{"id":64945,"date":"2026-06-01T12:50:44","date_gmt":"2026-06-01T17:50:44","guid":{"rendered":"https:\/\/producelikeapro.com\/blog\/?p=64945"},"modified":"2026-06-01T12:50:44","modified_gmt":"2026-06-01T17:50:44","slug":"getting-heavy-bass-tones-with-taylor-young-at-the-pit-recording-studio","status":"publish","type":"post","link":"https:\/\/producelikeapro.com\/blog\/getting-heavy-bass-tones-with-taylor-young-at-the-pit-recording-studio\/","title":{"rendered":"Getting Heavy Bass Tones with Taylor Young at The Pit Recording Studio"},"content":{"rendered":"<div id=\"produ-783675543\" class=\"produ-leaderboard-placement produ-entity-placement\" style=\"margin-left: auto;margin-right: auto;text-align: center;margin-bottom: 30px!important;\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-3848759419902-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/21927241144\/728x90-Leaderboard', [728,90], 'gpt-ad-3848759419902-0' )\n\t\t.addService(googletag.pubads());\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-3848759419902-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-3848759419902-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-3848759419902-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div><div class=\"flex-video widescreen youtube\">\n<div class=\"container-lazyload preview-lazyload container-youtube js-lazyload--not-loaded\"><a href=\"https:\/\/www.youtube.com\/watch?v=z_pY6PbnJrE\" class=\"lazy-load-youtube preview-lazyload preview-youtube\" data-video-title=\"Getting HEAVY BASS Tones with Taylor Young at The Pit Recording STUDIO\" title=\"Play video &quot;Getting HEAVY BASS Tones with Taylor Young at The Pit Recording STUDIO&quot;\">https:\/\/www.youtube.com\/watch?v=z_pY6PbnJrE<\/a><noscript>Video can&#8217;t be loaded because JavaScript is disabled: <a href=\"https:\/\/www.youtube.com\/watch?v=z_pY6PbnJrE\" title=\"Getting HEAVY BASS Tones with Taylor Young at The Pit Recording STUDIO\">Getting HEAVY BASS Tones with Taylor Young at The Pit Recording STUDIO (https:\/\/www.youtube.com\/watch?v=z_pY6PbnJrE)<\/a><\/noscript><\/div>\n<\/div>\n<p id=\"ember59\" class=\"ember-view reader-text-block__paragraph\">There are few things more exciting than walking into a studio knowing you are about to make something gloriously filthy.<\/p>\n<p id=\"ember60\" class=\"ember-view reader-text-block__paragraph\">I was out in beautiful California, where the sun was shining even in January, however I had not come looking for sunshine. I had come looking for dirty, ugly, nasty guitar and bass tones. The kind of tones that do not politely sit in a mix, they snarl, grind, push back, and make the whole track feel dangerous.<\/p>\n<p>&nbsp;<\/p>\n<p id=\"ember62\" class=\"ember-view reader-text-block__paragraph\">In the video, we visit Taylor Young at <a href=\"https:\/\/www.thepitrecordingstudio.com\/\">The Pit Recording Studio in California<\/a> and dive into his approach to creating filthy, raw, aggressive guitar and bass tones, using unusual amps, cabinets, microphones, pedals, and a fearless amount of experimentation.<\/p>\n<p id=\"ember63\" class=\"ember-view reader-text-block__paragraph\">That search brought me to The Pit Recording Studio, just outside Los Angeles, where producer, engineer, drummer, and tone obsessive Taylor Young has built a room dedicated to raw, uncompromising heavy music. Taylor is known for working with some ferociously heavy bands, and what struck me immediately was that his approach is anything except generic. The amps, cabinets, microphones, pedals, and techniques were full of choices I had either never seen used this way before, or had never heard on guitars and bass at all.<\/p>\n<h3 id=\"ember64\" class=\"ember-view reader-text-block__heading-3\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-64946 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/E2A597C7-A748-413C-9BD6-E99D30457D1D.webp\" alt=\"\" width=\"763\" height=\"533\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/E2A597C7-A748-413C-9BD6-E99D30457D1D.webp 763w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/E2A597C7-A748-413C-9BD6-E99D30457D1D-150x105.webp 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/E2A597C7-A748-413C-9BD6-E99D30457D1D-80x56.webp 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/E2A597C7-A748-413C-9BD6-E99D30457D1D-320x224.webp 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/E2A597C7-A748-413C-9BD6-E99D30457D1D-243x170.webp 243w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/E2A597C7-A748-413C-9BD6-E99D30457D1D-215x150.webp 215w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/E2A597C7-A748-413C-9BD6-E99D30457D1D-40x28.webp 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/E2A597C7-A748-413C-9BD6-E99D30457D1D-160x112.webp 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/E2A597C7-A748-413C-9BD6-E99D30457D1D-20x14.webp 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/E2A597C7-A748-413C-9BD6-E99D30457D1D-640x447.webp 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/E2A597C7-A748-413C-9BD6-E99D30457D1D-487x340.webp 487w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/E2A597C7-A748-413C-9BD6-E99D30457D1D-14x10.webp 14w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/E2A597C7-A748-413C-9BD6-E99D30457D1D-429x300.webp 429w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/E2A597C7-A748-413C-9BD6-E99D30457D1D-13x9.webp 13w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/E2A597C7-A748-413C-9BD6-E99D30457D1D-385x269.webp 385w\" sizes=\"auto, (max-width: 763px) 100vw, 763px\" \/><\/h3>\n<h3 class=\"ember-view reader-text-block__heading-3\">The Pit, A New Room Built for Heavy Music<\/h3>\n<p id=\"ember65\" class=\"ember-view reader-text-block__paragraph\">The Pit is a relatively new studio, about a year and a half old at the time of the visit, and Taylor built it with the help of friends and friends of friends. It still has that fresh, woody feeling of a room that has not been beaten into submission yet, however it has already seen plenty of records come through its doors.<\/p>\n<p id=\"ember66\" class=\"ember-view reader-text-block__paragraph\">For Taylor, the new space is a huge step up from his previous room. Anyone who had worked with him before knew how compact that old place was. The Pit gives him far more room to track full bands, drums, vocals, keys, percussion, screaming, and, of course, the absolutely filthy guitars and bass tones that he is known for.<\/p>\n<p id=\"ember67\" class=\"ember-view reader-text-block__paragraph\">The live room is not enormous, however that is part of the charm. It is practical, focused, and built for getting sounds quickly. Taylor tracks drums there, he tracks guitars there, and he uses the room in a way that suits the kind of music he makes. It is not about creating a pristine, polished, sterile environment. It is about capturing energy.<\/p>\n<p id=\"ember68\" class=\"ember-view reader-text-block__paragraph\">And for heavy music, that is everything.<\/p>\n<h3 id=\"ember69\" class=\"ember-view reader-text-block__heading-3\">Taylor Young\u2019s Philosophy, Every Record Needs Its Own Stamp<\/h3>\n<p id=\"ember70\" class=\"ember-view reader-text-block__paragraph\">One of the most refreshing things about Taylor\u2019s approach is that he does not want to repeat himself. He has plenty of classic gear, however he also goes out of his way to find unusual amps, strange cabinets, oddball pedals, and microphones that are not the obvious first choice.<\/p>\n<p id=\"ember71\" class=\"ember-view reader-text-block__paragraph\">As he explained, he likes to have a few things everybody has, and a few things nobody has. That gives him a familiar foundation, however it also allows him to create a unique sonic identity for every record.<\/p>\n<p id=\"ember72\" class=\"ember-view reader-text-block__paragraph\">That is a huge part of great production. It is not just about getting \u201ca good guitar sound.\u201d It is about getting the guitar sound that belongs to that band, that tuning, that tempo, that arrangement, and that emotional world.<\/p>\n<p id=\"ember73\" class=\"ember-view reader-text-block__paragraph\">Taylor is not chasing pretty tones here. He is chasing character. If a band is tuned low, playing fast, and wants to sound massive, the choices have to serve that. If the band wants fuzz, then the tone has to behave differently from an overdrive sound. If the guitars are dense, the bass has to find a way to support them without turning into a cloud of mud.<\/p>\n<p id=\"ember74\" class=\"ember-view reader-text-block__paragraph\">That is where the fun starts.<\/p>\n<h3 id=\"ember75\" class=\"ember-view reader-text-block__heading-3\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-64947 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/5985883c-245c-432f-8306-0eb4ebc2a8e2.webp\" alt=\"\" width=\"800\" height=\"560\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/5985883c-245c-432f-8306-0eb4ebc2a8e2.webp 800w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/5985883c-245c-432f-8306-0eb4ebc2a8e2-150x105.webp 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/5985883c-245c-432f-8306-0eb4ebc2a8e2-768x538.webp 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/5985883c-245c-432f-8306-0eb4ebc2a8e2-80x56.webp 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/5985883c-245c-432f-8306-0eb4ebc2a8e2-320x224.webp 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/5985883c-245c-432f-8306-0eb4ebc2a8e2-243x170.webp 243w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/5985883c-245c-432f-8306-0eb4ebc2a8e2-214x150.webp 214w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/5985883c-245c-432f-8306-0eb4ebc2a8e2-770x539.webp 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/5985883c-245c-432f-8306-0eb4ebc2a8e2-40x28.webp 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/5985883c-245c-432f-8306-0eb4ebc2a8e2-160x112.webp 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/5985883c-245c-432f-8306-0eb4ebc2a8e2-20x14.webp 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/5985883c-245c-432f-8306-0eb4ebc2a8e2-640x448.webp 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/5985883c-245c-432f-8306-0eb4ebc2a8e2-486x340.webp 486w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/5985883c-245c-432f-8306-0eb4ebc2a8e2-14x10.webp 14w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/5985883c-245c-432f-8306-0eb4ebc2a8e2-429x300.webp 429w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/5985883c-245c-432f-8306-0eb4ebc2a8e2-13x9.webp 13w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/5985883c-245c-432f-8306-0eb4ebc2a8e2-385x270.webp 385w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/h3>\n<h3 class=\"ember-view reader-text-block__heading-3\">The Amp Wall, Marshalls, 5150s, Ampegs, Orange, and Pure Violence<\/h3>\n<p id=\"ember76\" class=\"ember-view reader-text-block__paragraph\">Taylor\u2019s amp collection is a wonderful blend of the known and the obscure.<\/p>\n<p id=\"ember77\" class=\"ember-view reader-text-block__paragraph\">There are modded Marshall JMPs, including a couple of 1976 models modified by his friend Michael Klein. One is a 50-watt head with custom voicing and clipping options, while another has an extra gain stage and runs on 6550s, giving it a darker, meaner sound.<\/p>\n<p id=\"ember78\" class=\"ember-view reader-text-block__paragraph\">There is also a block letter Peavey 5150, one of the great modern heavy guitar amps, as well as a Marshall Jubilee, dressed in custom camo because, in Taylor\u2019s words, it looks badass.<\/p>\n<p id=\"ember79\" class=\"ember-view reader-text-block__paragraph\">Then there is the Ampeg VT40, an amp Taylor has had since before he was born. Originally intended more for keyboards, it has been converted into a head and used for guitar. As the volume comes up, the gain comes up in a way that Taylor compares to a Sunn Model T type of behaviour. It is not about using its built-in distortion, which he describes rather brutally, it is about the way the amp starts to thicken and push when driven.<\/p>\n<p id=\"ember80\" class=\"ember-view reader-text-block__paragraph\">There is an Orange Thunderverb, which is dark, powerful, and capable of a really useful bite when the shape control is used right.<\/p>\n<p id=\"ember81\" class=\"ember-view reader-text-block__paragraph\">And then there is the Dean Costello Heavy Metal Warfare.<\/p>\n<p id=\"ember82\" class=\"ember-view reader-text-block__paragraph\">That name is not subtle, and neither is the amp. Taylor describes it as built for extremely low tunings, used by bands like Primitive Man and Full of Hell, and sitting somewhere between a Sunn Model T and a 5150 being smashed together. Deep, nasty, articulate, midrangey, and completely unhinged in the best possible way.<\/p>\n<p id=\"ember83\" class=\"ember-view reader-text-block__paragraph\">That is exactly the kind of language you want to hear when someone is trying to create truly heavy tones.<\/p>\n<h3 id=\"ember84\" class=\"ember-view reader-text-block__heading-3\">The Cabinets, Where the Real Personality Lives<\/h3>\n<p id=\"ember85\" class=\"ember-view reader-text-block__paragraph\">The cabinets are just as important as the heads, and Taylor\u2019s approach to speakers is wonderfully practical. He does not believe every cab has to be \u201cpure\u201d with the same speakers throughout. Instead, he treats them almost like Swiss Army knives.<\/p>\n<p id=\"ember86\" class=\"ember-view reader-text-block__paragraph\">There is a bootleg Omega-style cab that Taylor bought cheaply and constantly changes. It is a workhorse, a cabinet he can reload with different speakers depending on what he needs.<\/p>\n<p id=\"ember87\" class=\"ember-view reader-text-block__paragraph\">There is an old Mesa metal-grille cab loaded with EV Force speakers. Taylor did not know much about them when he bought it, however he ended up loving it, and it now appears on a lot of his work. That is a great reminder that some of the best studio choices come from trying things, not from reading spec sheets.<\/p>\n<p id=\"ember88\" class=\"ember-view reader-text-block__paragraph\">Then there are the Omega 6&#215;12 cabinets. These are massive, flexible, and loaded with different speaker combinations. One cab has DV77s, Celestion 75s, and V30s available in different sections. Another has a similar setup with Greenbacks on top that can be separated.<\/p>\n<p id=\"ember89\" class=\"ember-view reader-text-block__paragraph\">For this session, the DV77s and EV Forces were going to play a major role.<\/p>\n<p id=\"ember90\" class=\"ember-view reader-text-block__paragraph\">That alone is already interesting. Most heavy guitar conversations quickly become about V30s, Mesa cabs, 5150s, and SM57s. All of those things are classic for a reason, however Taylor is clearly interested in going somewhere else.<\/p>\n<p>&nbsp;<\/p>\n<h3 id=\"ember91\" class=\"ember-view reader-text-block__heading-3\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-64948 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-scaled.png\" alt=\"\" width=\"1005\" height=\"722\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-scaled.png 1080w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-150x108.png 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-768x552.png 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-1536x1103.png 1536w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-2048x1471.png 2048w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-80x57.png 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-320x230.png 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-313x225.png 313w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-237x170.png 237w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-209x150.png 209w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-770x553.png 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-40x29.png 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-160x115.png 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-20x14.png 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-640x460.png 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-844x606.png 844w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-473x340.png 473w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-14x10.png 14w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-418x300.png 418w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-13x9.png 13w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-385x276.png 385w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.41.02-AM-1540x1106.png 1540w\" sizes=\"auto, (max-width: 1005px) 100vw, 1005px\" \/><\/h3>\n<h3 class=\"ember-view reader-text-block__heading-3\">The Control Room, Digital Performer and a Neotek Console<\/h3>\n<p id=\"ember92\" class=\"ember-view reader-text-block__paragraph\">Taylor is also proudly one of the few people still using Digital Performer. He jokes that there are only about seven of them left, however he likes it because it functions like a tape machine with no sound. It is a tool. It captures the performance and stays out of the way.<\/p>\n<p id=\"ember93\" class=\"ember-view reader-text-block__paragraph\">One feature he particularly likes is its built-in tuning workflow, which works directly with the waveform, avoiding the usual dance of moving audio in and out of separate tuning software.<\/p>\n<p id=\"ember94\" class=\"ember-view reader-text-block__paragraph\">The centrepiece of the control room is a Neotek \u00c9lan II tabletop console. Neotek consoles may not be as famous as SSLs or Neves, however they have a strong reputation, and Steve Albini was famously associated with them. Taylor likes the clean mic pres and EQs. They are not trying to be an SSL, even if someone once tried to call them an \u201cSSL killer.\u201d They are their own thing.<\/p>\n<p id=\"ember95\" class=\"ember-view reader-text-block__paragraph\">For outboard, Taylor reaches frequently for Avedis MA5 preamps when he wants something rounder, smoother, and more transformer-based than the console pres. He also uses a DBX 160 constantly, often on a trash mic or centre overhead. His BG1 is a favourite for bass amps, adding harmonics and crunch while slightly controlling the low end.<\/p>\n<p id=\"ember96\" class=\"ember-view reader-text-block__paragraph\">There is also a Bricasti M7, used less as a vocal reverb and more to make a small drum room feel bigger. That is another wonderfully practical use of high-end ambience, not as a glossy effect, however as a way of making the room feel more expansive.<\/p>\n<p id=\"ember97\" class=\"ember-view reader-text-block__paragraph\">Taylor also has a Custom Audio Germany EQ, a Soundtech-style unit with custom transformer options, mid-side capability, and fully notched controls for easy recall. In a world where recall can be a nightmare, especially when you are doing heavy analogue tone shaping, that sort of detail matters.<\/p>\n<p>&nbsp;<\/p>\n<h3 id=\"ember98\" class=\"ember-view reader-text-block__heading-3\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-64949 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.42.29-AM-scaled.png\" alt=\"\" width=\"951\" height=\"495\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.42.29-AM-scaled.png 1080w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.42.29-AM-150x78.png 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.42.29-AM-768x400.png 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.42.29-AM-1536x799.png 1536w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.42.29-AM-2048x1065.png 2048w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.42.29-AM-80x42.png 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.42.29-AM-320x166.png 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.42.29-AM-288x150.png 288w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.42.29-AM-770x401.png 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.42.29-AM-40x21.png 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.42.29-AM-160x83.png 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.42.29-AM-20x10.png 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.42.29-AM-640x333.png 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.42.29-AM-577x300.png 577w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.42.29-AM-17x9.png 17w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.42.29-AM-385x200.png 385w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.42.29-AM-1540x801.png 1540w\" sizes=\"auto, (max-width: 951px) 100vw, 951px\" \/><\/h3>\n<h3 class=\"ember-view reader-text-block__heading-3\">Dialling in Heavy Guitar Tones<\/h3>\n<p id=\"ember99\" class=\"ember-view reader-text-block__paragraph\">When it came time to talk about guitar tones, Taylor made it clear that there is no one-stop solution.<\/p>\n<p id=\"ember100\" class=\"ember-view reader-text-block__paragraph\">The tuning matters. The speed of the songs matters. The band\u2019s existing identity matters. Are they fuzzy? Are they tight and overdriven? Are they going for pure filth, or does the tone need more articulation?<\/p>\n<p id=\"ember101\" class=\"ember-view reader-text-block__paragraph\">For the main heavy guitar setup, Taylor had a Marshall JVM 410 HJS, the Joe Satriani version of the JVM. Instead of reverb, it has a gate, which is extremely useful for heavy rhythm work. Taylor describes it as one of the chuggiest Marshalls ever made, and also something people often overlook.<\/p>\n<p id=\"ember102\" class=\"ember-view reader-text-block__paragraph\">He also had a Dual Rectifier modded by Michael Klein, with the diode side of the gain pushed in a way that made it smoother, tighter, and more disgusting. Taylor said he did not even need pedals with it, however, of course, pedals are fun.<\/p>\n<p id=\"ember103\" class=\"ember-view reader-text-block__paragraph\">And in Taylor\u2019s world, pedals are not just decoration. They are tools for tightening, sculpting, and mangling the front end of an amp.<\/p>\n<p id=\"ember104\" class=\"ember-view reader-text-block__paragraph\">He had a Maxon, the Michael Klein \u201cDick\u201d pedal made with Sammy from Acid Bath, his own Michael Klein collaboration called the Oni, and the Feral, made by Will Killingsworth from Orchid. The Oni is essentially Taylor\u2019s death metal tone chain in one box, overdrive, RAT-style distortion, and EQ, all combined into a single unit. That is the kind of pedal that tells you a lot about how someone thinks. It is not just \u201cmore gain.\u201d It is a repeatable way to hit an amp with a particular shape and attitude.<\/p>\n<p>&nbsp;<\/p>\n<h3 id=\"ember105\" class=\"ember-view reader-text-block__heading-3\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-64950 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-scaled.png\" alt=\"\" width=\"865\" height=\"536\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-scaled.png 1080w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-150x93.png 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-768x476.png 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-1536x951.png 1536w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-2048x1268.png 2048w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-80x50.png 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-320x198.png 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-275x170.png 275w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-242x150.png 242w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-770x477.png 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-40x25.png 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-160x99.png 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-20x12.png 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-640x396.png 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-979x606.png 979w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-549x340.png 549w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-16x10.png 16w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-484x300.png 484w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-15x9.png 15w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-385x238.png 385w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.43.46-AM-1540x954.png 1540w\" sizes=\"auto, (max-width: 865px) 100vw, 865px\" \/><\/h3>\n<h3><\/h3>\n<h3 class=\"ember-view reader-text-block__heading-3\">Moving to Bass, The Omega 8&#215;10 and the SVT<\/h3>\n<p id=\"ember106\" class=\"ember-view reader-text-block__paragraph\">After exploring the guitar side, Taylor switched over to bass. Out went the Mesa cab, and in came an Omega 8&#215;10.<\/p>\n<p id=\"ember107\" class=\"ember-view reader-text-block__paragraph\">The bass cab was miked with a Sennheiser MD 441 and a Heil PR 48. The 441 is a fascinating choice for bass. Taylor likes it because the snarl sits lower than a 421 or a 57 might. A 421 can sometimes get too close to the guitar zone, and a 57 can do a similar thing. The 441 gives him pick attack and aggression, however in a place that feels more appropriate for bass.<\/p>\n<p id=\"ember108\" class=\"ember-view reader-text-block__paragraph\">The Heil PR 48, typically thought of more as a kick drum mic, brings the low low end. Together, the two mics create a fuller picture. Taylor made a great point here, two mics are not always just about grabbing different frequencies. Sometimes they give you a more complete image of the source, like moving from black and white into full colour.<\/p>\n<p id=\"ember109\" class=\"ember-view reader-text-block__paragraph\">The amp was an Ampeg SVT-VR, Taylor\u2019s favourite Ampeg largely because of the versatility of channel jumping. The modern vintage reissue gives him reliability, while still giving him that classic SVT weight and feel.<\/p>\n<p>&nbsp;<\/p>\n<h3 id=\"ember110\" class=\"ember-view reader-text-block__heading-3\">Building the Bass Tone, Clean Is Already Dirty<\/h3>\n<p id=\"ember111\" class=\"ember-view reader-text-block__paragraph\">One of the most useful parts of the session was hearing how the bass tone began.<\/p>\n<p id=\"ember112\" class=\"ember-view reader-text-block__paragraph\">Before any extreme pedal choices, the \u201cclean\u201d bass tone already had grit. The pickup and DI chain were contributing snarl and saturation, especially around the pick attack. Taylor suspected they may have hit a preamp hard when tracking the DI, or possibly used a tube preamp. Either way, the result was already aggressive before any extra distortion was added.<\/p>\n<p id=\"ember113\" class=\"ember-view reader-text-block__paragraph\">That is such an important point. Great heavy bass tones are rarely just clean bass plus a distortion pedal. The source matters. The pickup matters. The player matters. The DI chain matters. The preamp matters. By the time you start adding pedals and blending amp channels, the personality should already be there.<\/p>\n<p id=\"ember114\" class=\"ember-view reader-text-block__paragraph\">Taylor started with channel one of the SVT, then used a second channel for additional filth. He brought in pedals including the Boss ODB-3, which he likes because it can get that insane bass snarl while still being effective on the instrument. The ODB-3 gave him a more scooped, high-low type of aggression, while the other channel provided more midrange clank and body.<\/p>\n<p id=\"ember115\" class=\"ember-view reader-text-block__paragraph\">He also tried fuzzes, the Oni, a Brutus, and an MXR, experimenting with how each one controlled or exaggerated the low end. At one point, the MXR helped reel things in without making the tone boxy. That is the art of extreme tone shaping, knowing when something nasty is useful, and when it is simply swallowing the mix.<\/p>\n<h3><\/h3>\n<h3 id=\"ember116\" class=\"ember-view reader-text-block__heading-3\">Context Is Everything<\/h3>\n<p id=\"ember117\" class=\"ember-view reader-text-block__paragraph\">The real test came when Taylor put the bass tone back in context with the guitars.<\/p>\n<p id=\"ember118\" class=\"ember-view reader-text-block__paragraph\">That is where heavy bass lives or dies.<\/p>\n<p id=\"ember119\" class=\"ember-view reader-text-block__paragraph\">On its own, a bass tone can sound enormous, disgusting, exciting, and completely unusable. In the track, it either supports the guitars, fills the low end, adds aggression, and gives the whole thing forward motion, or it turns into a mess.<\/p>\n<p id=\"ember120\" class=\"ember-view reader-text-block__paragraph\">Taylor brought the tone down slightly, aware that the centre image in his room could be misleading. He listened to how the bass sat underneath the guitars, then checked the different amp channels. Channel one gave the natural feed of the Brutus into the MXR. Channel two, with the ODB-3, added more of that scooped grind and extreme low-high texture.<\/p>\n<p id=\"ember121\" class=\"ember-view reader-text-block__paragraph\">Then he blended them.<\/p>\n<p id=\"ember122\" class=\"ember-view reader-text-block__paragraph\">That is the key. It is not about one magic pedal, one magic amp, or one magic mic. It is about the blend.<\/p>\n<p id=\"ember123\" class=\"ember-view reader-text-block__paragraph\">The clean is dirty. The dirty is controlled. The clank is balanced against the low end. The mic choices give different versions of the same cabinet. The amp channels contribute different kinds of aggression. Then everything is judged against the guitars, not in isolation.<\/p>\n<p>&nbsp;<\/p>\n<h3 id=\"ember124\" class=\"ember-view reader-text-block__heading-3\">The 441 and PR 48 Blend<\/h3>\n<p id=\"ember125\" class=\"ember-view reader-text-block__paragraph\">Taylor eventually soloed the microphones so we could hear what each one was doing.<\/p>\n<p id=\"ember126\" class=\"ember-view reader-text-block__paragraph\">The 441 had enough low end to be usable on its own, however its real strength was the snarl and pick articulation. It had that focused aggression that lets the bass speak through dense guitars without simply becoming another guitar.<\/p>\n<p id=\"ember127\" class=\"ember-view reader-text-block__paragraph\">The Heil PR 48 brought the huge bottom. It was rounder, deeper, and more extended.<\/p>\n<p id=\"ember128\" class=\"ember-view reader-text-block__paragraph\">Together, the two mics created the complete picture. The 441 gave definition, the Heil gave weight, and the blend gave the bass the size and aggression it needed.<\/p>\n<p id=\"ember129\" class=\"ember-view reader-text-block__paragraph\">That is a fantastic lesson for anyone recording heavy bass. You do not always need ten tracks, endless plugins, or complicated routing. Sometimes two thoughtfully chosen microphones on the right cabinet, with the right amp and pedal blend, can get you there.<\/p>\n<h3 id=\"ember130\" class=\"ember-view reader-text-block__heading-3\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-64951 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-scaled.png\" alt=\"\" width=\"981\" height=\"552\" data-sizes=\"auto\" data-srcset=\"https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-scaled.png 1080w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-150x84.png 150w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-768x432.png 768w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-1536x864.png 1536w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-2048x1152.png 2048w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-80x45.png 80w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-320x180.png 320w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-302x170.png 302w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-267x150.png 267w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-770x433.png 770w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-40x22.png 40w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-160x90.png 160w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-20x11.png 20w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-640x360.png 640w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-1078x606.png 1078w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-605x340.png 605w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-18x10.png 18w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-534x300.png 534w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-16x9.png 16w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-385x216.png 385w, https:\/\/producelikeapro.com\/blog\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-01-at-10.45.42-AM-1540x866.png 1540w\" sizes=\"auto, (max-width: 981px) 100vw, 981px\" \/><\/h3>\n<h3 class=\"ember-view reader-text-block__heading-3\">Go Deeper with Taylor Young in Never Enough Gain!<\/h3>\n<p id=\"ember131\" class=\"ember-view reader-text-block__paragraph\">If this kind of filthy, rebellious tone creation gets you excited, Taylor goes even deeper in his Kohle Audio Kult course, <em>Never Enough Gain!<\/em><\/p>\n<p id=\"ember132\" class=\"ember-view reader-text-block__paragraph\">This is not a polite modern metal tone course. It is a deep dive into the vile, aggressive, gloriously nasty sound of Tribal Gaze, one of underground death metal\u2019s most uncompromising bands. Working from the track \u201cBeyond Recognition,\u201d Taylor Young breaks down how he builds guitar and bass tones from scratch, using the same kind of fearless approach we saw at The Pit.<\/p>\n<p id=\"ember133\" class=\"ember-view reader-text-block__paragraph\">You get to see how Taylor creates chainsaw guitars, suffocating bass filth, bizarre microphone combinations, blended tube and transistor amps, and cabinets miked in ways that many engineers would never even think to try. This is tone creation as sound design. It is not about finding the most polished, acceptable version of heavy music. It is about building something with identity, danger, and impact.<\/p>\n<p id=\"ember134\" class=\"ember-view reader-text-block__paragraph\">Taylor blends multiple tube amps, including Mesa Boogie and Marshall, through several 4&#215;12 cabinets to create a filthy wall of guitars. Then he layers transistor amp grind on top for extra bite, focus, and brutal precision. He also explores pedal choices, amp settings, microphone positions, speaker combinations, and DAW-based blending techniques, showing how each decision adds another layer to the final sound.<\/p>\n<p id=\"ember135\" class=\"ember-view reader-text-block__paragraph\">The bass side is just as exciting. Taylor creates a savage dual-channel bass tone, combining low-end weight with chainsaw grit, so the bass does not simply support the guitars, it becomes part of the violence of the track.<\/p>\n<p id=\"ember136\" class=\"ember-view reader-text-block__paragraph\">Even better, the course includes the original guitar and bass DI tracks, a playback track, and Taylor\u2019s final tones. That means you can download the raw recordings from \u201cBeyond Recognition,\u201d reamp them yourself, experiment with your own chains, and create something genuinely nasty from the same source material Taylor used.<\/p>\n<p id=\"ember137\" class=\"ember-view reader-text-block__paragraph\">You can buy <em>Never Enough Gain!<\/em> as an individual course for just $49, or join the Kult and gain access to this course along with many more inside Kohle Audio Kult.<\/p>\n<p id=\"ember138\" class=\"ember-view reader-text-block__paragraph\">Check out the course here: <a class=\"txPgeVsVxoqXupMimruaYRfcYiAbVbmTSCT \" tabindex=\"0\" href=\"https:\/\/www.kohleaudiokult.com\/courses\/Guitartonemassacre\" target=\"_self\" data-test-app-aware-link=\"\">https:\/\/www.kohleaudiokult.com\/courses\/Guitartonemassacre<\/a><\/p>\n<p id=\"ember139\" class=\"ember-view reader-text-block__paragraph\">There is also a chance to submit your own tones for professional feedback from Kristian Kohle, known for his work with Aborted, Powerwolf, Electric Callboy, Melechesh, and Kanonenfieber. The best guitar and bass tones will win some amazing prizes.<\/p>\n<p id=\"ember140\" class=\"ember-view reader-text-block__paragraph\">So, if you are ready to move beyond safe, generic metal tones and step into something more extreme, more personal, and far more rebellious, this is a fantastic opportunity to learn directly from Taylor Young.<\/p>\n<p id=\"ember141\" class=\"ember-view reader-text-block__paragraph\">Grab the course, download the DIs, and start building your own wall of filth.<\/p>\n<p>&nbsp;<\/p>\n<h3 id=\"ember142\" class=\"ember-view reader-text-block__heading-3\">What We Can Learn from Taylor\u2019s Approach<\/h3>\n<p id=\"ember143\" class=\"ember-view reader-text-block__paragraph\">The biggest takeaway from Taylor Young\u2019s process is that heavy tones are not about simply turning everything up.<\/p>\n<p id=\"ember144\" class=\"ember-view reader-text-block__paragraph\">They are about decisions.<\/p>\n<p id=\"ember145\" class=\"ember-view reader-text-block__paragraph\">A different speaker can change the whole shape of the distortion. A different mic can move the attack into a better frequency range. A pedal can tighten the low end, or it can destroy it. A second amp channel can add clank without replacing the body. A fuzz can be exciting, however only if it still works when the full mix comes in.<\/p>\n<p id=\"ember146\" class=\"ember-view reader-text-block__paragraph\">Taylor\u2019s tones are extreme, however they are not random. There is a method behind the madness. He is constantly asking, \u201cWhat does this band need? What does this tuning need? What does this song need?\u201d<\/p>\n<p id=\"ember147\" class=\"ember-view reader-text-block__paragraph\">That is what separates a heavy tone from a loud tone.<\/p>\n<p id=\"ember148\" class=\"ember-view reader-text-block__paragraph\">Anyone can add gain. Anyone can scoop mids. Anyone can throw a distortion pedal in front of an amp and hope for the best. However, getting a bass tone that snarls, growls, holds down the bottom, and still cuts through a wall of guitars takes taste, patience, and a willingness to try things that might not be obvious.<\/p>\n<p id=\"ember149\" class=\"ember-view reader-text-block__paragraph\">Taylor Young\u2019s studio is full of those choices. Strange amps. Modified Marshalls. Oversized cabinets. Mixed speakers. Unusual microphones. Pedals that sound like they were designed in a basement by people who love Celtic Frost and bad decisions.<\/p>\n<p id=\"ember150\" class=\"ember-view reader-text-block__paragraph\">Haha.<\/p>\n<p id=\"ember151\" class=\"ember-view reader-text-block__paragraph\">And that is exactly why it works.<\/p>\n<p id=\"ember152\" class=\"ember-view reader-text-block__paragraph\">At The Pit, heavy music is not treated like a preset. It is treated like a living, breathing thing. Every record gets its own stamp. Every tone has to earn its place. And when the bass finally locks in with those filthy guitars, the result is absolutely massive.<\/p>\n<p id=\"ember153\" class=\"ember-view reader-text-block__paragraph\">Have a marvellous time recording and mixing.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/www.youtube.com\/watch?v=z_pY6PbnJrEVideo can&#8217;t be loaded because JavaScript is disabled: Getting HEAVY BASS Tones with Taylor Young at The Pit Recording STUDIO (https:\/\/www.youtube.com\/watch?v=z_pY6PbnJrE) There are few things more exciting than walking into a studio knowing you are about to make something gloriously filthy. I was out in beautiful California, where the sun was shining even in January,&hellip;<\/p>\n","protected":false},"author":25,"featured_media":64952,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[12369,50,106],"tags":[12455,12005,14257,13283,14310,14309,14308,14220,13507,13506,11373,12373,148,13927,309,14307,14311,14255],"class_list":["post-64945","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-course","category-recording","category-studio-tours","tag-amps","tag-bass","tag-cabs","tag-course","tag-crunchy","tag-dirty","tag-filthy","tag-heavy","tag-kohle-audio-kult","tag-kristian-kohle","tag-metal","tag-pedals","tag-recording","tag-rock","tag-studio-tour","tag-taylor-young","tag-thick","tag-tones"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Getting Heavy Bass Tones with Taylor Young at The Pit Recording Studio - Produce Like A Pro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/producelikeapro.com\/blog\/getting-heavy-bass-tones-with-taylor-young-at-the-pit-recording-studio\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Getting Heavy Bass Tones with Taylor Young at The Pit Recording Studio - Produce Like A Pro\" \/>\n<meta property=\"og:description\" content=\"https:\/\/www.youtube.com\/watch?v=z_pY6PbnJrEVideo can&#8217;t be loaded because JavaScript is disabled: Getting HEAVY BASS Tones with Taylor Young at The Pit Recording STUDIO (https:\/\/www.youtube.com\/watch?v=z_pY6PbnJrE) There are few things more exciting than walking into a studio knowing you are about to make something gloriously filthy. 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