Blending Real Amps with Amp Modellers and Cab Sims | FAQ Friday
Hit The Red | FAQ Friday
Recording Vocals | FAQ Friday
Mentally Preparing Yourself Before Starting a Mix | FAQ Friday
Analog Delay vs Digital Delay | FAQ Friday
Using Drum Samples In A Mix | FAQ Friday
Should you use a USB Mic? | FAQ Friday
The biggest factor that influences acoustic guitar sound | FAQ Friday
10 Things No One Tells You About Music Production
When should you stop editing and start mixing? | FAQ Friday
Royer R-10 Ribbon Mic Review & Giveaway
How to get Big Guitar Tones w/ Bob Marlette & Ulrich Wild
The best way to show you how to achieve a massive guitar sound is to show you the approaches of 2 different professional mixers/producers/engineers! We have the incredibly talented Bob Marlette (Black Sabbath, Seether, Saliva, Marilyn Manson) and Ulrich Wild…
Hybrid mixing with Classic Rock Legends
Today’s video is an excerpt from our very special course called “Mixing Classic Rock for Charity.” The course features an all-star cast of musicians and a song written by Dick Wagner (one of the greatest guitar players of the ‘70s!).…
How to Mix Music Using 5 Simple Elements
Mixing music requires both technical ability and the creativity to try things that would make a song compelling and interesting to listeners. Mix engineers firstly possess the technical knowledge of audio signal flow, DAW and/or console operation, and how to…
Free Multitracks: No-Cost Resources to Practice Mixing
It goes without saying that the only way to get better at something is to do it a lot. It doesn’t matter whether you’re an athlete or a carpenter, a musician or a painter; practicing your craft is essential to developing what…
Raised in recording studios (Talking with Ryan Hewitt)
While we were in Nashville for NAMM and the Produce Like A Pro Masterclass, I had a chance to stop by the House Of Blues Studios to talk with the incredibly talented Ryan Hewitt. Ryan Hewitt is a Grammy award-winning…
Did modern music ruin feel & vibe? | FAQ Friday
Releasing Singles vs. Albums vs. Eps | FAQ Friday
Headphones & Monitor Calibration | FAQ Friday
We’ve been nominated for an award! – Thank you!
Mixing Drums with the Sonnox Oxford Envolution & Limiter
If you could work with any artist, who would it be? | FAQ Friday
Music Production With Phil Allen, Bob Horn & Erik Reichers
When is a mix finished? | FAQ Friday
4 Drum Mixing Techniques
Why compete with the best mixers? (Lauten Mic Giveaway) | FAQ Friday
200K Subs Giveaway Week (Blue Headphones & The Everything Bundle)
Is Investing in Audio School Worth It?
I decided to go to audio school after already studying an unrelated field in college. There are a multitude of reasons why it was a great personal decision for me, but it didn’t come without its downsides either. Firstly, it’s important to…
The 10 Essentials To Get Your Home Studio Started
Whether you’re looking to launch a career as an audio engineer, looking for a new hobby or an artist wanting to record their own music on the cheap, building a home studio has never been easier. The notion that high…
Magic Formula For Songwriting? | FAQ Friday
How to mix MASSIVE Rock Guitars with Ulrich Wild, Bob Marlette & Warren Huart
L C R Panning and Mixing In Mono?
Mixing Kick & Bass FAQ FRIDAY
Mixing Kick & Bass in Hip Hop (Mixing Low End)
Kick and Bass Low End Mixing Tricks With Ulrich Wild, Cameron Webb & Warren Huart
Can you record guitar with a practice amp? | FAQ Friday
Welcome to another episode of FAQ Friday (Frequently Asked Questions). This series is all about your questions. We go through the YouTube comments, look for the most common / interesting questions and answer them in FAQ Friday episodes! Can you…
Top 10 Things To Do Every Mix
Mark Needham Mix Breakdown of a Jay Clifford Song Produced and Engineered by Warren Huart
I started Produce Like A Pro to bring real life Production, Engineering and Mixing experience to everyone. I want to break down the barriers between the Professionals and everyone else and bring us all together, sharing information! I can’t think…
Blue Headphones Review & Giveaway
Acoustic Treatment with Bobby Owsinski (Frank Zappa, The Byrds)
Bobby Owsinski is an audio engineer and author, perhaps best known for writing over 20 books on recording, mixing, mastering, and acoustics–many of which have become a part of audio school curriculum. Early in his career, Bobby worked with artists…
Mixing vocals with 3 World Class Engineers & Everything Bundle Giveaway
The 9 Best Digital Audio Workspaces Available
In the era of apps, we’ve reached a point where there are simply too many options to choose from. If you’re an aspiring artist, music producer, mixer or engineer you might be looking at the seemingly endless list of music…
These Five Free Music Mixing Apps Will Kick Start Your DJ Career
It’s never been easier to get into live music mixing Believe it or not, the art of ‘DJing’ has some pretty deep-rooted history in American history. As early as 1935, radio disc jockeys practiced live or “real time” mixing where…
Song Transitions, High Passing & Drum Samples | FAQ Friday
Could you explain how to do a song transition, like how one track might go to the next track on an album? – Frequently Asked Question. That is a great question. I’ve done albums where we use interstitials. This is…
Scheps Omni Channel Review with Cameron Webb
McDSP EC-300 Review & Giveaway
a Rafflecopter giveaway We’re trying out this new-ish (new to me) McDSP EC-300 delay plugin. I haven’t used it yet, I’ve just heard lots of good things, and as you know, I like to showcase things that are really good!…
Mix and Master for the listener – Loudness Normalization with Carlo Libertini
a Rafflecopter giveaway By: Carlo Libertini Thanks to digital technology in audio production today, the “volume” of something became more of a choice over the years, and that choice was always more. More low end, more high end, more tracks,…
5 Essential Mixing Tips
The Song, the song and the song! | FAQ Friday
What an awesome question! Let me tell you why it’s an awesome question… I get all of the potential answers from this question. I’ve worked with bands that don’t want to do overdubs or many overdubs, because they’re like “We’ll…