\u201d It won a Grammy Award for Best Song Written for Motion Picture, Television or Other Visual Media.<\/p>\n<p class=\"p1\">As mentioned above, in 2009 Gabriel released the covers album <i>Scratch My Back. <\/i>It contained orchestral arrangements, by him and John Metcalfe, of songs by David Bowie, Lou Reed, Radiohead, Arcade Fire and others. It reached to number 12 in the UK. He toured the covers album over two years with the New Blood tour, and in 2011 released <i>New Blood,<\/i> containing orchestral arrangements of a selection of his own songs.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">In 2019, two Gabriel compilation albums were released, furthering the impression that he was slowing down and that there might not be another new studio album. The first was <i>Rated PG, <\/i>which contained ten songs Gabriel had written for movies, from \u201cWalk Through The Fire\u201d for <i>Against All Odds <\/i>in 1984, via \u201cTaboo\u201d for <i>Natural Born Killers <\/i>in 1994, to \u201cEverybird\u201d for <i>Birds Like Us<\/i> in 2017.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">And <i>Flotsam and Jetsam <\/i>contains an amazing 62 tracks, with six hours of music, including B-sides, remixes, soundtrack songs not included on <i>Rated PG<\/i>, extended versions, single versions, live versions, instrumental versions, dance mixes, and more.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">MOMENTOUS<\/p>\n<p class=\"p1\">Once again stepping over Gabriel\u2019s extensive non-musical activities over the last two decades, we come to the momentous day of November 8<span class=\"s1\"><sup>th<\/sup><\/span>, 2022, when Peter Gabriel officially announced <i>i\/o The Tour <\/i>with<span class=\"Apple-converted-space\">\u00a0 <\/span>European and American legs.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">In a recent interview in <i>Uncut<\/i> magazine, Gabriel explained that his writing process is still similar to in the past, \u201cI\u2019d say 80% of my go to is the piano or a rhythm machine. As an old drummer, a groove will still get me going. But sometimes a sound will trigger something and take you somewhere else. One of the things that tech has given us is very fast access to huge amounts of sound.\u201d<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Gabriel\u2019s hints that he may continue releasing one song every full moon even after the whole of <i>i\/o <\/i>has been released. With Gabriel also touring for a large part of this year, fans may find 2023 to be the most exciting year of Gabriel\u2019s career, in which there is more new music, and he engages with his audience more than ever before.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">All this is obviously made possible by the latest technology, and while it may seem odd for a man of 73 to be at the forefront of it, his leading position is entirely in line with the rest of his rich and varied career, during which he has consistently been an innovator, and even managed, for a while, to combine his vanguard role with that of a global pop star.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGWG1kR3Z6VVY0MUElMjIlMjB0aXRsZSUzRCUyMllvdVR1YmUlMjB2aWRlbyUyMHBsYXllciUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYWNjZWxlcm9tZXRlciUzQiUyMGF1dG9wbGF5JTNCJTIwY2xpcGJvYXJkLXdyaXRlJTNCJTIwZW5jcnlwdGVkLW1lZGlhJTNCJTIwZ3lyb3Njb3BlJTNCJTIwcGljdHVyZS1pbi1waWN0dXJlJTNCJTIwd2ViLXNoYXJlJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNF[\/vc_raw_html][vc_column_text] Peter Gabriel is a living legend who barely needs an introduction. He became well-known as the lead singer of Genesis, and after that went on to have a successful solo career, gaining fame for using new music technology in innovative ways, and hitting major commercial success with his fifth solo album So in 1986.\u00a0&hellip;<\/p>\n","protected":false},"author":25,"featured_media":58216,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[20],"tags":[148],"class_list":["post-58214","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mixing","tag-recording"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Peter Gabriel: Artists Who Changed Music - Produce Like A Pro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/producelikeapro.com\/blog\/peter-gabriel-part-1\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Peter Gabriel: Artists Who Changed Music - Produce Like A Pro\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGWG1kR3Z6VVY0MUElMjIlMjB0aXRsZSUzRCUyMllvdVR1YmUlMjB2aWRlbyUyMHBsYXllciUyMiUyMGZyYW1lYm9yZGVyJTNEJTIyMCUyMiUyMGFsbG93JTNEJTIyYWNjZWxlcm9tZXRlciUzQiUyMGF1dG9wbGF5JTNCJTIwY2xpcGJvYXJkLXdyaXRlJTNCJTIwZW5jcnlwdGVkLW1lZGlhJTNCJTIwZ3lyb3Njb3BlJTNCJTIwcGljdHVyZS1pbi1waWN0dXJlJTNCJTIwd2ViLXNoYXJlJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNF[\/vc_raw_html][vc_column_text] Peter Gabriel is a living legend who barely needs an introduction. 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