You may already know Antelope Audio for their top-notch audio interfaces, but they’ve recently ventured into the world of standalone plugins, and we’re about to dive deep into what they have to offer.
Antelope Audio’s Native Synergy Core
Antelope Audio has been making waves in the audio industry for years, primarily known for their high-quality audio interfaces and analog modeling technology. However, they’ve taken things up a notch by introducing their Native Synergy Core plugin range. What’s unique about this plugin lineup is that you can now purchase these plugins separately from their hardware interfaces. They currently boast over 80 plugins in their arsenal, with 38 residing in this universe, and they’re continuously adding more to their collection. In fact, they’ve added five new plugins since we started this video!
Antelope Audio understands that accessibility is key for all types of musicians and audio professionals. That’s why they’ve priced their plugin collection at $14.95 a month. But wait, there’s more! Antelope Audio is generously giving away five two-year licenses for their plugins, so be sure to check out how you can win one down below.
Diverse Plugin Categories
The Antelope Audio plugin range spans a wide array of audio processing needs, including preamps, channel strips, pedals, delay and modulation effects, equalizers, dynamic processors, and more. They take pride in meticulously capturing the essence of analog equipment, and you’ll be the judge of how well they’ve succeeded. These plugins are designed to enhance your audio production workflow and creativity, whether you’re working on music, podcasts, or any other audio project.
Trying Out the Plugins
Now, let’s get hands-on and try out some of these exciting plugins. We’re using a multi-track recording of the timeless classic “Don’t Let Me Down” to showcase how these plugins can shape and enhance your sound.
- Drum Processing
Starting with the drums, we’re cautious not to over-process them. The kick has some bleed from the snare, so we gently EQ it to add some 60Hz punch and a touch of 10kHz for snap. The snare gets a bit of EQ and a delay to align it with the DI bass.
- Bass Guitar
For the bass, we’ve got both a DI and an amp signal. We use compression and delay to align them for phase coherence. No extensive EQ here; we want to keep the sound raw and authentic.
- Guitars and Keys
The guitar, played through a Fender 65 Deluxe Tone Master, doesn’t need much tweaking as it’s naturally compressed. The keys are panned for stereo width, with slight EQ adjustments to maintain separation.
Vocals are the heart of any song, and here we use the Tube Child compressor to add character. We also employ a Poltec-style EQ to enhance the high-mids, giving the vocals more presence.
- Master Bus
Finally, on the master bus, we experiment with the Fairchild compressor to add some gentle glue to the mix. It’s important to maintain that vintage, cohesive sound reminiscent of the era when this song was originally recorded.
You can enter to Win 1 of 5 subscriptions (2 years) of the Synergy Core Native below