For music producers, audio engineers, and anyone who juggles multiple audio sources on their Mac, Audiomovers OMNIBUS 2.0 promises to be a game-changer. But does it live up to the hype?
Let’s dive into this review of OMNIBUS 2.0 and see if it’s the right fit for your workflow.
What is OMNIBUS 2.0?
Think of Audiomovers OMNIBUS 2.0 as a virtual patchbay for your Mac. It streamlines routing audio between different applications and hardware devices.
Imagine seamlessly:
- Being able to recall complex routing configurations with a click
- A/B testing on multiple devices with a simple click
- Splitting a multi-channel source for mastering
In addition to that, when it comes to sharing audio it gets even better, with OMNIBUS 2.0 you can easily:
- Send audio from one DAW to another
- Send audio directly to streaming platforms like OBS while screen recording
- Send audio from your DAW to Zoom (or sending audio from Zoom to your DAW) during remote collaboration sessions
- Incorporate web browser or application audio into your mix
I know it almost sounds too good to be true, but those are just a few of the powerful ways I’ve been using OMNIBUS 2.0 in the studio these past few months.
Key Features:
OMNIBUS 2.0 sports a sleek and intuitive interface, making audio device management a breeze. You can rename OMNIBUS devices and channel names for all available channels to improve clarity, hide unused ones to declutter your workspace, and leverage the scaling and “always-on-top” options for a personalized experience.
Unveiling a World of Possibilities
- More Routing Options: Two additional OMNIBUS virtual drivers (four drivers total) expand your routing flexibility, while hardware input support seamlessly integrates external devices.
- Precision Control: Tailor your routing experience by selecting suitable sample rates (between 44.1-192kHz) and buffer sizes.
Effortless Routing at Your Fingertips
The cornerstone of Audiomovers OMNIBUS remains its user-friendly routing matrix. Effortlessly connect any audio source to any destination, and store up to 100 unique routing configurations as snapshots. Assign hotkeys to nine of these snapshots for instant switching between setups, keeping your workflow fluid.
These are just a few of my favorite features, but it still doesn’t cover everything that OMNIBUS can do. Here’s a quick summary of all the features that make OMNIBUS a powerhouse application for your studio:
- Effortless Audio Routing: The visual matrix showing all devices makes connecting audio input to your system’s output simple.
- Multiple Virtual Devices: OMNIBUS 2 boasts four built-in virtual audio devices, offering up to 64 output channels of Input and Output channels on OMNIBUS D driver. This provides immense flexibility for complex projects with numerous audio sources.
- Flexible Signal Management: Control audio levels on certain devices, mute individual channels, and even rename your OMNIBUS devices for easy identification.
- Snapshot System: Save and recall complex routing configurations with ease. This is perfect for quickly switching between different project setups.
- LISTENTO Integration: For those who have the LISTENTO app for lossless audio streaming (which I highly recommend) – you can leverage OMNIBUS 2.0 to route audio directly to LISTENTO from any source on your Mac. If you’re not familiar with LISTENTO, check out our full Audiomovers LISTENTO review here.
- Studio-Grade Sample Rate Support: OMNIBUS’s global sample rate can be selected between 44.1 kHz and 192 kHz. It also has built-in sample rate conversion.
- Customizable Hotkeys/Keyboard Shortcuts: Assign keyboard shortcuts for frequently used actions in OMNIBUS 2, streamlining your workflow and saving you time. This can be particularly useful for quickly enabling/disabling specific routings or activating snapshots.
Benefits for Music Producers:
Practical Use Cases to Supercharge Your Workflow
Audiomovers OMNIBUS 2.0 empowers you to tackle various audio routing tasks with ease. Here are a few compelling examples:
- A/B Your Mixes: Seamlessly compare your mix with reference tracks. Set your computer’s audio device to OMNIBUS A and your DAW’s playback engine to OMNIBUS B. Create dedicated snapshots for each routing configuration, and assign hotkeys for effortless switching. This allows you to quickly assess your mix against reference tracks without interrupting your workflow.
- Streamline Live Streaming: Craft personalized hotkeys to instantly switch between microphone and program audio, or mute/unmute your microphone with a single keypress. This ensures seamless audio control during your live streams.
- Simplify Multi-Device Setups: Working with multiple audio interfaces or devices? No problem! Using OMNIBUS alleviates the need to create aggregate devices in an Audio MIDI setup.
Is OMNIBUS 2.0 Right for You?
If you find yourself constantly battling with Mac’s audio settings or your projects involve juggling multiple audio sources, then OMNIBUS is a great solution. It simplifies complex routing tasks and offers a level of flexibility that can enhance any Mac music production workflow.
Conclusion: OMNIBUS 2.0 is the Swiss Army Knife of Audio Routing
Audiomovers OMNIBUS 2.0 is a powerful tool that can transform the way you manage audio on your Mac. With its comprehensive routing capabilities, snapshot system, and LISTENTO integration, it offers a compelling solution for music producers and engineers who need a more streamlined approach to audio workflows.
If you’re ready to ditch the audio routing headaches, OMNIBUS 2.0 is definitely worth checking out. The best part is, Audiomovers knows you will love their products so they offer a free 7-day demo. So don’t take my word for it, check it out and see for yourself!
