{"id":63574,"date":"2025-08-27T12:52:33","date_gmt":"2025-08-27T17:52:33","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=63574"},"modified":"2025-08-27T12:55:05","modified_gmt":"2025-08-27T17:55:05","slug":"mixing-a-jazz-quartet-with-jake-holt","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/mixing-a-jazz-quartet-with-jake-holt\/","title":{"rendered":"Mixing a Jazz Quartet with Jake Holt"},"content":{"rendered":"<div id=\"produ-2428651488\" class=\"produ-leaderboard-placement produ-entity-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-8849053825813-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-8849053825813-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-8849053825813-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-8849053825813-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-8849053825813-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div><div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<div class=\"flex-video widescreen youtube\">\n<div class=\"container-lazyload preview-lazyload container-youtube js-lazyload--not-loaded\"><a href=\"https:\/\/www.youtube.com\/watch?v=ng5R2fTQpoQ\" class=\"lazy-load-youtube preview-lazyload preview-youtube\" data-video-title=\"Mixing Jazz with Jake Holt - Free MULTITRACKS\" title=\"Play video &quot;Mixing Jazz with Jake Holt - Free MULTITRACKS&quot;\">https:\/\/www.youtube.com\/watch?v=ng5R2fTQpoQ<\/a><noscript>Video can&#8217;t be loaded because JavaScript is disabled: <a href=\"https:\/\/www.youtube.com\/watch?v=ng5R2fTQpoQ\" title=\"Mixing Jazz with Jake Holt - Free MULTITRACKS\">Mixing Jazz with Jake Holt &#8211; Free MULTITRACKS (https:\/\/www.youtube.com\/watch?v=ng5R2fTQpoQ)<\/a><\/noscript><\/div>\n<\/div>\n<p><span class=\"\">When it comes to mixing jazz, restraint is often the key. The genre thrives on interplay, dynamics, and natural room tone, so the engineer\u2019s role is more about enhancing what\u2019s already there than reshaping it entirely.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">I first met\u00a0<\/span><span class=\"font-[700]\">Jake Holt<\/span><span class=\"\">\u00a0at Abbey Road Studios, introduced by world-class mastering engineer\u00a0<\/span><span class=\"font-[700]\">Alex Wharton<\/span><span class=\"\">. That connection led us to sit down together for a deep dive into Jake\u2019s approach, focusing on his mix of\u00a0<\/span><span class=\"italic\">GJ<\/span><span class=\"\">\u00a0by the\u00a0<\/span><span class=\"font-[700]\">Ali Ramis Quartet<\/span><span class=\"\">, recorded with fellow engineer\u00a0<\/span><span class=\"font-[700]\">Mete Unju<\/span><span class=\"\"> at the University of York.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">The project was mixed entirely in the box using Logic, even though Jake\u2019s studio,\u00a0<\/span><span class=\"italic\">The Audio House<\/span><span class=\"\">\u00a0in Welwyn Garden City, features an SSL AWS console. \u201cFor jazz especially,\u201d he explains, \u201cit\u2019s about preserving the tone and performance. You don\u2019t want it to sound overprocessed.\u201d<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><strong><span class=\"\">Download the multitracks:\u00a0<\/span><span class=\"\"><a href=\"https:\/\/producelikeapro.lpages.co\/jake-holt-free-course-track-form\/\" target=\"_blank\" rel=\"noopener\" data-tracking-control-name=\"article-ssr-frontend-pulse_little-text-block\" data-tracking-will-navigate=\"\" data-test-link=\"\">https:\/\/producelikeapro.lpages.co\/jake-holt-free-course-track-form\/<\/a><\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><span class=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-63576 aligncenter lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/655e0fa544c67c1ee5ce0bad_4idRupPQ8L6cMnDcugqd.jpeg\" alt=\"\" width=\"800\" height=\"533\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/655e0fa544c67c1ee5ce0bad_4idRupPQ8L6cMnDcugqd.jpeg 800w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/655e0fa544c67c1ee5ce0bad_4idRupPQ8L6cMnDcugqd-150x100.jpeg 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/655e0fa544c67c1ee5ce0bad_4idRupPQ8L6cMnDcugqd-768x512.jpeg 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/655e0fa544c67c1ee5ce0bad_4idRupPQ8L6cMnDcugqd-80x53.jpeg 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/655e0fa544c67c1ee5ce0bad_4idRupPQ8L6cMnDcugqd-320x213.jpeg 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/655e0fa544c67c1ee5ce0bad_4idRupPQ8L6cMnDcugqd-255x170.jpeg 255w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/655e0fa544c67c1ee5ce0bad_4idRupPQ8L6cMnDcugqd-225x150.jpeg 225w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/655e0fa544c67c1ee5ce0bad_4idRupPQ8L6cMnDcugqd-770x513.jpeg 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/655e0fa544c67c1ee5ce0bad_4idRupPQ8L6cMnDcugqd-40x27.jpeg 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/655e0fa544c67c1ee5ce0bad_4idRupPQ8L6cMnDcugqd-160x107.jpeg 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/655e0fa544c67c1ee5ce0bad_4idRupPQ8L6cMnDcugqd-20x13.jpeg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/655e0fa544c67c1ee5ce0bad_4idRupPQ8L6cMnDcugqd-640x426.jpeg 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/655e0fa544c67c1ee5ce0bad_4idRupPQ8L6cMnDcugqd-510x340.jpeg 510w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/655e0fa544c67c1ee5ce0bad_4idRupPQ8L6cMnDcugqd-15x10.jpeg 15w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/655e0fa544c67c1ee5ce0bad_4idRupPQ8L6cMnDcugqd-450x300.jpeg 450w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/655e0fa544c67c1ee5ce0bad_4idRupPQ8L6cMnDcugqd-14x9.jpeg 14w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/655e0fa544c67c1ee5ce0bad_4idRupPQ8L6cMnDcugqd-385x257.jpeg 385w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/span><\/h3>\n<h3><\/h3>\n<h3><span class=\"\">Starting with the Drums<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Jake\u2019s approach began with the overheads, which had been recorded in mono pairs but needed balancing. He used subtle EQ to remove some papery midrange and a Pultec-style boost to add weight. A Fairchild 670 emulation added tone and gentle control, while a tape plugin provided a touch of sheen.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">The\u00a0<\/span><span class=\"font-[700]\">kick drum<\/span><span class=\"\">\u00a0presented a bigger challenge. \u201cIt sounded very pingy, almost like a basketball,\u201d Jake recalls. He carved out harsh mids, used a sub filter to reinforce low end, and tightened sustain with transient shaping. To avoid flamming between the close mic and overheads, he introduced\u00a0<\/span><span class=\"font-[700]\">Trackspacer<\/span><span class=\"\">\u00a0to duck a narrow band of frequencies in the overheads whenever the kick hit. The result was a rounder, more defined kick that sat naturally in context.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Bleed, often a curse in rock mixing, became a feature here. By carefully aligning phases and using selective sidechain ducking, Jake kept the cymbals lively without letting bleed muddy the picture.<\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><span class=\"\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-63577 aligncenter lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail.jpg\" alt=\"\" width=\"642\" height=\"498\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail.jpg 1080w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-150x116.jpg 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-768x595.jpg 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-1536x1190.jpg 1536w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-80x62.jpg 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-320x248.jpg 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-290x225.jpg 290w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-219x170.jpg 219w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-194x150.jpg 194w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-770x597.jpg 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-40x31.jpg 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-160x124.jpg 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-20x16.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-640x496.jpg 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-782x606.jpg 782w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-18x14.jpg 18w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-439x340.jpg 439w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-13x10.jpg 13w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-387x300.jpg 387w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-12x9.jpg 12w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-385x298.jpg 385w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/753_gg_jazzbassplayers_thumbnail-1540x1194.jpg 1540w\" sizes=\"auto, (max-width: 642px) 100vw, 642px\" \/><\/span><\/h3>\n<h3><\/h3>\n<h3><span class=\"\">Tackling the Bass<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Unlike many jazz quartets, this session featured an electric bass rather than upright. Even so, it required shaping to fit in the mix. Jake reached for a\u00a0<\/span><span class=\"font-[700]\">transient designer<\/span><span class=\"\">\u00a0to bring forward the attack, pulled out excess mids, then used saturation with FabFilter Saturn to reintroduce warmth in a more controlled way.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">He described this balancing act as removing \u201cflabbiness\u201d while making sure the bass still reinforced the low-end energy already captured in the piano mics. A touch of tape saturation and subtle sidechain compression against the kick kept everything glued.<\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><span class=\"\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-63578 aligncenter lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone.jpg\" alt=\"\" width=\"763\" height=\"508\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone.jpg 1080w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone-150x100.jpg 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone-768x512.jpg 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone-80x53.jpg 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone-320x213.jpg 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone-255x170.jpg 255w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone-225x150.jpg 225w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone-770x513.jpg 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone-40x27.jpg 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone-160x107.jpg 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone-20x13.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone-640x427.jpg 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone-909x606.jpg 909w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone-510x340.jpg 510w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone-15x10.jpg 15w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone-450x300.jpg 450w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone-14x9.jpg 14w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/saxophone-385x257.jpg 385w\" sizes=\"auto, (max-width: 763px) 100vw, 763px\" \/><\/span><\/h3>\n<h3><\/h3>\n<h3><span class=\"\">Piano and Saxophone<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">The\u00a0<\/span><span class=\"font-[700]\">piano<\/span><span class=\"\">\u00a0was heavily affected by bleed, so Jake leaned into it. \u201cI treated it as a room mic,\u201d he explained. Gentle EQ removed resonances, while a Fairchild emulation and a touch of reverb smoothed the tone. Rather than fight the spill, he used it to enhance the sense of space and realism.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">The\u00a0<\/span><span class=\"font-[700]\">saxophone<\/span><span class=\"\">, recorded upfront, initially sounded harsh. To tame it, Jake used dynamic EQ (DDSEQ3), overlapping Pultec boosts and cuts for body, and a longer reverb for depth. Compression was used sparingly, with automation doing most of the heavy lifting to preserve dynamics. \u201cAt the end of a phrase,\u201d he noted, \u201cthe sax naturally drops in volume. I didn\u2019t want to compress that away, so I used automation to lift it gently without losing the expressiveness.\u201d<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><\/h3>\n<h3><span class=\"\">Less Is More<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Across the mix, Jake\u2019s guiding principle was subtlety. His bus chain contained only gentle EQ, minimal compression, and even a touch of reverb on the mix bus\u2014set at just 2%\u2014to provide cohesion without robbing the performance of air.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">The philosophy was clear:\u00a0<\/span><span class=\"font-[700]\">let the musicians do the work<\/span><span class=\"\">. \u201cMost of the mix comes from the room and the balance of the players,\u201d Jake concluded. \u201cMy job was to smooth out rough edges and present it in the most natural way possible.\u201d<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><\/h3>\n<h3><span class=\"\">Key Takeaways<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p>&nbsp;<\/p>\n<ul>\n<li><span class=\"font-[700]\">Bleed is not the enemy<\/span><span class=\"\">\u00a0\u2013 in jazz, it often provides the glue and realism that polished processing can strip away.<\/span><\/li>\n<li><span class=\"font-[700]\">Automation beats compression<\/span><span class=\"\">\u00a0\u2013 for dynamic instruments like sax, volume rides preserve the performance better than heavy-handed processing.<\/span><\/li>\n<li><span class=\"font-[700]\">Subtle shaping<\/span><span class=\"\">\u00a0\u2013 tools like Trackspacer and saturation plugins can solve issues without resorting to drastic EQ.<\/span><\/li>\n<li><span class=\"font-[700]\">Context is everything<\/span><span class=\"\">\u00a0\u2013 what sounds odd in solo often works beautifully in the full ensemble.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Jake\u2019s session demonstrates that mixing jazz isn\u2019t about flashy moves or endless plugin chains. It\u2019s about listening deeply, respecting the performance, and knowing when to step back. As he put it with a smile:<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">\u201cBleed is good.\u201d<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">And of course, none of this conversation would have happened without that chance introduction at Abbey Road. A big thank you to\u00a0<\/span><span class=\"font-[700]\">Alex Wharton<\/span><span class=\"\"> for connecting us in the first place.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><strong><span class=\"\">Download the multitracks:\u00a0<\/span><span class=\"\"><a href=\"https:\/\/producelikeapro.lpages.co\/jake-holt-free-course-track-form\/\" target=\"_blank\" rel=\"noopener\" data-tracking-control-name=\"article-ssr-frontend-pulse_little-text-block\" data-tracking-will-navigate=\"\" data-test-link=\"\">https:\/\/producelikeapro.lpages.co\/jake-holt-free-course-track-form\/<\/a><\/span><\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/www.youtube.com\/watch?v=ng5R2fTQpoQVideo can&#8217;t be loaded because JavaScript is disabled: Mixing Jazz with Jake Holt &#8211; Free MULTITRACKS (https:\/\/www.youtube.com\/watch?v=ng5R2fTQpoQ) When it comes to mixing jazz, restraint is often the key. The genre thrives on interplay, dynamics, and natural room tone, so the engineer\u2019s role is more about enhancing what\u2019s already there than reshaping it entirely. I first&hellip;<\/p>\n","protected":false},"author":25,"featured_media":63575,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[20],"tags":[13714,13711,13712,21,343,13713,13259],"class_list":["post-63574","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mixing","tag-jake-holt","tag-jazz","tag-jazz-quartet","tag-mixing","tag-mixing-course","tag-mixing-quartet","tag-multitracks"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Mixing a Jazz Quartet with Jake Holt - Produce Like A Pro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/producelikeapro.com\/blog\/mixing-a-jazz-quartet-with-jake-holt\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mixing a Jazz Quartet with Jake Holt - Produce Like A Pro\" \/>\n<meta property=\"og:description\" content=\"https:\/\/www.youtube.com\/watch?v=ng5R2fTQpoQVideo can&#8217;t be loaded because JavaScript is disabled: Mixing Jazz with Jake Holt &#8211; Free MULTITRACKS (https:\/\/www.youtube.com\/watch?v=ng5R2fTQpoQ) When it comes to mixing jazz, restraint is often the key. The genre thrives on interplay, dynamics, and natural room tone, so the engineer\u2019s role is more about enhancing what\u2019s already there than reshaping it entirely. I first&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/producelikeapro.com\/blog\/mixing-a-jazz-quartet-with-jake-holt\/\" \/>\n<meta property=\"og:site_name\" content=\"Produce Like A Pro\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/producelikeapro\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-08-27T17:52:33+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-08-27T17:55:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/maxresdefault-1-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1080\" \/>\n\t<meta property=\"og:image:height\" content=\"608\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Warren Huart\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Warren Huart\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/producelikeapro.com\/blog\/mixing-a-jazz-quartet-with-jake-holt\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/producelikeapro.com\/blog\/mixing-a-jazz-quartet-with-jake-holt\/\"},\"author\":{\"name\":\"Warren Huart\",\"@id\":\"https:\/\/producelikeapro.com\/blog\/#\/schema\/person\/8dfc15fcc5cd192b928e9795f45430d4\"},\"headline\":\"Mixing a Jazz Quartet with Jake Holt\",\"datePublished\":\"2025-08-27T17:52:33+00:00\",\"dateModified\":\"2025-08-27T17:55:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/producelikeapro.com\/blog\/mixing-a-jazz-quartet-with-jake-holt\/\"},\"wordCount\":791,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/producelikeapro.com\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/producelikeapro.com\/blog\/mixing-a-jazz-quartet-with-jake-holt\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/08\/maxresdefault-1-1.jpg\",\"keywords\":[\"Jake Holt\",\"Jazz\",\"Jazz Quartet\",\"Mixing\",\"Mixing Course\",\"Mixing Quartet\",\"Multitracks\"],\"articleSection\":[\"Mixing\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/producelikeapro.com\/blog\/mixing-a-jazz-quartet-with-jake-holt\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/producelikeapro.com\/blog\/mixing-a-jazz-quartet-with-jake-holt\/\",\"url\":\"https:\/\/producelikeapro.com\/blog\/mixing-a-jazz-quartet-with-jake-holt\/\",\"name\":\"Mixing a Jazz Quartet with Jake Holt - 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