{"id":63855,"date":"2025-10-28T14:11:34","date_gmt":"2025-10-28T19:11:34","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=63855"},"modified":"2025-10-28T14:21:34","modified_gmt":"2025-10-28T19:21:34","slug":"sean-genockey-at-metropolis-community-craft-and-capturing-feel","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/sean-genockey-at-metropolis-community-craft-and-capturing-feel\/","title":{"rendered":"Sean Genockey at Metropolis: Community, Craft and Capturing Feel"},"content":{"rendered":"<div id=\"produ-3066086444\" class=\"produ-leaderboard-placement produ-entity-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-3556723680427-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-3556723680427-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-3556723680427-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-3556723680427-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-3556723680427-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div><div class=\"flex-video widescreen youtube\">\n<div class=\"container-lazyload preview-lazyload container-youtube js-lazyload--not-loaded\"><a href=\"https:\/\/www.youtube.com\/watch?v=-Qc3ZQEaTe8\" class=\"lazy-load-youtube preview-lazyload preview-youtube\" data-video-title=\"Sean Genockey Guitar Video\" title=\"Play video &quot;Sean Genockey Guitar Video&quot;\">https:\/\/www.youtube.com\/watch?v=-Qc3ZQEaTe8<\/a><noscript>Video can&#8217;t be loaded because JavaScript is disabled: <a href=\"https:\/\/www.youtube.com\/watch?v=-Qc3ZQEaTe8\" title=\"Sean Genockey Guitar Video\">Sean Genockey Guitar Video (https:\/\/www.youtube.com\/watch?v=-Qc3ZQEaTe8)<\/a><\/noscript><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Walk into Metropolis and you feel it straight away. Energy, conversation, ideas. That is exactly why mixer, engineer and guitarist\u00a0<\/span><span class=\"font-[700]\">Sean Genockey<\/span><span class=\"\">\u00a0moved his base of operations here after twenty one years at his Wimbledon room, Black Dog Studios. Post lockdown he wanted less seclusion and more creative cross-pollination. At Metropolis he has both, plus a jumbo jet or two drifting past the window to remind you that you are in the thick of London life.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">\u201cHere you can grab a coffee, talk about something that inspires you, then take that spark straight back into the room,\u201d Sean says. \u201cI made a lot of great records in Wimbledon, however I was spending too much time alone. I wanted to be around people making things.\u201d<\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><span class=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-63856 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-scaled.jpg\" alt=\"\" width=\"757\" height=\"505\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-scaled.jpg 1080w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-150x100.jpg 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-768x512.jpg 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-1536x1024.jpg 1536w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-2048x1366.jpg 2048w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-80x53.jpg 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-320x213.jpg 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-255x170.jpg 255w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-225x150.jpg 225w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-770x513.jpg 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-40x27.jpg 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-160x107.jpg 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-20x13.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-640x427.jpg 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-909x606.jpg 909w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-510x340.jpg 510w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-15x10.jpg 15w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-450x300.jpg 450w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-13x9.jpg 13w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-385x257.jpg 385w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Sean_Genockey_PR_Image_1-1540x1027.jpg 1540w\" sizes=\"auto, (max-width: 757px) 100vw, 757px\" \/><\/span><\/h3>\n<h3><span class=\"\"><a href=\"https:\/\/www.rekognitionsound.com\/\">ReKognition Sound,<\/a> the new home base<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Sean\u2019s room at Metropolis now has a name.\u00a0<\/span><span class=\"font-[700]\">ReKognition Sound<\/span><span class=\"\">. It is his personal space, co-founded with\u00a0<\/span><span class=\"font-[700]\">Jesse Wood<\/span><span class=\"\">, and the headquarters for their <a href=\"https:\/\/www.rekognitionsound.com\/\">ReKognition Sound label<\/a>. The studio sits directly beside\u00a0<\/span><span class=\"font-[700]\">Metropolis Studio B<\/span><span class=\"\">, which Sean regularly uses for live tracking, while ReKognition serves as a precision-focused mixing and finishing suite. Recent work here includes projects with\u00a0<\/span><span class=\"font-[700]\">Craig Silvey, NewDad, The Futureheads, Jasmine Rodgers, Scott Matthews, Jace Everett<\/span><span class=\"\">and\u00a0<\/span><span class=\"font-[700]\">Ronnie Wood<\/span><span class=\"\">.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">\u201cRonnie is amazing, full of energy,\u201d Sean smiles. \u201cWe have done all his recent solo work in this room. It is a space where you can react fast and keep the magic alive. The moment you stall an artist, the take is gone.\u201d<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">His guiding principle is simple.\u00a0<\/span><span class=\"font-[700]\">\u201cEngineering should be invisible. Your job is to facilitate greatness, not hold it up.\u201d<\/span><span class=\"\">That ethos is baked into the room design and the monitoring.<\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><span class=\"\">Monitoring you can trust<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">ReKognition has been upgraded with\u00a0<\/span><a href=\"https:\/\/sweetwater.sjv.io\/xLYA71\"><span class=\"font-[700]\">Genelec 8351B<\/span><\/a><span class=\"\">\u00a0three-way coaxial monitors, calibrated by\u00a0<\/span><span class=\"font-[700]\">Andy Bensley<\/span><span class=\"\">\u00a0using\u00a0<\/span><span class=\"font-[700]\">GLM<\/span><span class=\"\">\u00a0software. Sean grew up with big full-range mains and wanted that same confidence in a compact footprint.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">\u201cThis little setup gives me that confidence,\u201d he says. \u201cIt is forensic, yet it still feels like music. You are not distracted by dips or harshness. You can think about emotion and instinct. After Andy did the sweep with GLM I stopped second-guessing. I can make big decisions fast and know they will hold up.\u201d<\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><span class=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-63857 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-scaled.png\" alt=\"\" width=\"749\" height=\"403\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-scaled.png 1080w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-150x81.png 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-768x413.png 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-1536x827.png 1536w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-2048x1102.png 2048w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-80x43.png 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-320x172.png 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-316x170.png 316w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-279x150.png 279w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-770x414.png 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-40x22.png 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-160x86.png 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-20x11.png 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-640x344.png 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-632x340.png 632w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-557x300.png 557w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-17x9.png 17w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-385x207.png 385w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.04.43-PM-1540x829.png 1540w\" sizes=\"auto, (max-width: 749px) 100vw, 749px\" \/><\/span><\/h3>\n<h3><span class=\"\">A guitarist\u2019s playground, an engineer\u2019s lab<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">ReKognition mirrors the ethos of Sean\u2019s old room. Everything is wired, labelled and ready. On the day we visited he had a split guitar setup feeding a pair of combos and a DI, with three carefully placed microphones:<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<ul>\n<li><a href=\"https:\/\/sweetwater.sjv.io\/zNe5kM\"><span class=\"font-[700]\">AKG C414<\/span><\/a><span class=\"\">\u00a0on the combo<\/span><\/li>\n<li><span class=\"font-[700]\">Beyerdynamic M69<\/span><span class=\"\">\u00a0on the Super Reverb<\/span><\/li>\n<li><a href=\"https:\/\/usashop.jzmic.com\/collections\/signature-series\/products\/amethyst\"><span class=\"font-[700]\">JZ Amethyst<\/span><\/a><span class=\"\">\u00a0set back for space and air<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">He begins each session with a short reference burst, then time-aligns every mic to the DI. Because the mics live at different distances, this transient check lets him nudge them to a common arrival point in seconds. The result is a tight, phase-coherent foundation that keeps creative momentum high. If the artist wants to swap a combo for a Hiwatt he can repatch quickly and keep the sound locked.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Sean likes the DI as part of the tone, especially when pedals feed it. On its own it can sound thin, yet in the blend it adds focus and attack. For mix delivery he can bus the lot to mono if needed, or keep the multi-mic flexibility.<\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><span class=\"\">Phase, polarity and the low-end truth<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">So much of Sean\u2019s approach rests on fundamentals that often get overlooked. Drums are a dance between phase and polarity, guitars are mostly polarity choices, and low end is physics, not magic. He always checks polarity first, then time-aligns the snare to the overheads for that satisfying body and weight.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">On bass he often treats the DI and amp like a crossover. The DI supplies clean, stable sub. The amp provides character, midrange articulation and movement. If those two are not time coherent you lose headroom on the mix buss and the vocal will fight you.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">\u201cYour vocal balance will never sit if your bass is wrong,\u201d Sean says. \u201cGet the low end right and the song opens up.\u201d We talk about American records and that unmistakable girth going back to Motown. We also talk about how slight phase offset on classic DI and amp chains sometimes is the sound. Knowing when to clean and when to keep the wobble is part of the craft.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><span class=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-63858 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-scaled.png\" alt=\"\" width=\"887\" height=\"485\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-scaled.png 1080w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-150x82.png 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-768x420.png 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-1536x840.png 1536w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-2048x1120.png 2048w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-80x44.png 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-320x175.png 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-311x170.png 311w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-274x150.png 274w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-770x421.png 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-40x22.png 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-160x88.png 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-20x11.png 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-640x350.png 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-621x340.png 621w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-18x10.png 18w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-548x300.png 548w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-16x9.png 16w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-385x211.png 385w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.06.11-PM-1540x843.png 1540w\" sizes=\"auto, (max-width: 887px) 100vw, 887px\" \/><\/span><\/h3>\n<h3><span class=\"\">Vintage feel, modern workflow<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">If you know Sean, you know his long collaboration with\u00a0<\/span><span class=\"font-[700]\">Roger Mayer<\/span><span class=\"\">. Mayer\u2019s work spans from Hendrix and Beck to lesser known but powerful studio inventions. Sean runs multiple channels of Mayer\u2019s\u00a0<\/span><span class=\"font-[700]\">456<\/span><span class=\"\">\u00a0processors in 500-series and rack formats, designed to emulate the analogue tape capture curve in a fully analogue path. Placed right before conversion they soften digital edge, tame anti-aliasing nasties and add the harmonic knit we associate with pre-CD recordings.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Another favourite is a passive low-end transformer EQ that Sean uses on upright bass and kick in jazz sessions. It adds sub weight without phase smear so the capture arrives closer to the finish line.<\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><span class=\"\">Hybrid by design<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Sean\u2019s rig lets him flip between ITB and OTB at will. He runs 16 hardware inserts through a Dangerous conversion and monitor path into either the Dangerous 2-Bus or a Tube-Tech summing amplifier. Jazz projects often go fully analogue for speed and musicality. Pop and rock mixes might be ITB with targeted hardware inserts. The master faders live near unity. Rides and movement do the heavy lifting.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">\u201cI love mixing,\u201d he says. \u201cParticularly other people\u2019s music. Taking something with potential and making it sing is still the buzz.\u201d<\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><span class=\"\">Guitars ready for anything<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Two nearly identical T-style instruments are set up with different string gauges, one with a wound third for heavy arpeggios and slide, the other lighter for precision. A clever blower switch forces an instant bridge-pickup lead tone regardless of knob positions. There is a compact studio acoustic that records beautifully without wolf notes, plus a humbucker-equipped Strat for the sounds a Tele will not do. The amp corner rotates between a Super Reverb and a modern Hiwatt-style combo, mic\u2019d and split for tone stacking.<\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><span class=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-63859 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.07.33-PM-scaled.png\" alt=\"\" width=\"774\" height=\"401\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.07.33-PM-scaled.png 1080w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.07.33-PM-150x78.png 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.07.33-PM-768x398.png 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.07.33-PM-1536x797.png 1536w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.07.33-PM-2048x1062.png 2048w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.07.33-PM-80x41.png 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.07.33-PM-320x166.png 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.07.33-PM-289x150.png 289w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.07.33-PM-770x399.png 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.07.33-PM-40x21.png 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.07.33-PM-160x83.png 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.07.33-PM-20x10.png 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.07.33-PM-640x332.png 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.07.33-PM-578x300.png 578w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.07.33-PM-17x9.png 17w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.07.33-PM-385x200.png 385w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.07.33-PM-1540x799.png 1540w\" sizes=\"auto, (max-width: 774px) 100vw, 774px\" \/><\/span><\/h3>\n<h3><span class=\"\">Roots and perspective<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Sean\u2019s twenty plus years span global touring with his band\u00a0<\/span><span class=\"font-[700]\">Moke<\/span><span class=\"\">, long mentorship with\u00a0<\/span><span class=\"font-[700]\">Dave Eringa<\/span><span class=\"\">, and collaborations with artists such as\u00a0<\/span><span class=\"font-[700]\">Manic Street Preachers<\/span><span class=\"\">\u00a0and\u00a0<\/span><span class=\"font-[700]\">Suede<\/span><span class=\"\">. That history informs his present. The front end stays simple because the point is the performance.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">\u201cThe magic is not in the plug-ins. It is in the players,\u201d he says. \u201cMy job is to get it right at source, fast, and then not get in the way.\u201d<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">He is forthright about modern pitfalls. \u201cSo many multitracks I get now are rescue jobs. Fundamentals are missing, phase is off, and people hoard knowledge. I came up in a world where everyone shared what they knew. That is how we got better.\u201d<\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><span class=\"\">Producing with purpose<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Alongside mixing and session work Sean runs a label out of Metropolis with Jesse Wood, focusing on\u00a0<\/span><span class=\"font-[700]\">artist development<\/span><span class=\"\">in the old-school sense. Rehearsal, arrangement, writing, tracking, performance. He produces only a couple of outside projects a year so he can be all in. When he is not producing he mixes, plays and keeps improving.<\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><span class=\"\">The takeaway<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">What I love about Sean\u2019s approach is the balance of head and heart. He is meticulous about phase, polarity and capture, yet everything is in service of feel and speed. Align mics so you can create faster. Use analogue front end to make the capture inspiring. Trust a monitoring system that gives you clarity without fatigue. Keep the low end honest so the vocal tells the story. Then make the record with as few obstacles as possible.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">At\u00a0<\/span><span class=\"font-[700]\">ReKognition Sound<\/span><span class=\"\">\u00a0there is no time for overthinking, only a constant return to feel, trust and the truth in sound. The artist walks in, you agree on what you are trying to capture, and you go. No fiddling, no fuss. Just music.<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/www.youtube.com\/watch?v=-Qc3ZQEaTe8Video can&#8217;t be loaded because JavaScript is disabled: Sean Genockey Guitar Video (https:\/\/www.youtube.com\/watch?v=-Qc3ZQEaTe8) &nbsp; Walk into Metropolis and you feel it straight away. Energy, conversation, ideas. That is exactly why mixer, engineer and guitarist\u00a0Sean Genockey\u00a0moved his base of operations here after twenty one years at his Wimbledon room, Black Dog Studios. Post lockdown he wanted&hellip;<\/p>\n","protected":false},"author":25,"featured_media":63860,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[40,1,50,578,106],"tags":[12455,11637,12249,13825,148,13824,13823],"class_list":["post-63855","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audio-engineer","category-audio-engineering","category-recording","category-recording-guitar","category-studio-tours","tag-amps","tag-audio-engineer","tag-guitars","tag-metropolis-studio","tag-recording","tag-rekognition-sound","tag-sean-genockey"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Sean Genockey at Metropolis: Community, Craft and Capturing Feel - Produce Like A Pro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/producelikeapro.com\/blog\/sean-genockey-at-metropolis-community-craft-and-capturing-feel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sean Genockey at Metropolis: Community, Craft and Capturing Feel - Produce Like A Pro\" \/>\n<meta property=\"og:description\" content=\"https:\/\/www.youtube.com\/watch?v=-Qc3ZQEaTe8Video can&#8217;t be loaded because JavaScript is disabled: Sean Genockey Guitar Video (https:\/\/www.youtube.com\/watch?v=-Qc3ZQEaTe8) &nbsp; Walk into Metropolis and you feel it straight away. Energy, conversation, ideas. That is exactly why mixer, engineer and guitarist\u00a0Sean Genockey\u00a0moved his base of operations here after twenty one years at his Wimbledon room, Black Dog Studios. 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