{"id":64292,"date":"2026-01-16T13:52:20","date_gmt":"2026-01-16T18:52:20","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=64292"},"modified":"2026-01-16T13:52:20","modified_gmt":"2026-01-16T18:52:20","slug":"faq-friday-microphone-flavours-avoidable-recording-mistakes-and-the-truth-about-expensive-gear","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/faq-friday-microphone-flavours-avoidable-recording-mistakes-and-the-truth-about-expensive-gear\/","title":{"rendered":"FAQ Friday: Microphone Flavours, Avoidable Recording Mistakes and the Truth About Expensive Gear"},"content":{"rendered":"<div id=\"produ-4233773218\" class=\"produ-leaderboard-placement produ-entity-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-1198282754053-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-1198282754053-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-1198282754053-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-1198282754053-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-1198282754053-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div><div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<div class=\"flex-video widescreen youtube\">\n<div class=\"container-lazyload preview-lazyload container-youtube js-lazyload--not-loaded\"><a href=\"https:\/\/www.youtube.com\/watch?v=n62Sq_1iBaw\" class=\"lazy-load-youtube preview-lazyload preview-youtube\" data-video-title=\"Truth About Expensive Gear - FAQ Friday\" title=\"Play video &quot;Truth About Expensive Gear - FAQ Friday&quot;\">https:\/\/www.youtube.com\/watch?v=n62Sq_1iBaw<\/a><noscript>Video can&#8217;t be loaded because JavaScript is disabled: <a href=\"https:\/\/www.youtube.com\/watch?v=n62Sq_1iBaw\" title=\"Truth About Expensive Gear - FAQ Friday\">Truth About Expensive Gear &#8211; FAQ Friday (https:\/\/www.youtube.com\/watch?v=n62Sq_1iBaw)<\/a><\/noscript><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><span class=\"\">Hope you\u2019re doing marvellously well. I\u2019m back at Spitfire London, dressed mostly in black, and it\u2019s time for another\u00a0<\/span><span class=\"font-[700]\">FAQ Friday<\/span><span class=\"\">. As always, I don\u2019t see these questions in advance, which means the answers come straight from experience rather than rehearsal.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Let\u2019s dive in.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\"><\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><span class=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-64293 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/headline_-_mictypes.jpg\" alt=\"\" width=\"1324\" height=\"604\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/headline_-_mictypes.jpg 1080w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/headline_-_mictypes-150x68.jpg 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/headline_-_mictypes-768x350.jpg 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/headline_-_mictypes-80x36.jpg 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/headline_-_mictypes-320x146.jpg 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/headline_-_mictypes-770x351.jpg 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/headline_-_mictypes-40x18.jpg 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/headline_-_mictypes-160x73.jpg 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/headline_-_mictypes-20x9.jpg 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/headline_-_mictypes-640x292.jpg 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/01\/headline_-_mictypes-385x176.jpg 385w\" sizes=\"auto, (max-width: 1324px) 100vw, 1324px\" \/>Why Do Different Microphones Have Different \u201cFlavours\u201d?<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">This is a deceptively big question.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">At a technical level, microphones differ because of their frequency response, transient handling, capsule design, transformers, electronics, and how they react dynamically to sound. If Paul Wolff were standing next to me, he could explain this far better than I ever could from an electronics standpoint.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">So instead, I\u2019ll answer it as someone who\u2019s been recording for a very long time.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Engineers gravitate toward certain microphones in certain situations because\u00a0<\/span><span class=\"font-[700]\">they work<\/span><span class=\"\">, and because our ears are trained by decades of records we love.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Dynamic microphones, for instance, are often chosen when we want isolation. On a drum kit, dynamics help reduce bleed from other drums. On guitar amps, they handle high sound pressure levels effortlessly and take abuse without flinching.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">That\u2019s why something like a\u00a0<\/span><span class=\"font-[700]\">Shure SM57<\/span><span class=\"\">\u00a0has been used endlessly on snare drums and guitar amps. It has a gentle presence lift around 3 to 5 kHz, which helps things cut through a mix. Put it on a snare or a guitar cab and it immediately sounds like a record.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">And that familiarity matters.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">A\u00a0<\/span><span class=\"font-[700]\">57 into a Neve 1073, into a Universal Audio 1176<\/span><span class=\"\">\u00a0is a sound your ears already trust, because you\u2019ve heard it on countless records.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><\/h3>\n<h3><span class=\"\">Ribbons, Condensers, and Knowing When to Break the Rules<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">None of these are rules, by the way.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Ribbon microphones can be extraordinary on guitar amps and drum kits. A single ribbon over a kit can sound phenomenal. Anyone who\u2019s used a\u00a0<\/span><span class=\"font-[700]\">Coles 4038<\/span><span class=\"\">\u00a0as a mono overhead knows exactly what I mean. It\u2019s incredible, especially in bright rooms where you want to tame cymbals without losing weight or depth.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">That\u2019s where experience comes in.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">You walk into a studio, listen to the room, and make decisions instinctively. Maybe the room is bright, so you choose a darker ribbon. Maybe the guitar is painfully sharp, so you blend a\u00a0<\/span><span class=\"font-[700]\">Royer Labs R-121<\/span><span class=\"\">\u00a0with a 57 to balance bite with warmth.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">These are the choices we learn through repetition.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Condenser microphones are often described as \u201cmore accurate\u201d, however every condenser has its own personality. Some are brighter, some darker, some smoother in the top end.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">For years, many female R&amp;B vocalists gravitated toward\u00a0<\/span><span class=\"font-[700]\">AKG C12-style<\/span><span class=\"\">\u00a0microphones because of their fuller low end and open top. Personally, I love\u00a0<\/span><span class=\"font-[700]\">Neumann 47-style<\/span><span class=\"\">\u00a0microphones because they aren\u2019t overly bright, yet they take EQ beautifully. You can add air without the vocal becoming aggressive or sibilant.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">That\u2019s why these designs are cloned over and over again. They\u2019ve earned their reputation over decades of real-world use.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><\/h3>\n<h3><span class=\"\">The Two Microphones Every Engineer Trusts<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">I once asked some of the greatest engineers and producers in the world, including\u00a0<\/span><span class=\"font-[700]\">Ed Cherney<\/span><span class=\"\">,\u00a0<\/span><span class=\"font-[700]\">Hugh Padgham<\/span><span class=\"\">, and\u00a0<\/span><span class=\"font-[700]\">Steve Lillywhite<\/span><span class=\"\">, a simple question.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">If you could only record a band with two microphones, which would you choose?<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Every single one said the same thing.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">A\u00a0<\/span><span class=\"font-[700]\">57<\/span><span class=\"\">\u00a0and a\u00a0<\/span><span class=\"font-[700]\">Neumann U87<\/span><span class=\"\">.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">The point wasn\u2019t brand loyalty. It was versatility.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">A U87 can go on vocals, piano, overheads, acoustic guitar, bass amp, electric guitar, or percussion. It\u2019s a utilitarian microphone in the best possible sense.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">I learned this firsthand early in my career when\u00a0<\/span><span class=\"font-[700]\">Andy Jackson<\/span><span class=\"\">\u00a0turned up to a session with a pair of U87s. Four microphones on the entire drum kit, two overheads, a 57 on snare, and a D112 in the kick. That same 87 later became the vocal mic, the bass mic, and the acoustic guitar mic.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">It was an education.<\/span><\/p>\n<\/div>\n<div class=\"flex flex-col mt-2\" data-test-id=\"publishing-image-block\">\n<figure><img loading=\"lazy\" decoding=\"async\" class=\"block w-full lazy-loaded aligncenter lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/media.licdn.com\/dms\/image\/v2\/D4E12AQFFdEQU3BR2Pw\/article-inline_image-shrink_1000_1488\/B4EZvH.1_vIIAQ-\/0\/1768586700284?e=2147483647&amp;v=beta&amp;t=hJLevT2uXsiUP3ENvisDMBS08m8588qM2AR3lxc55Wk\" alt=\"Article content\" width=\"722\" height=\"722\" aria-busy=\"false\" \/><\/figure>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><\/h3>\n<h3><span class=\"\">Modern Condensers and Practical Solutions<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">We\u2019re now in a great era for microphones.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">There are outstanding companies like Mojave, Roswell, and Lewitt making versatile, professional condensers at more accessible prices. Recently, we\u2019ve been testing\u00a0<\/span><span class=\"font-[700]\">Austrian Audio\u2019s OC818<\/span><span class=\"\">, and it\u2019s impressed everyone who\u2019s used it, from vocals to drums to acoustic instruments.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">This isn\u2019t about hype. It\u2019s about the reality that\u00a0<\/span><span class=\"font-[700]\">a single high-quality condenser can solve an enormous number of recording problems<\/span><span class=\"\">.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Mono piano mic, overheads, vocals, guitar, bass, room mic, it can all be done if the microphone is well designed.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><\/h3>\n<h3><span class=\"\">The Most Common Avoidable Recording Mistake<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">The single biggest avoidable issue in recording is\u00a0<\/span><span class=\"font-[700]\">lack of preparation<\/span><span class=\"\">.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Preparation looks different depending on where you are in your career.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">If you\u2019re working with an inexperienced band, preparation might mean extensive pre-production. If you\u2019re walking into a high-level session with world-class players, preparation means knowing the room, the gear, and having everything ready before the artist walks in.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">When I recorded with\u00a0<\/span><span class=\"font-[700]\">David Foster<\/span><span class=\"\">\u00a0on a song written by\u00a0<\/span><span class=\"font-[700]\">Diane Warren<\/span><span class=\"\">, I went to the studio days in advance. I assessed the gear, rented what was missing, tuned the drum kit, placed it in the best part of the room, and had everything miked and ready. When David arrived, we recorded immediately. No delays. No uncertainty.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">On the other end of the spectrum, I\u2019ve had sessions where the air conditioning failed, consoles overheated, headphone sends vanished, and somehow the session still moved forward because momentum matters.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Experience teaches you how to survive both extremes.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">The takeaway is simple. Whatever level you\u2019re at,\u00a0<\/span><span class=\"font-[700]\">be honest with yourself and be ready<\/span><span class=\"\">. If you\u2019re recording something unfamiliar, do your homework. Preparation is always the thing you can control.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><\/h3>\n<h3><span class=\"\">Cheap vs Expensive P90 Pickups: What Are You Really Paying For?<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">You generally get what you pay for, with diminishing returns.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">A \u00a325 pickup might sound good. It might even sound great in the right context. However, cheaper pickups are often noisier, less well shielded, and built with more readily available components.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">More expensive pickups usually offer better shielding, tighter tolerances, higher quality magnets, and consistency from unit to unit. They are quieter, more reliable, and often last a lifetime.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">This is no different from mastering.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">You can pay \u00a325 for a master or \u00a3400 for a top-tier engineer. The more expensive option is not four times better, however you are paying for experience, judgement, and the ability to fix any problem instantly.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">It\u2019s the same with classic gear clones. Some look like the original. Some sound close. The best use premium components and last decades. That\u2019s what you\u2019re paying for.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Think Ferrari versus Jaguar F-Type. Both are incredible. One costs more because it sits at the extreme end of what\u2019s possible.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<h3><\/h3>\n<h3><span class=\"\">Final Thoughts<\/span><\/h3>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Different microphones sound different because of design, electronics, and history. We choose them because of experience, familiarity, and results. The biggest mistake you can avoid is not being prepared. And when it comes to gear, expensive doesn\u2019t always mean better, but the best almost always costs more.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Thanks so much for watching and reading. Leave your questions below for future FAQ Fridays, and I\u2019ll see you very soon.<\/span><\/p>\n<\/div>\n<div class=\"article-main__content\" data-test-id=\"publishing-text-block\">\n<p><span class=\"\">Have a marvellous time recording and mixing.<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/www.youtube.com\/watch?v=n62Sq_1iBawVideo can&#8217;t be loaded because JavaScript is disabled: Truth About Expensive Gear &#8211; FAQ Friday (https:\/\/www.youtube.com\/watch?v=n62Sq_1iBaw) &nbsp; Hope you\u2019re doing marvellously well. I\u2019m back at Spitfire London, dressed mostly in black, and it\u2019s time for another\u00a0FAQ Friday. As always, I don\u2019t see these questions in advance, which means the answers come straight from experience rather&hellip;<\/p>\n","protected":false},"author":25,"featured_media":64294,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[51],"tags":[14006,52,1059,14008,11998,13521,13993,14007,1005],"class_list":["post-64292","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faq-friday","tag-cheap-vs-expensive","tag-faq-friday","tag-microphones","tag-modern","tag-pickups","tag-produce-like-a-pro","tag-produce-like-a-pro-academy","tag-vintage","tag-warren-huart"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>FAQ Friday: Microphone Flavours, Avoidable Recording Mistakes and the Truth About Expensive Gear - Produce Like A Pro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/producelikeapro.com\/blog\/faq-friday-microphone-flavours-avoidable-recording-mistakes-and-the-truth-about-expensive-gear\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FAQ Friday: Microphone Flavours, Avoidable Recording Mistakes and the Truth About Expensive Gear - Produce Like A Pro\" \/>\n<meta property=\"og:description\" content=\"https:\/\/www.youtube.com\/watch?v=n62Sq_1iBawVideo can&#8217;t be loaded because JavaScript is disabled: Truth About Expensive Gear &#8211; FAQ Friday (https:\/\/www.youtube.com\/watch?v=n62Sq_1iBaw) &nbsp; Hope you\u2019re doing marvellously well. I\u2019m back at Spitfire London, dressed mostly in black, and it\u2019s time for another\u00a0FAQ Friday. 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