Last week, we were invited to meet the incredible Todd Burke, producer-engineer and consultant to Antelope Audio and Aurora Audio.
Todd had a wealth of knowledge when it comes to mixing analog all the to mixing in immersive audio and ATMOS. This was a fascinating studio tour and sit-down interview. Check it out above!
Todd Burke is a record engineer who has been recording and mixing records and underscores in Los Angeles for over 25 years. His album credits include Ben Harper, Jack Johnson, The Kooks, Belle and Sebastian, M83, and Sondre Lerche (to name just a few). More recently, he’s finding his groove mixing Atmos versions of records like the Donnie Darko soundtrack and Fitz and the Tantrums’ More Than Just A Dream.
He’s also been quite busy as a Score Mixer. A few notable films include The Big Sick, Daddy’s Home 1 & 2, Second Act, I Feel Pretty, The Lovebirds, Stargirl, The King of Staten Island, Yes Day and The Bubble.
From Antelope Audio
Antelope Audio, a leading manufacturer of professional audio production tools including audio interfaces, modeling microphones and reference clocks, as well as the Synergy Core analog-modeled effects, is proud to introduce a major addition to the functionality set of
the Galaxy 32 Synergy Core – surround and immersive audio monitoring control and speaker calibration functionality.
This addition to the flagship interface allows its users to configure and control a surround/immersive monitoring setup of up to 16 channels, or 9.1.6 Dolby Atmos. Comprehensive speaker calibration makes room correction easier, while the monitoring control functionality increases the ease-of-use of the entire system and speeds up
The Galaxy 32 Synergy Core becomes the perfect interface for any surround or immersive audio setup – from studio use such as music mixing and mastering, film, TV, game and VR audio production, to live use utilizing multi-channel speaker array sound systems for venue
PA use, theater and performance spaces, art installations and sound diffusion
performances among others.
Powerful monitoring control built-in
The speaker layout visual representation acts not only as your way of accessing the selected speaker’s settings but also allows mute and solo functionality. Directly above them pre- or post-processing metering is available for the respective channels which follow the same order, labeling and color coding. Main volume adjustment for the selected speaker configuration is of course available, alongside dim and mute functionality. The interface’s front panel encoder knob can now be used to adjust this volume level as well.
Comprehensive speaker calibration capabilities
Each of the sixteen supported channels utilizes an 8-band parametric equalizer and up to 100ms of delay per channel for speaker tuning, room and distance correction adjustments. Color coded graphs show the applied EQ settings, crossover filters and resulting output, for each speaker. Per channel level adjustments are also available, as well as phase invert.
Global “lip-sync” delay is also available, with an additional 100ms, offsetting all speakers.
Bass management enables low-frequency content monitoring
Flexible crossover filters on each speaker channel allow for sending low-frequency information to the LFE channel, to facilitate mixing on monitoring setups lacking full-range speakers across the setup. Comprehensive settings such as filter type, order and cutoff frequency are available for the respective low-pass and high-pass cross over filters, which are all visualized in each channel’s EQ graph. To-LFE send levels are configured via a
separate mixer window, with the option to send these low-passed signals before or after the channel’s EQ as well as mute, solo and bypass options. These settings can be individual per channel or linked as required.
• Wide compatibility, both setup and format wise
o Any combination of the interface’s Dante, MADI, HDX, ADAT, SPDIF and
analog I/O is available
o 23 formats with path order selection readily available, including 2.1, 5.1, 7.1
surround sound and 5.1.2, 7.1.4, 9.1.6 Dolby Atmos to name a few
o Any remaining audio format and speaker configuration is also possible up to
the 16-channel limit
• Monitor controller functionality for improved mixing workflow
o Color-coded speaker selection with mute, solo and metering functionality
o Main speaker volume level available via front panel encoder
• All 16 available monitoring channels support the following:
o 8-band EQ with cut and shelf filters for the low and high bands
o Level trim from –60dB to +16dB, with one decimal place accuracy available
o Up to 100ms delay for calibration purposes, with one decimal place
o Phase invert
o Processing and crossover bypass buttons; copy, paste and reset EQ buttons
o Global “lip-sync” delay for the main output, with up to 100ms available with
one decimal place accuracy as well
o Bass management functionality via a dedicated mixer window, providing
cutoff frequency, filter type (Butterworth or Linkwitz-Riley), filter order and
bypass for the high-pass and low-pass crossover filters. Per-channel level
controls for sending low-passed signals to the LFE channel are available,
with mute and solo functionality.
For more information, contact your local Antelope Audio dealer or visit