{"id":63928,"date":"2025-11-09T13:07:34","date_gmt":"2025-11-09T18:07:34","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=63928"},"modified":"2025-11-09T13:07:34","modified_gmt":"2025-11-09T18:07:34","slug":"faq-friday-at-rockfield-mixing-atmos-mastering-and-the-future-of-great-studios","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/faq-friday-at-rockfield-mixing-atmos-mastering-and-the-future-of-great-studios\/","title":{"rendered":"FAQ Friday at Rockfield: Mixing, Atmos, Mastering, and the Future of Great Studios"},"content":{"rendered":"<div id=\"produ-1227409114\" class=\"produ-leaderboard-placement produ-entity-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-8213558195305-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-8213558195305-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-8213558195305-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-8213558195305-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-8213558195305-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div><div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<div class=\"flex-video widescreen youtube\">\n<div class=\"container-lazyload preview-lazyload container-youtube js-lazyload--not-loaded\"><a href=\"https:\/\/www.youtube.com\/watch?v=3_8yCDqC0LA&#038;t=177s\" class=\"lazy-load-youtube preview-lazyload preview-youtube\" data-video-title=\"Should You Mix Into Masterbus Compression? FAQ Friday\" title=\"Play video &quot;Should You Mix Into Masterbus Compression? FAQ Friday&quot;\">https:\/\/www.youtube.com\/watch?v=3_8yCDqC0LA&#038;t=177s<\/a><noscript>Video can&#8217;t be loaded because JavaScript is disabled: <a href=\"https:\/\/www.youtube.com\/watch?v=3_8yCDqC0LA&#038;t=177s\" title=\"Should You Mix Into Masterbus Compression? FAQ Friday\">Should You Mix Into Masterbus Compression? FAQ Friday (https:\/\/www.youtube.com\/watch?v=3_8yCDqC0LA&#038;t=177s)<\/a><\/noscript><\/div>\n<\/div>\n<p><span class=\"\">We filmed this FAQ Friday during our Rockfield masterclass in Monmouthshire, Wales. The conversation ranged from mix-bus decisions to Atmos workflows, from why legacy rooms still matter to the real value a mastering engineer brings. Here are the key takeaways, shaped by the questions in the room and years of making records with artists across genres.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\"><\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><span class=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-63929 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/bx_masterdesk.webp\" alt=\"\" width=\"850\" height=\"447\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/bx_masterdesk.webp 850w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/bx_masterdesk-150x79.webp 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/bx_masterdesk-768x404.webp 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/bx_masterdesk-80x42.webp 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/bx_masterdesk-320x168.webp 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/bx_masterdesk-285x150.webp 285w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/bx_masterdesk-770x405.webp 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/bx_masterdesk-40x21.webp 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/bx_masterdesk-160x84.webp 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/bx_masterdesk-20x11.webp 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/bx_masterdesk-640x337.webp 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/bx_masterdesk-570x300.webp 570w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/bx_masterdesk-17x9.webp 17w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/bx_masterdesk-385x202.webp 385w\" sizes=\"auto, (max-width: 850px) 100vw, 850px\" \/><\/span><\/h3>\n<h3><span class=\"\">Should you mix into your master bus processing<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">It depends. Genre and intent lead the decision. For a slamming modern track I will often mix through gentle bus compression and a touch of top and low end from the start so I hear the record as a record. When I mixed hybrid on SSL, the bus compressor tapped a dB or two and a Pultec-style EQ added a hint of 10 kHz and 60 Hz. That sound is part of the aesthetic and thousands of records have been finished that way.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">If I am working on a piano vocal or a jazz ensemble I will leave heavy lifting to the end. I might add a kiss of sweetening to tame what could not be fixed upstream. In the box I am more conservative. Unless the music is meant to be aggressive I will do the shaping late. The rule is simple. Know what you are making and choose the tools and timing that serve it.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><span class=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-63930 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6.jpg\" alt=\"\" width=\"683\" height=\"459\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6.jpg 1000w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6-150x101.jpg 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6-768x516.jpg 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6-80x54.jpg 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6-320x215.jpg 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6-253x170.jpg 253w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6-223x150.jpg 223w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6-770x517.jpg 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6-40x27.jpg 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6-160x108.jpg 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6-20x13.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6-640x430.jpg 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6-902x606.jpg 902w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6-506x340.jpg 506w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6-15x10.jpg 15w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6-446x300.jpg 446w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6-13x9.jpg 13w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/Atmos_04-PVTObdWcZ9INiH74PHlgAJv46T7C0sM6-385x259.jpg 385w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/span><\/h3>\n<h3><span class=\"\">Stereo first or build for Atmos from the ground up<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">There is no single right answer. We have spoken to mixers like Dave Way, Hans-Martin Buff, and Emre Ramazanoglu who each approach it differently.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<ul>\n<li><span class=\"font-[700]\">When the recording already sounds like the record<\/span><span class=\"\">\u00a0On projects tracked and produced with strong intent, like the Ken Scott era multitracks, you can bring up the faders and it already feels finished. In Atmos that often becomes a placement exercise. Little or no extra compression, just musical panning of the actual multitracks.<\/span><\/li>\n<li><span class=\"font-[700]\">When the sound lives in the stereo mix bussing<\/span><span class=\"\">\u00a0Some productions rely on the glue and colour of the stereo mix engine. In those scenarios you may need to print stems, sometimes printed through the master bus, so the Atmos version retains the identity of the stereo record.<\/span><\/li>\n<li><span class=\"font-[700]\">Purpose-built immersive<\/span><span class=\"\">\u00a0Hans-Martin Buff\u2019s work on Peter Gabriel\u2019s\u00a0<\/span><span class=\"italic\">i\/o<\/span><span class=\"\">\u00a0is a great example. The Atmos mix was created as the final statement in itself. Stereo had already been released, so immersive became its own art.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Long term more people will plan stereo and Atmos together. If you are the recording and stereo mixer and also the Atmos mixer, you can make decisions that translate both ways. Let the project tell you which path to take.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><span class=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-63932 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/modern-music-studio-stockcake.jpg\" alt=\"\" width=\"728\" height=\"408\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/modern-music-studio-stockcake.jpg 728w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/modern-music-studio-stockcake-150x84.jpg 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/modern-music-studio-stockcake-80x45.jpg 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/modern-music-studio-stockcake-320x179.jpg 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/modern-music-studio-stockcake-303x170.jpg 303w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/modern-music-studio-stockcake-268x150.jpg 268w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/modern-music-studio-stockcake-40x22.jpg 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/modern-music-studio-stockcake-160x90.jpg 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/modern-music-studio-stockcake-20x11.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/modern-music-studio-stockcake-640x359.jpg 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/modern-music-studio-stockcake-607x340.jpg 607w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/modern-music-studio-stockcake-18x10.jpg 18w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/modern-music-studio-stockcake-535x300.jpg 535w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/modern-music-studio-stockcake-16x9.jpg 16w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/modern-music-studio-stockcake-385x216.jpg 385w\" sizes=\"auto, (max-width: 728px) 100vw, 728px\" \/><\/span><\/h3>\n<h3><span class=\"\">Will modern tech make classic studios obsolete<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">No. The digital revolution is not new. Ten years ago we were already talking about the democratisation of music creation. Yet rooms like Rockfield, Abbey Road, AIR, Sunset Sound, Power Station keep thriving because their history, acoustics, and workflow deliver results you cannot fake. Film and game scoring demand spaces that handle large ensembles. Games now outgross many films which means serious budgets and serious craft. If you are cutting a rock record, making it at a studio that birthed\u00a0<\/span><span class=\"italic\">A Night at the Opera<\/span><span class=\"\">,\u00a0<\/span><span class=\"italic\">2112<\/span><span class=\"\">,\u00a0<\/span><span class=\"italic\">Paranoid<\/span><span class=\"\">\u00a0and\u00a0<\/span><span class=\"italic\">Hemispheres<\/span><span class=\"\">\u00a0brings inspiration and focus that artists feel the moment they walk in.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">For new studios the lesson is to build boutique, not bloated. Curate a musical room, a characterful console or summing path, a handful of great microphones and outboard, and the skills to capture performances. As AI grows the human, imperfect, performance-driven approach is going to feel even more compelling. Lean into that.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><\/h3>\n<h3><span class=\"\">Why artists still benefit from going to a studio<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Everyone starts at home. Four tracks became ADATs, then laptops, now fully featured DAWs in backpacks. The constant is collaboration. Artists who want to grow seek partners who elevate them. Your job is to make that path obvious. Be discoverable, show your work clearly, provide a safe environment, and demonstrate that you can guide performances and songs. Even Paul McCartney works with producers. Everyone is a fan of someone. The right collaborators make you better.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><\/h3>\n<h3><span class=\"\">A quick reality check on careers<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Nick, who started at Rockfield at sixteen, was assisting and recording major records before most people finish school. He worked 100-hour weeks in the Britpop boom and still hustled for opportunity. The budgets were bigger, the work ethic had to be bigger too. If you love this, commit. If you want a quick way to make money, choose a different field.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><span class=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-63931 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/josh-hills-tutor-image.jpg\" alt=\"\" width=\"581\" height=\"428\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/josh-hills-tutor-image.jpg 360w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/josh-hills-tutor-image-150x110.jpg 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/josh-hills-tutor-image-80x59.jpg 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/josh-hills-tutor-image-320x236.jpg 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/josh-hills-tutor-image-306x225.jpg 306w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/josh-hills-tutor-image-231x170.jpg 231w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/josh-hills-tutor-image-204x150.jpg 204w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/josh-hills-tutor-image-40x29.jpg 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/josh-hills-tutor-image-160x118.jpg 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/josh-hills-tutor-image-20x15.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/josh-hills-tutor-image-14x10.jpg 14w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2025\/11\/josh-hills-tutor-image-12x9.jpg 12w\" sizes=\"auto, (max-width: 581px) 100vw, 581px\" \/><\/span><\/h3>\n<h3><span class=\"\">Mastering Q&amp;A with Josh Hills<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">We invited mastering engineer Josh Hills to field questions about finishing records in 2025.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"font-[700]\">What does a mastering engineer bring that AI cannot<\/span><span class=\"\">\u00a0Access to accurate monitoring, refined rooms, and most of all perspective. Thousands of masters teach judgement you cannot download. Beyond sonics there is curation, album flow, metadata, and delivery optimisation for vinyl and digital platforms which AI does not truly handle.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"font-[700]\">Hot mixes on delivery<\/span><span class=\"\">\u00a0Level is not the issue. Balance is. If a mix is well balanced and simply loud, a mastering engineer can lower the gain and work. If the compression across the mix is fighting the song, it is better to fix it in the mix.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"font-[700]\">Mix bus processing<\/span><span class=\"\">\u00a0If you mix into a bus compressor and it shapes the groove, that is fine. Avoid mixing into a limiter if you plan to send your work out for mastering. Limiters can contort the frequency balance and dynamics. When you remove them the mix can fall apart. Always send a reference of what you have been hearing so the mastering engineer understands your intent.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"font-[700]\">Stems for mastering<\/span><span class=\"\">\u00a0For strong mixes, stereo is enough. Stems make sense when the mixer is inexperienced or a specific problem cannot be solved any other way. Good mastering practice is to ask the mixer for tweaks before requesting stems. The best mastering engineers help you become a better mixer.<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/www.youtube.com\/watch?v=3_8yCDqC0LA&#038;t=177sVideo can&#8217;t be loaded because JavaScript is disabled: Should You Mix Into Masterbus Compression? FAQ Friday (https:\/\/www.youtube.com\/watch?v=3_8yCDqC0LA&#038;t=177s) We filmed this FAQ Friday during our Rockfield masterclass in Monmouthshire, Wales. The conversation ranged from mix-bus decisions to Atmos workflows, from why legacy rooms still matter to the real value a mastering engineer brings. Here are the&hellip;<\/p>\n","protected":false},"author":25,"featured_media":63933,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[51],"tags":[11635,13853,205,21,13163,13854,148,13852],"class_list":["post-63928","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faq-friday","tag-atmos","tag-josh-hills","tag-mastering","tag-mixing","tag-music-studio","tag-qa","tag-recording","tag-rockfield-studios"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>FAQ Friday at Rockfield: Mixing, Atmos, Mastering, and the Future of Great Studios - Produce Like A Pro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/producelikeapro.com\/blog\/faq-friday-at-rockfield-mixing-atmos-mastering-and-the-future-of-great-studios\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FAQ Friday at Rockfield: Mixing, Atmos, Mastering, and the Future of Great Studios - Produce Like A Pro\" \/>\n<meta property=\"og:description\" content=\"https:\/\/www.youtube.com\/watch?v=3_8yCDqC0LA&#038;t=177sVideo can&#8217;t be loaded because JavaScript is disabled: Should You Mix Into Masterbus Compression? FAQ Friday (https:\/\/www.youtube.com\/watch?v=3_8yCDqC0LA&#038;t=177s) We filmed this FAQ Friday during our Rockfield masterclass in Monmouthshire, Wales. The conversation ranged from mix-bus decisions to Atmos workflows, from why legacy rooms still matter to the real value a mastering engineer brings. 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