{"id":64270,"date":"2026-01-14T13:03:01","date_gmt":"2026-01-14T18:03:01","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=64270"},"modified":"2026-01-14T13:07:21","modified_gmt":"2026-01-14T18:07:21","slug":"chandler-limited-and-abbey-road-unveil-the-redd-mixing-system","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/chandler-limited-and-abbey-road-unveil-the-redd-mixing-system\/","title":{"rendered":"Chandler Limited and Abbey Road unveil the REDD Mixing System"},"content":{"rendered":"<div class=\"produ-leaderboard-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\" id=\"produ-3920654503\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-3514922234040-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-3514922234040-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-3514922234040-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-3514922234040-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-3514922234040-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div><div class=\"flex-video widescreen youtube\">\n<div class=\"container-lazyload preview-lazyload container-youtube js-lazyload--not-loaded\"><a href=\"https:\/\/www.youtube.com\/watch?v=zfflb11rrm8\" class=\"lazy-load-youtube preview-lazyload preview-youtube\" data-video-title=\"Chandler REDD Mixing System - At @abbeyroad Studios - First Look\" title=\"Play video &quot;Chandler REDD Mixing System - At @abbeyroad Studios - First Look&quot;\">https:\/\/www.youtube.com\/watch?v=zfflb11rrm8<\/a><noscript>Video can&#8217;t be loaded because JavaScript is disabled: <a href=\"https:\/\/www.youtube.com\/watch?v=zfflb11rrm8\" title=\"Chandler REDD Mixing System - At @abbeyroad Studios - First Look\">Chandler REDD Mixing System &#8211; At @abbeyroad Studios &#8211; First Look (https:\/\/www.youtube.com\/watch?v=zfflb11rrm8)<\/a><\/noscript><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>Download The Chandler Limited Mixing System Demo Tracks Here: <a href=\"https:\/\/producelikeapro.lpages.co\/chandler-limited-mixing-system-demo-form\/\">https:\/\/producelikeapro.lpages.co\/chandler-limited-mixing-system-demo-form\/<\/a><\/p>\n<div>\n<h3 data-start=\"67\" data-end=\"205\"><\/h3>\n<h3 data-start=\"67\" data-end=\"205\">A modular console that unites REDD, TG and RS in one expandable, hand built platform, the first EMI recording console in over 50 years<\/h3>\n<p data-start=\"207\" data-end=\"258\">Hi everybody, hope you are doing marvellously well.<\/p>\n<p data-start=\"260\" data-end=\"538\">Guess where we are. We are at Abbey Road, with Wade Goeke from Chandler Limited, and Mirek Stiles from Abbey Road. There are a few horns going off in the background, which feels oddly perfect, because what we are looking at is not just a new piece of kit. It is a proper moment.<\/p>\n<p data-start=\"540\" data-end=\"853\">This is the\u00a0<strong data-start=\"552\" data-end=\"574\">REDD Mixing System<\/strong>, the first EMI recording console released in over 50 years, and it is the result of a long, obsessive, six year collaboration between Wade, Mirek, and the wider Abbey Road team. There was plenty of conversation before that too, so it has been a long term project in every sense.<\/p>\n<p data-start=\"855\" data-end=\"920\">The big idea is simple to say, however it is massive in practice.<\/p>\n<p data-start=\"922\" data-end=\"1340\">This is a fully modular console system that lets you combine\u00a0<strong data-start=\"983\" data-end=\"1032\">REDD, TG, and RS inspired channels and busses<\/strong>\u00a0in practically any configuration you want. Tube and solid state can live side by side. You can build something small for a personal room, or scale into a serious control room setup. You can start with a couple of channels for tracking, then expand over time, without being locked into a single fixed format.<\/p>\n<p data-start=\"1342\" data-end=\"1441\">And where better to showcase a console built from Abbey Road history than inside Abbey Road itself.<\/p>\n<h2 data-start=\"1448\" data-end=\"1479\"><\/h2>\n<h2 data-start=\"1448\" data-end=\"1479\">What it is, in plain English<\/h2>\n<p data-start=\"1481\" data-end=\"1552\">Wade sums it up early on, it is \u201ca mixture of all of our stuff in one.\u201d<\/p>\n<p data-start=\"1554\" data-end=\"1578\">That means you can have:<\/p>\n<p data-start=\"1580\" data-end=\"1936\">\u2022 REDD tube preamps and EQ, with the classic EMI curves<br data-start=\"1635\" data-end=\"1638\" \/>\u2022 TG style Class A preamps and Curve Bender EQ<br data-start=\"1684\" data-end=\"1687\" \/>\u2022 TG and RS inspired buss designs<br data-start=\"1713\" data-end=\"1716\" \/>\u2022 A modular frame that fits into standard rack bays, so it can live in modern studio furniture<br data-start=\"1810\" data-end=\"1813\" \/>\u2022 A system you can assemble, disassemble, and reconfigure quickly, without the usual pain of moving a traditional console<\/p>\n<p data-start=\"1938\" data-end=\"2172\">It mounts into a 12U rack unit frame and can expand across additional bays. So if you have a Sterling Modular desk, a JamRacks mastering style desk, or similar rack furniture, it drops right in. You can grow it one cassette at a time.<\/p>\n<p data-start=\"2174\" data-end=\"2334\">That is the philosophical shift here. This is not a boat anchor you are forced to buy all at once. It is a system you can build into the exact console you want.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-64275 aligncenter lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-scaled.jpg\" alt=\"\" width=\"1299\" height=\"974\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-scaled.jpg 1080w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-150x112.jpg 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-768x575.jpg 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-1536x1151.jpg 1536w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-2048x1535.jpg 2048w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-80x60.jpg 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-320x240.jpg 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-300x225.jpg 300w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-227x170.jpg 227w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-200x150.jpg 200w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-770x577.jpg 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-40x30.jpg 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-160x120.jpg 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-20x15.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-640x480.jpg 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-809x606.jpg 809w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-454x340.jpg 454w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-13x10.jpg 13w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-400x300.jpg 400w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-12x9.jpg 12w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-385x288.jpg 385w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/Untitled-1540x1154.jpg 1540w\" sizes=\"auto, (max-width: 1299px) 100vw, 1299px\" \/><\/p>\n<h2 data-start=\"2341\" data-end=\"2400\">Six years of collaboration, and a \u201cdesign of a lifetime\u201d<\/h2>\n<p data-start=\"2402\" data-end=\"2762\">This system was six years in the making, developed through constant experimentation and listening between Chandler Limited and Abbey Road. Wade calls it a labour of love and a design of a lifetime, aiming to include the different sounding gear Chandler makes with Abbey Road, while embracing a modular approach that suits modern recording and mixing workflows.<\/p>\n<p data-start=\"2764\" data-end=\"2995\">And that modern workflow part matters. This is not just about tracking into a desk. It is about hybrid mixing, reamping, inserting pedals, shaping busses, and having flexible control room features, all built into a coherent system.<\/p>\n<p data-start=\"2997\" data-end=\"3478\">Mirek\u2019s perspective is the perfect bridge between history and present day. He first encountered TG and REDD desks at Abbey Road when he was 18, and he talks about being blown away by how musical they were, and how producers and engineers would use them to colour recordings and mixes in a creative way. He also points out something very real, the original desks are rare, and the opportunity to bring those engineering ideas back into daily use, with a modern twist, is a big deal.<\/p>\n<h2 data-start=\"3485\" data-end=\"3537\"><\/h2>\n<h2 data-start=\"3485\" data-end=\"3537\">Handmade, hardwired, and built like the originals<\/h2>\n<p data-start=\"3539\" data-end=\"3618\">One of the most striking things in the announcement is how the system is built.<\/p>\n<p data-start=\"3620\" data-end=\"3709\">Every cassette, every channel, every buss, is made the way you wish everything still was.<\/p>\n<p data-start=\"3711\" data-end=\"3965\">\u2022 100 percent hardwired and hand assembled<br data-start=\"3753\" data-end=\"3756\" \/>\u2022 Transformer balanced in and out<br data-start=\"3789\" data-end=\"3792\" \/>\u2022 Switches hand populated using eyelet style wiring<br data-start=\"3843\" data-end=\"3846\" \/>\u2022 PCBs hand soldered and hand loaded<br data-start=\"3882\" data-end=\"3885\" \/>\u2022 No surface mount components<br data-start=\"3914\" data-end=\"3917\" \/>\u2022 No ribbon cables<br data-start=\"3935\" data-end=\"3938\" \/>\u2022 No PCB mounted switches<\/p>\n<p data-start=\"3967\" data-end=\"4108\">Each cassette is truly handmade, and that is not marketing fluff. It is part of the sound, part of the longevity, and part of the philosophy.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-64277 aligncenter lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/2-scaled.jpg\" alt=\"\" width=\"144\" height=\"1280\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/2-17x150.jpg 17w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/2-173x1536.jpg 173w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/2-19x170.jpg 19w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/2-2x18.jpg 2w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/2-1x9.jpg 1w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/2-3x26.jpg 3w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/2-20x177.jpg 20w\" sizes=\"auto, (max-width: 144px) 100vw, 144px\" \/><\/p>\n<h2 data-start=\"4115\" data-end=\"4173\">Walking through the REDD cassette, from the front panel<\/h2>\n<p data-start=\"4175\" data-end=\"4302\">We started at the left, because there is so much goodness happening here, and Wade took us through the REDD cassette in detail.<\/p>\n<h3 data-start=\"4304\" data-end=\"4351\">The DI, an EF86 tube straight into the grid<\/h3>\n<p data-start=\"4352\" data-end=\"4683\">One of Wade\u2019s favourite details is the DI input. It is built around an EF86 tube, and crucially, it is set up like plugging into an old amp. No FET front end. It is that direct, immediate, high impedance feeling, like an AC15 or AC30 style approach. If you love the character of EF86 designs, you already know why this is exciting.<\/p>\n<h3 data-start=\"4685\" data-end=\"4765\">Input sensitivity, the pad that helps you get the best out of the tube stage<\/h3>\n<p data-start=\"4766\" data-end=\"5148\">The input sensitivity is a passive circuit, a variable pad and sensitivity control right at the front. That matters because on a lot of tube designs, the input is the most sensitive part of the whole chain. Wade made the point perfectly, with some classic tube modules, if you cannot pad them properly at the front, they fall apart instantly. This gives you control where it counts.<\/p>\n<h3 data-start=\"5150\" data-end=\"5221\">Bass lift, originally a compensation circuit, now a creative weapon<\/h3>\n<p data-start=\"5222\" data-end=\"5471\">There is a bass lift switch inspired by the old REDD desks, originally meant to compensate for bass loss when switching microphones into omni or figure of eight. Wade describes it as a 10 dB boost in the low end. It is extremely low, and it is huge.<\/p>\n<p data-start=\"5473\" data-end=\"5669\">What is brilliant is how it has become an \u201ceffect\u201d in modern use. On kick drum it is deep, resonant, and unmistakable. Mirek even mentions using it upstairs on the REDD.17 desk as an effect today.<\/p>\n<h3 data-start=\"5671\" data-end=\"5709\">Rumble filter, variable and clever<\/h3>\n<p data-start=\"5710\" data-end=\"6056\">The rumble filter was on original REDD modules as a single jumper setting. Here it is made variable, with a wide spread of usable points. Wade also highlights a very EMI detail, the engineers used the inductance of the input transformer with a capacitor to create a filter, a clever solution that feels very much like the old EMI way of thinking.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-64279 aligncenter lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-scaled.jpg\" alt=\"\" width=\"475\" height=\"654\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-scaled.jpg 1080w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-784x1080.jpg 784w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-109x150.jpg 109w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-768x1058.jpg 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-1115x1536.jpg 1115w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-1487x2048.jpg 1487w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-54x75.jpg 54w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-196x270.jpg 196w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-163x225.jpg 163w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-123x170.jpg 123w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-305x420.jpg 305w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-254x350.jpg 254w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-770x1060.jpg 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-40x55.jpg 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-13x18.jpg 13w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-160x220.jpg 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-392x540.jpg 392w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-12x16.jpg 12w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-440x606.jpg 440w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-10x14.jpg 10w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-247x340.jpg 247w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-7x9.jpg 7w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-610x840.jpg 610w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-218x300.jpg 218w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-508x700.jpg 508w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-15x21.jpg 15w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-385x530.jpg 385w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-1540x2121.jpg 1540w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/3-20x28.jpg 20w\" sizes=\"auto, (max-width: 475px) 100vw, 475px\" \/><\/p>\n<h3 data-start=\"6058\" data-end=\"6108\">Fine gain, not just trim, it is a tone control<\/h3>\n<p data-start=\"6109\" data-end=\"6464\">This is one of the best insights. The fine gain started as a screwdriver trim used to line up channels. However as they experimented, they realised it changes harmonic distortion, clipping point, headroom, and overall tonality. So it becomes a flavour control, cleaner at one end, more driven and colourful at the other, even into clipping if you push it.<\/p>\n<h3 data-start=\"6466\" data-end=\"6521\">Pop and Classic EQ curves, and you can combine them<\/h3>\n<p data-start=\"6522\" data-end=\"6770\">The REDD EQ section includes the old passive inductor based high and low EQs, with both Pop and Classic curves available on the front panel. Historically, you would open the desk and swap a cartridge to change curves. Here you can switch instantly.<\/p>\n<p data-start=\"6772\" data-end=\"7000\">Wade describes Pop as \u201cmore fierce\u201d in the EMI documentation, more aggressive, digging further into mids, lows and highs, with extra presence on the treble boost. Classic is more traditional, more like the familiar smiley shape.<\/p>\n<p data-start=\"7002\" data-end=\"7115\">The fun part is that you can mix and match, Pop treble with Classic bass for example, which they had on the kick.<\/p>\n<h2 data-start=\"7122\" data-end=\"7177\"><\/h2>\n<h2 data-start=\"7122\" data-end=\"7177\">The faders, rebuilt from scratch, including the glow<\/h2>\n<p data-start=\"7179\" data-end=\"7350\">If you have ever touched an old EMI fader, you know they feel special. Wade and his colleague Seth, with help from Seth\u2019s father, rebuilt the mechanism from the ground up.<\/p>\n<p data-start=\"7352\" data-end=\"7656\">The goal was to match the look of the vintage desk, including the backlit style, while improving reliability, serviceability, and keeping it practical to manufacture. Wade says they redid them three or four times. It is one of the reasons the system took so long, and you can feel the care in the result.<\/p>\n<p data-start=\"7658\" data-end=\"7816\">And yes, the glow in the dark faders are real, and it is not a gimmick. In a dimly lit room, that tactile, visual feedback is part of the creative experience.<\/p>\n<h2 data-start=\"7823\" data-end=\"7889\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-64280 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-scaled.jpg\" alt=\"\" width=\"711\" height=\"948\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-scaled.jpg 1080w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-810x1080.jpg 810w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-113x150.jpg 113w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-768x1024.jpg 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-1152x1536.jpg 1152w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-1536x2048.jpg 1536w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-56x75.jpg 56w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-203x270.jpg 203w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-169x225.jpg 169w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-128x170.jpg 128w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-315x420.jpg 315w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-263x350.jpg 263w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-770x1027.jpg 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-40x53.jpg 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-14x18.jpg 14w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-160x213.jpg 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-405x540.jpg 405w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-12x16.jpg 12w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-455x606.jpg 455w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-11x14.jpg 11w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-255x340.jpg 255w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-8x10.jpg 8w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-630x840.jpg 630w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-20x27.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-225x300.jpg 225w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-7x9.jpg 7w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-525x700.jpg 525w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-16x21.jpg 16w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-385x513.jpg 385w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/REDD47_fader-1540x2053.jpg 1540w\" sizes=\"auto, (max-width: 711px) 100vw, 711px\" \/><\/h2>\n<h2 data-start=\"7823\" data-end=\"7889\">Sends, busses, and the low level insert that changes everything<\/h2>\n<p data-start=\"7891\" data-end=\"8116\">Every input cassette shares the same sends and bussing section, four sends, four busses, and that iconic fader workflow. However there is a feature built into the sends that I love because it is so practical, and so creative.<\/p>\n<h3 data-start=\"8118\" data-end=\"8151\">Low level insert on each send<\/h3>\n<p data-start=\"8152\" data-end=\"8424\">There is a low level insert point designed at the correct impedance for pedals and low level devices. You hit the insert button on the send, and suddenly you can insert a Tube Screamer, a fuzz, an old analogue delay, whatever you like, directly into your console workflow.<\/p>\n<p data-start=\"8426\" data-end=\"8600\">Even better, if you hit the insert and take only the output, you can reamp instantly. No extra reamp box. No guessing about levels and impedance. It is built into the system.<\/p>\n<p data-start=\"8602\" data-end=\"8875\">Wade\u2019s point is spot on, it is not just convenience, it changes how you work. You can have your pedals patched permanently, you can create distortion busses, you can feed a chamber, you can set up pre echo into the chamber, and you can do it without leaving the sweet spot.<\/p>\n<p data-start=\"8877\" data-end=\"9036\">Also, they added polarity switching here for a very real reason, a fair number of pedals are out of phase, especially after repairs. The system keeps you safe.<\/p>\n<h2 data-start=\"9043\" data-end=\"9113\"><\/h2>\n<h2 data-start=\"9043\" data-end=\"9113\">TG and the Curve Bender approach, plus the upcoming MKI TG cassette<\/h2>\n<p data-start=\"9115\" data-end=\"9399\">Alongside the REDD tube cassette, there is a TG style cassette that combines a TG2 style preamp with a four band Curve Bender EQ. It keeps the classic TG feel, however it adds modern flexibility, including tighter Q options and selectable boost ranges that can be set for finer steps.<\/p>\n<p data-start=\"9401\" data-end=\"9646\">Wade explains it beautifully, the down position can be set to a lower boost range and a tighter Q, so you can do precise, narrow moves, even down to tiny increments. That is the sort of \u201cdo it here and be done\u201d convenience that keeps you moving.<\/p>\n<p data-start=\"9648\" data-end=\"9720\">Then there is the cassette many people are going to be watching closely.<\/p>\n<p data-start=\"9722\" data-end=\"10016\">A new cassette based on the earliest TG desks installed for the Abbey Road album era. Wade refers to it as the Mark I cassette, based on the first solid state desk designs from 1969, with germanium, and a distinctly different sound to later TG era designs. It is planned for release in Q4 2026.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-64282 aligncenter lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-scaled.jpg\" alt=\"\" width=\"603\" height=\"1970\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-scaled.jpg 627w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-331x1080.jpg 331w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-46x150.jpg 46w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-470x1536.jpg 470w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-23x75.jpg 23w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-83x270.jpg 83w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-69x225.jpg 69w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-52x170.jpg 52w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-129x420.jpg 129w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-107x350.jpg 107w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-40x131.jpg 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-160x522.jpg 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-165x540.jpg 165w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-5x16.jpg 5w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-138x450.jpg 138w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-4x14.jpg 4w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-104x340.jpg 104w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-3x9.jpg 3w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-257x840.jpg 257w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-8x26.jpg 8w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-92x300.jpg 92w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-214x700.jpg 214w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-6x21.jpg 6w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-385x1257.jpg 385w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/5-20x65.jpg 20w\" sizes=\"auto, (max-width: 603px) 100vw, 603px\" \/><\/p>\n<h2 data-start=\"10023\" data-end=\"10090\">Buss cassettes, RS tube, TG style, and built in parallel options<\/h2>\n<p data-start=\"10092\" data-end=\"10163\">The buss section is where the system becomes a full mixing environment.<\/p>\n<p data-start=\"10165\" data-end=\"10215\">The announcement includes two buss cassette types:<\/p>\n<p data-start=\"10217\" data-end=\"10310\">\u2022 Class A TG2 style buss circuit<br data-start=\"10249\" data-end=\"10252\" \/>\u2022 Tube buss based on a newly developed RS61 type circuit<\/p>\n<p data-start=\"10312\" data-end=\"10555\">In the video, Wade walks through the RS buss concept, referencing the RS61 amplifier used in auxiliary racks at EMI whenever gain needed to be made up or passive EQ was patched. It is part of that broader EMI ecosystem, not just the main desk.<\/p>\n<p data-start=\"10557\" data-end=\"10621\">Each buss cassette includes features designed for modern mixing:<\/p>\n<p data-start=\"10623\" data-end=\"10863\">\u2022 Wet dry mix on the stereo buss<br data-start=\"10655\" data-end=\"10658\" \/>\u2022 Switchable insert point<br data-start=\"10683\" data-end=\"10686\" \/>\u2022 NAB and IEC style stereo buss EQ curves<br data-start=\"10727\" data-end=\"10730\" \/>\u2022 Coarse and fine gain for driving or managing buss gain structure<br data-start=\"10796\" data-end=\"10799\" \/>\u2022 Low level inserts for creative routing and pedal integration<\/p>\n<p data-start=\"10865\" data-end=\"11092\">The wet dry mix is particularly exciting because it encourages musical parallel processing without eating up extra channels. You can smash a compressor on the insert return, then blend it in right there, fast, simple, creative.<\/p>\n<h2 data-start=\"11099\" data-end=\"11146\"><\/h2>\n<h2 data-start=\"11099\" data-end=\"11146\">Expanders, master buss, and the control room<\/h2>\n<p data-start=\"11148\" data-end=\"11342\">For larger systems there is a 12 channel Expander cassette, 12 Class A TG2 style circuits, 12 transformers, designed for big mix in the <span style=\"color: #ff4114;\">box<\/span> workflows or for extra instrument and effects returns.<\/p>\n<p data-start=\"11344\" data-end=\"11430\">There is also a master buss cassette for folding larger systems down to stereo output.<\/p>\n<p data-start=\"11432\" data-end=\"11552\">And then there is the control room cassette, which brings proper studio monitoring and talkback into the modular format:<\/p>\n<p data-start=\"11554\" data-end=\"11915\">\u2022 Switching for three sets of speakers<br data-start=\"11592\" data-end=\"11595\" \/>\u2022 Monitoring for busses, sends, master, aux, and external inputs<br data-start=\"11659\" data-end=\"11662\" \/>\u2022 Talkback routing options for headphone systems<br data-start=\"11710\" data-end=\"11713\" \/>\u2022 Discrete op amp headphone amp, ultra clean with discrete tone<br data-start=\"11776\" data-end=\"11779\" \/>\u2022 Discrete op amp speaker output, ultra clean with discrete tone<br data-start=\"11843\" data-end=\"11846\" \/>\u2022 Mute, mono, dim, polarity checks<br data-start=\"11880\" data-end=\"11883\" \/>\u2022 LED backlit EMI fader design<\/p>\n<p data-start=\"11917\" data-end=\"12030\">The point is, this is not just a rack of channels. It is a system that can become a complete console environment.<\/p>\n<h2 data-start=\"12037\" data-end=\"12116\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-64283 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-scaled.jpg\" alt=\"\" width=\"1317\" height=\"741\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-scaled.jpg 1080w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-150x84.jpg 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-768x432.jpg 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-1536x864.jpg 1536w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-2048x1152.jpg 2048w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-80x45.jpg 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-320x180.jpg 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-302x170.jpg 302w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-267x150.jpg 267w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-770x433.jpg 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-40x23.jpg 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-160x90.jpg 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-20x11.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-640x360.jpg 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-1077x606.jpg 1077w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-604x340.jpg 604w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-18x10.jpg 18w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-533x300.jpg 533w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-16x9.jpg 16w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-385x217.jpg 385w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_01_12_17.Still002-1540x866.jpg 1540w\" sizes=\"auto, (max-width: 1317px) 100vw, 1317px\" \/><\/h2>\n<h2 data-start=\"12037\" data-end=\"12116\"><\/h2>\n<h2 data-start=\"12037\" data-end=\"12116\">Recording at Abbey Road, the room, the mics, and the \u201csimple is best\u201d moment<\/h2>\n<p data-start=\"12118\" data-end=\"12398\">We set up and recorded a drum kit, and one of the joys of the day was how quickly great sounds showed up. There is a reason Abbey Road is Abbey Road. The room helps, the history is palpable, however the real lesson was how much you can achieve with simple decisions executed well.<\/p>\n<p data-start=\"12400\" data-end=\"12706\">Wade showed a drum approach influenced by Dave Cobb, focusing on the core relationship between kick and overhead. Get that right, and everything else becomes optional, not mandatory. When you bring the full kit in, the phase relationship stays solid, and the sound has that satisfying record like cohesion.<\/p>\n<p data-start=\"12708\" data-end=\"12985\">We also got deep into Chandler\u2019s TG microphones, including the smaller TGL, with its dual voicing system. In B mode, it can take a huge amount of SPL, which makes it perfect for close drums and loud sources. We used those on snare, toms, and kick, and they held up beautifully.<\/p>\n<p data-start=\"12987\" data-end=\"13380\">And then there is the REDD microphone, which is a whole story in itself. It is the REDD preamp circuit adapted into a microphone design using Chandler\u2019s patented approach, with a capsule that has a 67 style character, and a platinum skinned membrane instead of gold for a smoother tonality. It also has up to 33 dB of gain built into the mic, so you can plug straight into an interface and go.<\/p>\n<p data-start=\"13382\" data-end=\"13447\">That \u201cplug in and make music\u201d theme runs through everything here.<\/p>\n<h2 data-start=\"13454\" data-end=\"13535\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-64284 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-scaled.jpg\" alt=\"\" width=\"1219\" height=\"686\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-scaled.jpg 1080w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-150x84.jpg 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-768x432.jpg 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-1536x864.jpg 1536w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-2048x1152.jpg 2048w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-80x45.jpg 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-320x180.jpg 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-302x170.jpg 302w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-267x150.jpg 267w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-770x433.jpg 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-40x23.jpg 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-160x90.jpg 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-20x11.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-640x360.jpg 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-1077x606.jpg 1077w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-604x340.jpg 604w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-18x10.jpg 18w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-533x300.jpg 533w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-16x9.jpg 16w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-385x217.jpg 385w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/JH01_20251115_0331-synced.00_46_08_20.Still003-1540x866.jpg 1540w\" sizes=\"auto, (max-width: 1219px) 100vw, 1219px\" \/><\/h2>\n<h2 data-start=\"13454\" data-end=\"13535\"><\/h2>\n<h2 data-start=\"13454\" data-end=\"13535\">Back in Iowa, tracking guitars and bass, and the low level insert in real life<\/h2>\n<p data-start=\"13537\" data-end=\"13659\">The transcript also takes us upstairs at the Chandler workshop in Iowa, tracking guitars and bass through the new console.<\/p>\n<p data-start=\"13661\" data-end=\"13798\">The guitar setup was refreshingly direct, a TG cassette, mic placement, and off you go. No EQ, no tricks, just a cabinet and microphones.<\/p>\n<p data-start=\"13800\" data-end=\"14156\">Then we leaned into one of the most inspiring parts of the REDD Mixing System, the low level insert workflow. A Rockman stereo echo was inserted using the send insert point, and Wade showed how he creates feedback loops and recirculates the signal like classic slapback tape techniques, turning a pedal into a living, interactive effect inside the console.<\/p>\n<p data-start=\"14158\" data-end=\"14540\">On bass, Seth played a beautiful 59 P style instrument, plugged straight into the REDD cassette DI. Wade explained how the fine gain control can be used to keep things cleaner or more driven, and how the coarse gain can be used to push a different kind of character. Then it ran into the REDD EQ section, Pop treble with Classic bass, and then into an RS124 style compression setup.<\/p>\n<p data-start=\"14542\" data-end=\"14657\">The takeaway was clear, it is all right there. DI, EQ, tone, routing, and creative options, in one cohesive system.<\/p>\n<h2 data-start=\"14664\" data-end=\"14691\"><\/h2>\n<h2 data-start=\"14664\" data-end=\"14691\">Release and availability<\/h2>\n<p data-start=\"14693\" data-end=\"14831\">The REDD Mixing System is launching as a soft release initially in the United States, available through Chandler Limited as special order.<\/p>\n<p data-start=\"14833\" data-end=\"15128\">Because every unit is handmade in America and the system is highly configurable, Chandler Limited is establishing the infrastructure for building and sales. Special orders are being taken immediately, with expected delivery beginning\u00a0<strong data-start=\"15067\" data-end=\"15082\">August 2026<\/strong>. Wider distribution will be determined later.<\/p>\n<p data-start=\"15130\" data-end=\"15230\">If you want setup options, pricing, and availability, the contact is\u00a0<strong data-start=\"15199\" data-end=\"15229\"><a href=\"mailto:office@chandlerlimited.com\">office@chandlerlimited.com<\/a><\/strong>.<\/p>\n<h2 data-start=\"15237\" data-end=\"15256\"><\/h2>\n<h2 data-start=\"15237\" data-end=\"15256\">Why this matters<\/h2>\n<p data-start=\"15258\" data-end=\"15340\">A lot of products promise \u201cvintage tone\u201d or \u201cclassic character\u201d. This is not that.<\/p>\n<p data-start=\"15342\" data-end=\"15595\">This is Abbey Road and Chandler Limited taking the deeper idea behind EMI\u2019s greatest consoles, the circuits, the ergonomics, the creativity, the engineering mindset, and rebuilding it as a modular system that fits the way we actually make records today.<\/p>\n<p data-start=\"15597\" data-end=\"15845\">Tube or solid state. Tracking or mixing. In the box or hybrid. Pedals, reamping, parallel busses, mastering style EQ curves, control room workflow, all in one expandable platform, hand built with the kind of construction that rarely exists anymore.<\/p>\n<p data-start=\"15847\" data-end=\"15962\">And if you want the best part, it still feels like making records. You pull up a fader and it sounds like a record.<\/p>\n<p data-start=\"15964\" data-end=\"16008\" data-is-last-node=\"\" data-is-only-node=\"\">Have a marvellous time recording and mixing.<\/p>\n<div>\n<div>Many thanks<\/div>\n<div><\/div>\n<\/div>\n<\/div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>Warren Huart<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div><\/div>\n<div>Download The Chandler Limited Mixing System Demo Tracks Here: <a href=\"https:\/\/producelikeapro.lpages.co\/chandler-limited-mixing-system-demo-form\/\">https:\/\/producelikeapro.lpages.co\/chandler-limited-mixing-system-demo-form\/<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/www.youtube.com\/watch?v=zfflb11rrm8Video can&#8217;t be loaded because JavaScript is disabled: Chandler REDD Mixing System &#8211; At @abbeyroad Studios &#8211; First Look (https:\/\/www.youtube.com\/watch?v=zfflb11rrm8) &nbsp; Download The Chandler Limited Mixing System Demo Tracks Here: https:\/\/producelikeapro.lpages.co\/chandler-limited-mixing-system-demo-form\/ A modular console that unites REDD, TG and RS in one expandable, hand built platform, the first EMI recording console in over 50 years&hellip;<\/p>\n","protected":false},"author":25,"featured_media":64285,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[1],"tags":[13354,12005,14004,13998,434,12640,14005,19,13999,557,12249,13739,21,14000,13694,13521,13993,35,445,148,14003,14002,13176,14001,620,1005],"class_list":["post-64270","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audio-engineering","tag-abbey-road","tag-bass","tag-buss-cassette","tag-chandler-limited","tag-compression","tag-console","tag-control-room","tag-drums","tag-emi","tag-eq","tag-guitars","tag-master-bus","tag-mixing","tag-mixing-system","tag-music","tag-produce-like-a-pro","tag-produce-like-a-pro-academy","tag-producing","tag-production","tag-recording","tag-redd","tag-rs","tag-studio","tag-tg","tag-tracking","tag-warren-huart"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - 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